Draft & original correspondence between Breandán Breathnach and Ken McLeod, Robert McMahon, Alaska; and Jackie Small. Correspondence between Breathnach and McMahon relate to ‘procuring a practice set from Kevin Thompson’ (20 Oct 1976)
Thirteen newspaper clippings containing stories about people from Walsh's home county, Co. Wexford. Newspaper titles and dates have been cut out, but there is a handwritten 'Wexford people' title and the date 23 January 1976 in Walsh's hand at the top of one of the clippings. These are stories, legends, and songs from the county.
Letters from Aidan Walsh, BA Curator, Monaghan County Museum, The Courthouse, Monaghan to Breandán Breathnach; exhibition catalogue ‘Pipes and Piping: An exhibition from Na Piobairi Uilleann, Dublin. Monaghan County Museum, October 7 - November 3 1977’; and copies of newspaper clipping relating to the exhibition from ‘The Anglo Celt’, ‘The Northern Standard’ and ‘The Argus’. Letters relating to the mounting of the piping exhibition in Monaghan County Museum. Aidan Walsh wrote that the exhibition was ‘well received’ and that ‘our daily attendance averaged 50 throughout the exhibition which was an increase on our normal October level’ (21 Nov 1977).
Letter from Eamonn Fitzgerald, c/o Michael Ó Ciarán, Glasleac, Shercock, Co Cavan; draft letter from Breandán Breathnach to Donal McGahan, Foras Eireann, Fitzwilton House, Wilton Place, Dublin 2; and original & draft correspondence between Breandán Breathnach and Janet Allan, Administrative Assistant, Carnegie United Kingdom Trust, Comely Park House, Dunfermline. The letter from Eamonn Fitzgerald describes the apprenticeship which he is serving with 80 year old pipe maker Michael Ó Ciaraín in Cavan. He lists a number of other pipe makers in the country including Alf & Moss Kennedy. He refers to the financial problems which have been faced by Ó Ciaraín ‘he has made a good few sets of pipes in his time and some good ones too. However he was always hampered by lack of money trying to make a living on a 15 acre farm in Cavan is not easy’ Fitzgerald is asking Na Píobairí Uilleann to ‘endorse my work if I could make good pipes’ he has managed to ‘get a grant of £1000 per year for 3 years from the Carnegie Trust’ (21 Jul 1976). Breathnach writes to Mr Donal McGahan, Foras Eireann, saying that Na Píobairí Uilleann would be willing ‘to act as intermediary in the payment of the grand which the Carnegie Trust awarded him [Eamonn Fitzgerald] to enable him to study uilleann pipe making’ (15 Aug 1977).
Letters from Roderick D. Cannon; Mick Farrell, Melbourne; Séamus [Ennis] (Ennis, Séamus, 1919-1982); Sammy Wade, Antrim; Ciss Talty, Miltown Malbay, Co Clare; Robbie Hannan; Eilish Moore, Dublin suggesting a presentation to Seamus Ennis should take place ‘Recently Seamus Ennis played in the venue and he moved me so much that I feel compelled to do something for this gentleman. It has been suggested to me by various musicians that a public presentation should be made to this gentleman in appreciation for his contribution to Irish Music’ (26 May 1977); letter from C.I.H. Bayley, Teddington, Middlesex, who is making ‘uilleann and Northumbrian Pipes as a hobby’ he is looking for information ‘on the construction of extra regulators’ includes five diagrams (1 June 1977); letter from James T. McGuire Jr, Evanston, Illinois, who is carrying out research on ‘chief Francis O’Neill (O’Neill, Francis, 1848-1936) and other Chicago Musicians, especially pipers’ (17 Oct 1977); letter from Padraig Ó Fearail enclosing a copy of the programme for ‘Éigse Mhantáin, Royal Starlight Hotel, Bray October 7/8, 1977’ (23 Oct 1977).
Draft and original correspondence between Helen Hickey, Museum Curator, Fermanagh County Museum, Enniskillen to Breandán Breathnach; exhibition catalogue ‘Pipes and piping: an exhibition at the Fermanagh County Museum August 15 – October 4 1977’; and ‘Fermanagh County Museum Spring and Summer Programme 1977’. Correspondence relating to the mounting of the piping exhibition in Fermanagh County Museum, Breandán Breathnach agrees to ‘compile a tape of pipe music’ for the exhibition. Helen Hickey writes on 15 Nov 1977 that she was ‘very pleased with the response here to your exhibition. We had an attendance of over 600 people, many of whom had come long distances especially to see the exhibits.’
Cnuasacht Iomlán den Cheol Damhsa, CICD for short, is Breandán Breathnach’s own title for this resource. CICD is a melodic card index written on 6544 large index cards, each 5 X 8 inches in size. These cards contain full handwritten and printed tunes.
Financial documents and receipts relating to the activities of Na Píobairí Uilleann. Included are an entry sheet for ‘Cumann na bPiobairí Uilleann / Uilleann Pipers' Club Members Private Sweep on The Grand National, Run at Aintree..., 1963; a hardback copy listing names & subscription payments to Na Píobairí Uilleann (1968-1972), the first entry is as follows ‘26th October 1968. Convention held at Bru na Gael, North Great George’s Street. Subscriptions were collected by me and the names of subscribers noted with addresses.’ The copy also includes ‘income’ and ‘expenditure’ accounts for these years. Also included are receipts for among other things, printing of the society’s newsletter An Píobaire, the printing of photographs from a pipers’ gathering in 1973, receipts for materials relating to reed making e.g. ‘12 balls of hemp, £1.07’ as well as receipts for the purchase of publications.
Handwritten, typescript, and newspaper clippings of songs from Co. Mayo, mostly lyric sheets but a few contain tonic sol-fa. One is written on the back of music manuscript paper, but appears unrelated to the lyrics. A few written by Nellie Walsh herself, but others sent to her or clipped from newspapers. Some attached to letters addressed to Walsh.
Handwritten, typescript, photocopied printed, and newspaper clippings of songs from Co. Tipperary. These are mostly lyric sheets, but one includes tonic sol-fa and one is written on the back of music manuscript paper, which appears unrelated to the song. Many transcribed by Nellie Walsh herself, but others sent to her or clipped from newspapers. Some attached to letters addressed to Walsh.
