Coleção CMO-18707 - Christy Moore Collection

Christy Moore Collection. Reel-to-Reel 1 [sound recording] / [various performers] Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 1 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 2 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 3 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 4 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 5 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 6 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 7 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 8 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 9
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Zona de identificação

Código de referência

CMO-18707

Título

Christy Moore Collection

Data(s)

Nível de descrição

Coleção

Dimensão e suporte

2 audio recordings

Zona do contexto

Nome do produtor

História biográfica

Moore, Christy. (1945– ). Singer, songwriter. Born in Newbridge, Co. Kildare, to Andy Moore from that town, and Neans de Paor of Yellow Furze, Navan. From his mother he learned to sing, and became absorbed in rock ’n’ roll initially, then was deeply moved by the Clancy Brothers. He learned guitar in 1961 from Dónal Lunny, and while still in his teens he formed with him a duo, The Rakes of Kildare. He worked briefly in the Bank of Ireland, but left during the strike of 1966 to tour folk clubs in England, during his stay there recording his first album, Paddy on the Road, with Dominic Behan as producer. Out of Ireland he was influenced by music heard in pubs in Fulham, Camden Town, Cricklewood, Moss Side, Glasgow and Blairgowrie. Singers John Reilly, Luke Kelly, Ewan MacColl, Martin Carthy, Hamish Imlach, Joe Heaney and Annie Briggs also influenced him.
Planxty. He returned to Ireland in 1971, and recorded Prosperous, released in 1972. With three of the musicians who played on that album – Liam O’Flynn, Dónal Lunny and Andy Irvine – he formed the group Planxty, the most popular band of the 1970s. When they split in 1975 he pursued a solo career; they re-formed in 1978, but within a few years Moore and Lunny had left to form Moving Hearts. He left after that band’s second album and developed a successful solo career, playing to huge audiences at home and abroad. An uncompromisingly political singer, Moore has espoused such causes as the Carnsore Point antinuclear protest, H-Block hunger strikes and the lot of the ordinary worker. His lyrics are intense, rhythmical in a ‘talking blues’ style, and when not (as sometimes), bitingly sarcastic, moralistic, sentimental or angry, can radiate an intense humorous understatement. Other members of the Moore family are involved in music. Brother Barry performs as ‘Luka Bloom’, nephew Conor Byrne plays flute (album Wind Dancer).
recordings. Moore performed on all of Planxty’s recordings and on Moving Hearts (1982) and The Dark End of the Street (1982) with Moving Hearts. By 2009 he had recorded twenty-six solo albums, as well as six with Planxty and two with Moving Hearts. Although Moore retired from public performance in 1998, like many others he returns to the stage intermittently. In 1994 Hummingbird recorded Christy, a documentary for RTÉ on his life and music, and another, Live at the Point, in 2006. His choice of songs, including his own lyrics, are recorded in Frank Connolly’s 1984 The Christy Moore Songbook, and his own autobiographical One Voice in 2000.

Entidade detentora

História do arquivo

The first reel-to-reel tape in this collection was deposited in ITMA by Christy Moore in. The second tape was loaned to ITMA for copying Sept 2002, but not for public access, by Catherine Rutter, Studio Manager, Windmill Lane Recording via Christy Moore

Fonte imediata de aquisição ou transferência

Zona do conteúdo e estrutura

Âmbito e conteúdo

Collection comprises reel-to-reel tape recordings featuring Christy Moore and Dan O'Dowd.

Avaliação, selecção e eliminação

Ingressos adicionais

Sistema de arranjo

Zona de condições de acesso e utilização

Condições de acesso

Condiçoes de reprodução

In copyright

Idioma do material

  • inglês
  • irlandês

Script do material

Notas ao idioma e script

Características físicas e requisitos técnicos

Instrumentos de descrição

Zona de documentação associada

Existência e localização de originais

Existência e localização de cópias

Unidades de descrição relacionadas

Descrições relacionadas

Zona das notas

Identificador(es) alternativo(s)

Pontos de acesso

Pontos de acesso - Locais

Pontos de acesso - Nomes

Pontos de acesso de género

Zona do controlo da descrição

Identificador da descrição

Identificador da instituição

IE ITMA

Regras ou convenções utilizadas

ISAD(G): General International Standard Archival Description. 2 nd ed. Ottawa: International Council on Archives, 2000.
Irish Guidelines for Archival Description. Ireland: Society of Archivists, 2009
Anglo-American cataloguing rules. 2nd ed., 1988 revision. Ottawa : Chicago: Canadian Library Association.

Estatuto

Nível de detalhe

Parcial

Datas de criação, revisão, eliminação

Línguas e escritas

  • inglês

Script(s)

Fontes

Fintan Vallely, ed., The companion to Irish traditional music. 2nd ed. Cork University Press, 2011

Zona da incorporação

Pessoas e organizações relacionadas

Géneros relacionados

Locais relacionados