Colección CMO-18707 - Christy Moore Collection

Christy Moore Collection. Reel-to-Reel 1 [sound recording] / [various performers] Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 1 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 2 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 3 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 4 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 5 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 6 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 7 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 8 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 9
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Área de identidad

Código de referencia

CMO-18707

Título

Christy Moore Collection

Fecha(s)

Nivel de descripción

Colección

Volumen y soporte

2 audio recordings

Área de contexto

Nombre del productor

Historia biográfica

Moore, Christy. (1945– ). Singer, songwriter. Born in Newbridge, Co. Kildare, to Andy Moore from that town, and Neans de Paor of Yellow Furze, Navan. From his mother he learned to sing, and became absorbed in rock ’n’ roll initially, then was deeply moved by the Clancy Brothers. He learned guitar in 1961 from Dónal Lunny, and while still in his teens he formed with him a duo, The Rakes of Kildare. He worked briefly in the Bank of Ireland, but left during the strike of 1966 to tour folk clubs in England, during his stay there recording his first album, Paddy on the Road, with Dominic Behan as producer. Out of Ireland he was influenced by music heard in pubs in Fulham, Camden Town, Cricklewood, Moss Side, Glasgow and Blairgowrie. Singers John Reilly, Luke Kelly, Ewan MacColl, Martin Carthy, Hamish Imlach, Joe Heaney and Annie Briggs also influenced him.
Planxty. He returned to Ireland in 1971, and recorded Prosperous, released in 1972. With three of the musicians who played on that album – Liam O’Flynn, Dónal Lunny and Andy Irvine – he formed the group Planxty, the most popular band of the 1970s. When they split in 1975 he pursued a solo career; they re-formed in 1978, but within a few years Moore and Lunny had left to form Moving Hearts. He left after that band’s second album and developed a successful solo career, playing to huge audiences at home and abroad. An uncompromisingly political singer, Moore has espoused such causes as the Carnsore Point antinuclear protest, H-Block hunger strikes and the lot of the ordinary worker. His lyrics are intense, rhythmical in a ‘talking blues’ style, and when not (as sometimes), bitingly sarcastic, moralistic, sentimental or angry, can radiate an intense humorous understatement. Other members of the Moore family are involved in music. Brother Barry performs as ‘Luka Bloom’, nephew Conor Byrne plays flute (album Wind Dancer).
recordings. Moore performed on all of Planxty’s recordings and on Moving Hearts (1982) and The Dark End of the Street (1982) with Moving Hearts. By 2009 he had recorded twenty-six solo albums, as well as six with Planxty and two with Moving Hearts. Although Moore retired from public performance in 1998, like many others he returns to the stage intermittently. In 1994 Hummingbird recorded Christy, a documentary for RTÉ on his life and music, and another, Live at the Point, in 2006. His choice of songs, including his own lyrics, are recorded in Frank Connolly’s 1984 The Christy Moore Songbook, and his own autobiographical One Voice in 2000.

Institución archivística

Historia archivística

The first reel-to-reel tape in this collection was deposited in ITMA by Christy Moore in. The second tape was loaned to ITMA for copying Sept 2002, but not for public access, by Catherine Rutter, Studio Manager, Windmill Lane Recording via Christy Moore

Origen del ingreso o transferencia

Área de contenido y estructura

Alcance y contenido

Collection comprises reel-to-reel tape recordings featuring Christy Moore and Dan O'Dowd.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

Área de condiciones de acceso y uso

Condiciones de acceso

Condiciones

In copyright

Idioma del material

  • inglés
  • irlandés

Escritura del material

Notas sobre las lenguas y escrituras

Características físicas y requisitos técnicos

Instrumentos de descripción

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

IE ITMA

Reglas y/o convenciones usadas

ISAD(G): General International Standard Archival Description. 2 nd ed. Ottawa: International Council on Archives, 2000.
Irish Guidelines for Archival Description. Ireland: Society of Archivists, 2009
Anglo-American cataloguing rules. 2nd ed., 1988 revision. Ottawa : Chicago: Canadian Library Association.

Estado de elaboración

Nivel de detalle

Parcial

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

Fuentes

Fintan Vallely, ed., The companion to Irish traditional music. 2nd ed. Cork University Press, 2011

Área de Ingreso

Personas y organizaciones relacionadas

Tipos relacionados

Lugares relacionados