Unidad documental simple BBR-18712/1/258878 - Breandán Breathnach Collection. Reel-to-Reel 320 [sound recording] / [various performers]

Performers:
Clancy, Willie, Clare, pipes in duet A1–2[?], 7[?], 9[?], 11[?];
pipes solo A3, 12, 14, 20, 22, 24;
speech in English A7, 10, 13, 15, 17, 19, 21, 23;
whistle solo A16, 18;
Mac Mathuna, Ciaran, Dublin, speech in English A1–3, 5–8, 10–11;
Talty, Tom ('Tom Charlie'), Clare, speech in English A3, 6, 8;
concertina solo A6;
Burke, Joe, Clare, speech in English A5, 10;
Barry, Michael, Clare, speech in English A5;
Rowsome, Leo, Dublin, pipes solo A5;
McGough, Michael, Clare, speech in English A6;
Unidentified performer, speech in English A8;
O Ciobhain, Breandan, Dublin, speech in English A13, 15, 17, 19, 21, 23;
O'Donnell, Michael, speech in English B1, 6, 8, 10;
Tubridy, Michael, Clare / Dublin, speech in English B1, 3, 5, 6;
flute solo B2, 11;
whistle solo B4, 9;
concertina solo B5, 7

Running Order:
1. Jig, Speech: Garrett Barry's Favourite, Untitled [Voiceover; introduction to the radio programme; date of Garrett Barry's death; the jig 'Garrett Barry's Favourite']
2. Speech, Reel: Untitled [Garrett Barry's place in the life of west Clare], Colonel Fraser
3. Speech: Untitled [Account and reminiscences of Garrett Barry; Barry's birth; blind from infancy; Tom Talty (interviewee) went with an ass and cart to pick up Barry to play at his parent's home in Tooreen, near Miltown Malbay; Barry 's favourite public house in Miltown Malbay was Patsy Burke's; the names of tunes played by Barry; information about a fling called 'Ennis']
4. Single Jig / Jig / [Fling?]: Untitled [DMWC, # 70 (untitled); Clancy's Jig (commercial sound recording 'The Pipering of Willie Clancy', vol 1; noticed wrongly as a slip jig); this might be the fling referred to by the speaker in the previous track]
5. Speech, Piece, Speech: Untitled [Further reminiscences of Garrett Barry; Barry coming to stay at Patsy Burke's public house in Miltown Malbay; Barry's physical appearance; Barry plays for benefits – music events to aid an unfortunate person in the locality; story about Garrett Barry meeting and playing with a piper named Stephenson, identified as Dick Stephenson, with whom 'The Fox Chase' was associated], The Fox Chase, Untitled [Story about Barry learning 'The Fox Chase' after hearing it only twice]
6. Speech, Jig: [Further reminiscences of Garrett Barry; Barry's fondness for whiskey], Untitled (incomplete)
7. Speech, Jig: Untitled [Introduction to story; story about Garrett Barry wanting to turn water into wine on the feast of the Epiphany; Barry playing slow tunes like 'The Gold Ring' and 'A Chailleach do Mhairis Me'], Untitled [The Gold Ring]
8. Speech: Untitled [Garrett Barry and the legend of the changeling; Barry regarded as a fine singer both in English and in Irish; Barry's republicanism; quotes words of republican song sung by Barry]
9. Reel: Untitled [The Steampacket]
10. Speech: Untitled [Garrett Barry had a keen ear; story about him recognising that a pot was cracked from the sound it made; Barry's death; speaker collects Barry's pipes after his death; speaker's mother sells pipes]
11. Reel: Untitled [Jenny's Welcome to Charlie] [End of the Radio Eireann documentary, 'The Blind Piper from Inagh']
12. Air, Reel: Bean Dubh an Ghleanna, The Copperplate Reel
13. Speech: Untitled [Willie Clancy's background as a piper; music tradition in Clancy's family; Clancy's first set of pipes, obtained from Felix Doran]
14. Slip Jig: Will You Come down to Limerick? [Kitty Come down to Limerick / The Munster Gimlet]
15. Speech: Untitled [The attractiveness of the previous tune for Clancy; Clancy's lack of formal musical training; Clancy describes the uilleann pipes and the activities needed to play them; Clancy describes his pipes, which were made by Taylor in the USA; Clancy begins learning the whistle at the age of five]
16. Jig: The Legacy
17. Speech: Untitled [Clancy's advice to those learning the tin whistle: 'Take it easy and break the lumps']
18. Air: An Binnsin Luachra
19. Speech: Untitled [Defining the art of piping; different styles of piping; Clancy's own styles, which varies from staccato to legato as the mood takes him; Clancy feels that he cannot do justice to slow airs because of his lack of knowledge of Irish; musicians who had most influence on Clancy – his father; Johnny and Felix Doran; Leo Rowsome; Tommy Reck; Peadar Broe; and Seamus Ennis; difficulties of maintaining the pipes and of finding suitable reeds]
20. Hornpipe: Untitled [Chief O'Neill's Favourite]
21. Speech: Untitled [Potential for further development for the uilleann pipes; Irish spoken in Clancy's area; playing of airs on the pipes; Clancy's regret at not being able to speak Irish]
22. Air: Casadh an tSugain
23. Speech: Untitled [Poverty as an influence on music; what music means to Clancy; the current situation – is tradition weakening?]
24. Reel: Rakish Paddy
25. Speech: Untitled [Introduction to the performer; Michael Tubridy's background in traditional music]
26. Reels: Ships Are Sailing, The Green Groves of Erin, The Mountain Top
27. Speech: Untitled [clipped at start; mid-section missing]
28. Jigs: The Geese in the Bog, Sweet Biddy Daly [Mistitled? The Boys of the Town], The Killaloe Boat
29. Speech, Air: Untitled, An Droighnean Donn
30. Speech: Untitled (clipped at end)
31. Hornpipes: The Stack of Barley, The Stack of Wheat
32. Speech: Untitled (clipped at end)
33. Reels: Untitled [The Reel of Mullinavat], Untitled [Tommy Whelan's Reel], Untitled [Touch me if you Dare]
34. Speech: Untitled (clipped at end)
35. Jigs: Untitled [Garrett Barry's Jig], Untitled [Castlebar Races], Untitled [Delaney's Drummers] [END OF BAND ONE]