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Undated and incomplete manuscripts:
Allegro Vivace for piano
Ballet suite for piano
Canon
Concerto
Concerto (the violet rag) for harp and orchestra
Concerto for piano
Concerto No. 1 for piano and orchestra
Fantasy - sonata for violin and piano
Hedgehog No. 5
Lost Things (after the Gospel according to St Thomas) for voice and piano Nocturne for piano
Sonata No. 1 for piano and percussion
Sonata No. 2 for piano
The Voice of Spring (E. W. Cole) for choir, oboe, harp and strings
Young Love for tenor, flute, oboe, harp and strings

Dated manuscripts:
Concerto No. 1 for piano and accompanied by orchestra (1950)
Concerto No. 2 for piano and orchestra. (1950)
Concerto No. 3 for piano and orchestra. (1951)
Sonata No. 1 for violin with piano accompaniment (1953)
Sonata No. 1 for clarinet (B flat) and piano (1953)
Sonata No. 1 for piano. Opus 16. (1953)
Two pieces for piano (1954)
Piano Sonata No. 2 Op.11 (1954)
Suite for oboe and piano (1954)
Gavotte (1955)
Serenade for string trio (1955)
Symphony in E flat (Sinfonia Tragica) (1955)
Recitative, Nocturne, Intermezzo and Finale for viola and piano (1955) Sonata No. 1 for oboe solo (or english horn or oboe d'amore or heckelphone) (1956) Infant Joy (songs of innocence) for two sopranos and piano (1957)
Waltz (Variation on the Agincourt Song) for xylophone, harp and string quartet. (1957) Ballade Pastorale for oboe and piano (1958)
Three Concert Studies for oboe (doubling cor anglais) and piano (1958, revised 2000) Toccata Burlesca, a transendental etude for oboe and piano (1958)
Toccata in A major for organ (1959)
Pastoral Overture for orchestra and piano (1960)
Piano Sonata (Summer 1960/1961/1962)
Four Short Romantic Melodies for violoncello and piano (1963)
A Shelley Song for soprano and piano (1964)
Improvisation and Finale for organ solo (1969)
Carolan’s Receipt for three Irish harps (1971-1972)
Sonata no. 4 'The Ascension of Milareba' for solo piano (revised 1975)
Dance Rhapsody no.1 for solo piano (revised 1981)
Variations and Musical Quotations on the well-known TV jingle: ‘Come on, Northern Ireland, come on’ for mezzo-soprano, Lambeg drum, bodrán, organ, choir and symphony orchestra (1985)
Nocturne on an Icelandic Melody for oboe d'amore and harp (1985)
Romance in Taiwan for Erh-hu and piano (1986)
Symphony No. 2 ‘The Violet Flame, Compté de Saint Germain’ for harp obbligato, and large symphony orchestra, with piano, organ and wordless chorus (1990)
Three Images of Ireland in Druid Times for voice, mixed choir and symphony orchestra (1992)
Divertissement Variations on a Tune: A day in the life of Paddy the Irishman for chamber ensemble (1997)

Recordings made at the Pipers' Club, Dublin

00:14:16 - 00:16:38|The earl's chair, reel ; Tim Maloney, reel / Seán Seery, uilleann pipes
00:32:24 - 00:33:21|The limestone rock, reel / Peadar O'Loughlin, flute ; Kathleen Harrington, fiddle
01:37:52 - 01:39:02 | Street session Miltown Malbay, Farewell to Connaught, reel / Peadar O'Loughlin, fiddle ; Michael McMahon, fiddle
01:14:10 - 01:16:48 | Doctor O'Neill, jig / Elizabeth Crotty, concertina ; Peadar O'Loughlin, flute ; Kathleen Harrington, fiddle
01:19:24 - 01:22:00 | Trim the velvet, reel ; The bucks of Oranmore, reel / Elizabeth Crotty, concertina ; Peadar O'Loughlin, flute ; Kathleen Harrington, fiddle
01:42:07 - 01:44:01 | The gander, song / Willie Clancy, singing in English
01:48:44 - 01:50:58 | The white leaf, reel ; Aggie's fancy [Murphy's], reel / Aggie Whyte, fiddle ; Paddy McElvaney, speech in English
01:26:09 - 01:28:25 | Garrett Barry's, jig ; Brian O'Lynn, jig / Paddy Canny, fiddle
02:03:33 - 02:04:34|The walls of Liscarroll, jig / Elizabeth Crotty, concertina