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This collection was created by Derek Bell during his lifetime. The majority of the papers and audio visual collection date from the late 1960s to the late 1990s. There are some papers relating to Bell's early music education in London's Royal College of Music and Trinity College Dublin but the vast majority of materials date from his professional music career. The papers cover Bell's time with the City of Belfast Orchestra and the BBC Northern Ireland Orchestra. His international career as a solo musician, recording artist, composer and his long career with the Irish music group The Chieftains are very well documented in this collection. Derek Bell's interest in Irish music, ethnic music from Bulgaria, Romania, Hungary and South America and classical harp music are also evident in the collection. His interest in the relationship between music, mysticism and meditation is reflected both in his papers and his audio visual collection. The first series contains personal papers which include: music papers relating to education, teaching and musical instruments; financial documents; religious papers relating to the guru Gideon Fontalba and the spiritual organisation the Self Realization Fellowship; papers relating to family history; and papers gathered by his widow Stefanie Bell after his death in 2002. Correspondence with family, friends, music publishers, music librarians, musicians and business related correspondence can be found in the second series of this collection. The third series contains papers collected by Bell during his time as a working musician both as a solo and orchestral artist and with The Chieftains. Included in this series are invitations from individuals and organisations to Bell to perform as well as rehearsal schedules, performance related ephemera, reviews, articles, promotional material, tour schedules and awards and certificates. The final two series in this collection contain photographs of Bell and The Chieftains and audio visual material. This material includes Bell's solo recordings as well as The Chieftains many albums. Also included in the audio collection are ethnic music recordings from around the world.

Collection of audio recordings, personal papers, manuscripts, ephemera, music transcriptions and notation, news cuttings and photographs, relating to the life and work of the collector Hugh Shields. The sound recordings were made chiefly across Ulster in the period 1966–81.

The Cathal McConnell Collection comprises 700+ cassette tape recordings and dates from the 1960s up to the early 2010s. The non-commercial audio material was recorded both in Ireland and abroad in a range of settings including field recordings in houses, informal sessions, concerts, outtake studio recordings, music classes and workshops. Also featured are both domestic recordings of radio programmes including 'The Long Note', 'Airneáin' and 'The Irish Phonograph' among others, along with cassette recordings of various commercial LP, cassette tape and CD releases.

This collection of music books, manuscripts, correspondence and sheet music was created by Nellie Walsh mainly during her time as song columnist at the magazine 'Ireland's own.'

Collection of field recordings on reel-to-reel tape and audio cassette made by Na Píobairí Uileann. Includes a number of recordings from the Bettystown Tionól from the years 1978-1990 and a piping performance presented by Tom Munelly in Kiltegan, County Wicklow in 1975.

Collection of original and photocopied music manuscripts, set lists, correspondence, and songs dating primarily from the mid-1980s. The majority of the material is in Tommie Potts' hand, but also includes correspondence from Míchéal Ó Súilleabháin and Paddy Dooley of The Welsh School of Violin-making. Two copybook pages with tune written in 1930s, written by John Gadge of Co. Tyrone. One photograph of Tommie Potts at a céilí included, taken 1935.

These fonds were largely created by Breandán Breathnach while he was chairman of the uilleann piping society, Na Píobairí Uilleann, from its establishment in 1968, right through the 1970s and into the early 1980s. The majority of the material dates from the decade 1968-1978. The first series contains letters from Francis O'Neill (O'Neill, Francis, 1848-1936) to William Halpin and letters from various individuals to Seán Reid (Reid, Seán, 1907-1978), mostly dating from the 1930s. It is most likely that the Seán Reid and Francis O'Neill letters were purchased by, or donated to, Breandán Breathnach in 1973 by Seán Reid after a request by Breathnach to deposit the originals in his newly established 'National Archives'. Breathnach wrote 'I am making so bold as to suggest you should donate these & other papers you might have to the National Archives new established in this Department or perhaps you would not mind offering them for sale' (M/187/3/3/2, 30 Oct 1973). These fonds also contain papers relating to Seán Ó Riada (Ó Riada, Seán, 1931-1971) from Len Clifford who seemed to be acting as an agent for ÓRiada during the early 1970s. It is not known how Breathnach came to be in possession of these papers, it is most likely that they were given to him as part of his national music archive project. The last series in this collection relates to the organisation Na Píobairí Uilleann. It includes correspondence and papers of a financial and administrative nature, as well as, documents relating to the organisation's various activities i.e. exhibitions, concerts, and pipe making.

Collection comprises sound recordings, manuscript transcriptions of songs and interviews, images, and broadsheets, collected by Aidan O'Hara in areas of Irish settlement on the south shore of Newfoundland in the 1970s. This collection is unique to ITMA, some portions are duplicated in other archives and special collections in Ireland and North America.

Collection comprises reel-to-reel tapes featuring off-air dubs of RTÉ radio programmes, dubs of commerical material, edited dubs of material recorded by John Brennan in the US, and other domestic and field recordings of traditional Irish musicians.

Collection of reel-to-reel sound recordings made on trips to Ireland by the Armagh-born, New York-based musician Louis Quinn.