Affichage de 46 résultats

Description archivistique
Breandán Breathnach Collection Clare Pièce
Aperçu avant impression Affichage :

9 résultats avec objets numériques Afficher les résultats avec des objets numériques

Breandán Breathnach Collection. Reel-to-Reel 113 [sound recording] / [various performers]

Performers:
Breathnach, Breandan, Dublin, speech in English throughout;
Donnelly, Maeve, Galway, speech in English throughout;
fiddle solo throughout;
Unidentified performer [Kelly, John (senior), Clare / Dublin?], speech in English intermittently

Running Order:
1. Speech: Untitled [The date of recording; where the performer comes from – near Kylemore Abbey, which is near Loughrea, Co Galway]
2. Reel, Speech: Untitled [The Belles of Tipperary], Untitled
3. Reels: Colonel Fraser, Untitled [The Floating Crowbar; The Rathcroghan Reel]
4. Speech: Untitled [The performer's version of Colonel Fraser was derived from Sean Keane, fiddle; how the performer acquired her music; she associates the second reel with Brendan McGlinchey, fiddle]
5. Jig: The Gold Ring [Version associated originally with Willie Clancy; popularised by Sean Keane, fiddle]
6. Speech, Jig: Untitled [About the tune to be played next], The Gold Ring
7. Speech: Untitled [Tune played in previous track is not related to that played in track before that]
8. Single Jig: Untitled
9. Speech: Untitled [About the tune just played]
10. Reel: Untitled [Lord Gordon]
11. Jig: Untitled [The Castle Jig; composed by Sean Ryan] [END OF BAND ONE]
12. Reels, Speech: The Mooncoin Reel (clipped at start), Untitled [Related to 'Mrs Crotty's' ?], Untitled [Related to 'The Monsignor's Blessing' ?], Untitled [About the tunes just played; the performer learned the tunes from Denis Murphy (fiddle)]
13. Jigs, Speech: The Trip to Athlone, The Pipe on the Hob [Tonic note: D], Untitled [About the tunes just played]
14. Reel: Farewell to Ireland
15. Speech: Untitled [The performer favours Sean Keane's style of playing; about the tune to be played next]
16. Reel, Speech: The Bucks of Oranmore, Untitled
17. Reels, Speech: The Wheels of the World, The Chicago Reel, Untitled [About the tunes just played]
18. Hornpipe: Untitled [Brigid of Knock; composed by Ed Reavy]
19. Speech: Untitled [The performer's sources for the pieces played in the last two tracks – Seamus Connolly (fiddle) for the hornpipe in track A18; Tommy Peoples (fiddle) for the reels in track A17] [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 150 [sound recording] / [various performers]

Performers:
White, Aggie, Galway, fiddle in duet A1;
O'Loughlin, Peadar / O'Loughlin, Peter, flute in duet A1;
Ennis, Seamus, Dublin, pipes solo A2;
Kelly, John, Clare and Dublin, fiddle solo A3;
Russell, Micho, Clare, whistle solo A4, 6;
Clancy, Willie, Clare, pipes solo A5;
Doran, Johnny, Wicklow, pipes solo A7;
Moloney, Eddie, Galway, flute solo A8

Running Order:
1. Jig: Untitled [Cathaoir an Phiobaire], Untitled [Whelan's Jig]
2. Jigs: Untitled [The Pipe on the Hob], Untitled [Down the Back Lane], Untitled [Sixpenny Money], Untitled [Paidin O Raifeartaigh]
3. Reel: Untitled
4. Reel: The Boy in the Gap [CICD 3096.11–.16, 3097 (none from this recording); standard version of this tune; MR also plays an 'old' version]
5. Slow Air: Untitled [The Green Linnet]
6. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
7. Reels: Untitled [Colonel Fraser], Untitled [My Love is in America], Untitled [Rakish Paddy] (incomplete)
8. Reels: Untitled [Tommy Whelan's Reel], Untitled [The Sailor on the Rock] [END]

Breandán Breathnach Collection. Reel-to-Reel 56 [sound recording] / [various performers]

Performers:
Droney, Chris, Clare, concertina in duet A1–6;
Unidentified performer, whistle in duet A1–6;
Donohue, John / Donoghue, John, Clare, box solo [= concertina?] A7–14;
Russell, Micho, Clare, whistle solo A16, 25–28, 30–34;
flute solo A15;
flute in duet A35–38;
Flanagan, Patrick, concertina solo A17–24;
Conlon, John, accordion solo A25–31, 34

Running Order:
1. Reels: Untitled [The Silver Spear], Untitled [Tim Moloney]
2. Reel: Untitled [CICD 5407 & 5409 (from this recording); Jackie Coleman's Reel; composed by Jackie Coleman, flute player from Gurteen, Co Sligo (information source: CPG 4569, with BB sequential ID 349.22)]
3. Reel: Untitled [The Boys of Ballisodare]
4. Reel: Untitled [The Kilmaley]
5. Reel: Untitled [The Hunter's House, composed by Ed Reavy]
6. Polka / Single Reel: Untitled [CICD 6300 (from this recording); St Mary's Polka / Saint Mary's Polka]
7. 7: Jig: The Maid on the Green
8. Reel: The Fermoy Lasses
9. Reel: Untitled [The Heather Breeze]
10. Jig: The Idle Road [CICD 2461 (from this recording); not the tune generally known by the title 'The Idle Road'; The Boys of the Town (Roche 1, # 118)]
11. Reels: The Sally Gardens, Untitled [The Bird in the Bush]
12. Reel: Untitled [Sporting Paddy (CRE, # 133)]
13. Jig: The Idle Road [Title from typed list of contents – erroneous? The Rose in the Heather]
14. Jig: The Last Farewell [CICD 2103 (from this recording); Donnybrook Fair / The Joy of My Life (DMI, # 79)]
15. Jigs: The Ship in Full Sail [CICD 895 (from this recording); also at track A35a], Untitled [CICD 2234 (from this recording, probably from track A35b); CICD 2233, 2228.11 (none from this recording); Sean Phaidin; The Boys of the Town (DMI, # 89) is a related tune; MR also plays a separate but related tune called The Boys of the Town (Roche 1, # 118); also at track A35b]
16. Reels: Bean a' Ti ar Lar [Not in CICD from MR? The Woman of the House (standard version as recorded by Michael Coleman)], An Bhean Tinceara [CICD 2686.11, 4028, 4029, 4030, 5750.11–5750.12 (none from this recording)]
17. Reel: The Bucks of Oranmore
18. Reel: Untitled [The Sligo Maid]
19. Reel: Untitled [Jackie Fitzpatrick's Reel; CRE 2, # 225 (from MR); source of MR's version? Related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
20. Reels: Untitled (incomplete), Untitled [The Copperplate]
21. Reel: Untitled [Sporting Nellie]
22. Reel: Untitled [The Ladies Pantalettes – source of MR's version?]
23. Reel: Untitled
24. Reel: Untitled [Fermoy Lasses]
25. Reel: Come West along the Road [CICD 5505 (from this recording; written with tonic note D; played with tonic note F); 5502–5502.11 (none from this recording); DMI, # 793]
26. Reel: Miss Monaghan [CICD 3179.12 (not from this recording); DMI, # 575]
27. Jig: The Battering Ram [CICD 2195.12–2195.15 (none from this recording)]
28. Reel: The Humours of Tulla [CICD 3857.12 (not from this recording); standard setting of the tune; CRE 3, # 135; for MR's 'old' setting, see CICD 3726.11]
29. Reel: The Dairy Maid [Not in CICD from this recording]
30. Jig: Munster Buttermilk 2 [Not in CICD from this recording; The Sports of Multyfarnham (CRE 1, # 43)]
31. Jigs: The Connachtman's Rambles / Bean an Brown Dilisc / Bean ag Baint Dilisc [CICD 2133, 2136.11–12, 2138 (none from this recording)], Untitled [Not in CICD from this recording; Haste to the Wedding]
32. Reel: The Blackhaired Girl / The Blackhaired Lass / Cailin na Gruaige Duibhe [CICD 4230.12–4230.13, 4239 (none from this recording)]
33. Jig: The Killeshandra Lasses [CICD 1761 (from this recording); 1756.11 (not from this recording)]
34. Reel: The Green Mountain [Not in CICD from this recording; The Maid behind the Bar (tonic note D]
35. Jigs: The Ship in Full Sail [CICD 895 (from this recording); also at track A15a], Untitled [CICD 2234 (from this recording, probably from this track); CICD 2233, 2228.11 (none from this recording); Sean Phaidin; The Boys of the Town (DMI, # 89) is a related tune; MR also plays a separate but related tune called The Boys of the Town (Roche 1, # 118); also at track A15b]
36. Jigs: Three Little Drummers [CICD 2292 (from this recording); 2292.11 (not form this recording)], Delaney's Drummers [CICD 2828, 2829 (from this recording); 2406.11–.12 (not from this recording)]
37. Reel: The Boys of the Lake [CICD 3199.11–.12 (both from this recording?); 3195, 3196 (none from this recording); CRE 2, # 164 (from MR)]
38. Reel: The Five Mile Chase [CICD 2880 (from this recording); 2880.11, 2914.11 (not from this recording)]

Breandán Breathnach Collection. Reel-to-Reel 32 [sound recording] / [various performers]

Performers:
Unidentified orchestra, A1;
Clancy, Willie, Clare, whistle A2, B12;
pipes A31–47, B1–11;
Russell, Micho, Clare, whistle A3–21, 23–28, 30;
lilting A29;
Ward, Jim / Jimmie, whistling A22, 29, B13–15;
O'Loughlin, Peadar / O'Loughlin, Peter, fiddle B16–23, 25–26, 30–32;
flute B27–29, 33–34;
Reid, Sean, Clare, speech in English B24 and throughout on B16–34;
Unidentified performer, whistle B35

Running Order:
1. Orchestral piece: Untitled, short
2. Reel: The Fairy Reel / The Jolly Banger [CICD 4427 (from this recording?); WC's father's version of the tune; CRE 3, # 156 (from WC)]
3. Reel: The Fairhaired Boy [CICD 5707.11, 5710 (none from this recording); CRE 2, # 255 (from MR)]
4. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
5. Reel: The Rising Sun [CICD 2908 (where this recording is referenced), 2907.11 (not from this recording); CRE 2, # 260 (from this recording?); for other versions and titles, see BB index, cards 2983, 2657]
6. Reel: The Ladies Pantalettes [CICD 5637 (from this recording), 5626–.11 (none from this recording)]
7. Reel: Untitled [CICD 3098 (from this recording); 4363.11–.12 (not from this recording); played by Johnny Byrt, a travelling carpenter from Liscannor; CRE 2, # 175 (from this recording)]
8. Reel: Patsy Campbell's Reel [CICD 3779 (where this recording is referenced); 3778.11 (not from this recording)]
9. Reel: Rakish Paddy [CICD 3109 (from this recording); 3108, 3110, 6015.11 (not from this recording); DMI, # 749; CRE, # 145]
10. Reel: Drowsy Maggie (mother's version) [CICD 3896.11 (not from this recording); from MR's mother, who played the concertina; MR also plays a version that he learnt in Donegal (see CICD 3896.12–.13)]
11. Jig: Barr na Feirsde / Barr na Feirisde / The Munster Buttermilk [CICD 825 (from this recording); 818.11–.12, 823 (none from this recording; 823 gives the musician as Mick Hand, in error?)]
12. Reels: An Clochairin Ban / The Collier's Reel [CICD 4514 (from this recording); 4513, 4514.11 (none from this recording)]
13. Jig: An Chailleach is a Ceag ar a Gualainn / An Chailleach is a Ceag ar a Guala / Kitty's Rambles [CICD 1467.11 (from this recording), 1467 (not from this recording); CRE 2, # 36 (from MR - card 1467?)]
14. Reel: Sporting Nellie [CICD 5075.11–.16 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell; CRE 3, # 194]
15. Jig: The Geese in the Bog [CICD 1605 (from this recording); 724.11, 1604 (none from this recording); major key; CRE 2, # 53 (from MR; not from this recording); The Lark's March]
16. Jig: The Geese in the Bog [CICD 1809 (from this recording); 1809.11 (not from this recording); minor key, tonic note A; for a version of this tune with tonic note B, see track 18 (CICD 1809.13–.14); not the same tune as that at tracks 15 and 17]
17. Jig: The Geese in the Bog [As at track 15, incomplete]
18. Jig: The Geese in the Bog [CICD 1809.14 (where this recording is referenced); 1809.12–.13 (not from this recording); minor key, tonic note B; for a version of this tune with tonic note A, see track 15 (CICD 1809, 1809.11); not the same tune as that at tracks 15 and 17]
19. Reel: Upstairs in a Tent [CICD 4446 (from this recording); 4444.12, 4445 (none from this recording); CRE 2, # 190 (from this recording, obviously from CICD 4446 – notes repeat the information on the card, including the mistranscription of Jimmy Mulqueeny's name as 'Jimmy Mucai')]
20. Jig / Slide: The Clare Jig [CICD 2364.15 (from this recording); 1162.11–.12, 2364.11–.14 (none from this recording); CRE 2, # 71 (untitled, from this recording)]
21. Reel: The Boy in the Gap (old version) [CICD 2920 (from this recording); 2920.11, 2921–.11 (none from this recording); distinct from the standard version of this tune, which MR also plays.]
22. Reel: Untitled [Not in CICD from this recording; The Boy in the Gap]
23. Reel: All the Ways to Galway [CICD 3561.11 (from this recording); 3086.11–.12, 3561, 3561.12 (none from this recording); The Kerry Cow; I Wish I Had a Kerry Cow; CRE 2, # 282 (from this recording) and also at CRE 2, # 116; MR also has a version of this tune as a single reel / polka]
24. Jig: Cathaoir an Phiobaire [CICD 1993.11 (from this recording); 1993 (not from this recording); The Piper's Chair; CRE, # 9 (not from MR)]
25. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [CICD 4008, 5635 (both from this recording); 5634 (where this recording is referenced); 4007.11, 5635.11 (none from this recording); CRE 2, # 259 (from this recording); The Mother and Child Reel]
26. Reel: The Blackhaired Lass / The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4239 (from this recording), 4230.12–.13, (not from this recording)]
27. Jig: Untitled [CICD 1879 (from this recording); 795.11, 795.13 (not from this recording); as Gillan's Apples in CRE 2, # 7 and DMI, # 287; Apples in Winter]
28. Reel: Untitled [CICD 4006.11 (not from this recording); Connemara Stockings]
29. Song Tune / Dance Tune: Untitled
30. Reels: Sporting Nellie [CICD 5075.11–.16 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell; CRE 3, # 194; also at track 14], The Bucks of Oranmore [CICD 5482 (from this recording); 5725, 5726–.14 (none from this recording)]
31. Jig: Petticoat Loose / Donall na Greine [Not in CICD from this recording; DMWC, # 76]
32. Piece: The Humours of Glin [Not in CICD; DMWC, # 54]
33. Single Jig: Untitled [Not in CICD from this recording; DMWC, # 70, as Unknown]
34. Jig: The Maiden that Jigs it in Style / Brian O'Lynn [CICD 1886 (from this recording); second part stated to be that of Brian O'Lynn; DMWC, # 66]
35. Single Jig / Dance Tune: Untitled [Not in CICD; stated in the 'Pipes' series documentation to be a single jig; dance tune (in 3/4 time?) stated to have been played by Garrett Barry; not in DMWC?]
36. Jig, Reel: Bimid ag Ol is ag Pogadh na mBan [CICD 2187 (from this recording); Bimid ag Ol; DMWC, # 7; tune related to reel that follows], Sean Reid's Favourite [CICD 5066 (not from this recording; from CRE, # 83, from WC, where its title is given as Gilbert Clancy's Reel); DMWC, # 15, where its title is given as 'Sean Reid's Reel'; tune is related to the first tune in this selection]
37. Fling / Piece, Jig: An Buachaill Dreoite / An Buachaill Breoite [Track contains two versions of the same tune; neither in CICD from WC; DMWC, # 135 & 136; related to the tune at CICD 3208 (not from WC)]
38. Single Jig: The Fowler on the Moor [Not in CICD from this recording; DMWC, # 74]
39. Jig: Cailleach, do Mharais Me / A Chailleach, do Mharais Me [CICD 2581 (not from this recording); DMWC, # 49]
40. Reel: The Parson's Son / The Boyne Hunt [Not in CICD from this recording; DMWC, # 142; WC has 3 parts (usually 2)]
41. Reel: The Cameronian [Not in CICD from this recording; DMWC, # 140; WC has 3 parts (usually 2)]
42. Polka: Untitled [Not in CICD from this recording; DMWC, # 68 as Unknown]
43. 43: Air: Eamon an Chnoic
44. Single Jig: Untitled [Not in CICD from this recording; DMWC, # 85 as Garrai na Saileog; often played as a hornpipe; Mrs Galvin's]
45. Jig: Strop the Razor [Not in CICD from this recording; DMWC, # 29; version of The Cook in the Kitchen; Piocfad an Snathaid (alternative name given by WC - might belong to the tune on the next track)]
46. Jig: Gallagher's / Gallagher's Frolics / The Frieze Breeches [Not in CICD from this recording; DMWC, # 12 (one of several versions given); pieced together here with difficulty; not the tune commonly known as Gallagher's Frolics]
47. Air: Untitled [Stated to be like 'The Rocks of Bawn'] [END OF BAND ONE]
48. Single Jig: Untitled [CICD 1330 (from this recording); DMWC, # 75, as Willie's Single]
49. Jig: Fasten the Leg in Her [Not in CICD from this recording; DMWC, # 73; Garrett Barry's version]
50. Jig: The Lark in the Morning [Not in CICD from this recording; DMWC, # 78; stated to be a version from WC's mother, which came from the piper Garrett Barry]
51. Fling / Reel / Single Jig: Willie's Fling [CICD 3297 (from this recording; in reel section, though with BB indication that time signature should be 12/8); DMWC, # 146, in 4/4 time as Fling No. 1]
52. Reel: Down the Broom [Not in CICD from this recording; DMWC, # 77; differs from standard version]
53. Reel: Untitled [Not in CICD from this recording; DMWC, # 67, as The Dublin Lads (title supplied by Pat Mitchell, editor of DMWC, from WC's words after he plays the tune here)]
54. Reel: The Concertina Reel [Not in CICD from this recording; DMWC, # 72; CRE 2, # 220, from Pat Mitchell, as 'Ril Liam' (learnt from WC); also played by Micho Russell, whose title was The Dunagore Reel; WC & PM play it with tonic note G, M R with tonic note D]
55. Single Jig: Kitty Got a Clinking Coming from the Races [Not in CICD from this recording; DMWC, # 79, as The Ballintore Fancy (title from commercial recording by Leo Rowsome?); John Fleming's Jig (CRE 2, # 66)]
56. Reel: The Mayo Lasses [Not in CICD from this recording; DMWC, # 69; version of The Old Maids of Galway / Johnny When You Die]
57. Reel: Untitled [CICD 5993 (from this recording); tune incomplete; not in DMWC?]
58. Reel, Air: The Green Groves of Erin [Not in CICD from this recording; DMWC, # 71], An Seanduine [The Old Man Rocking the Cradle; DMWC, # 130]
59. Jig: Untitled [CICD 503 (from this recording?); DMWC, # 57, as Unknown]
60. Reel: Untitled [CICD 5711 (from this recording?); as Gerry Commane's Reel in CRE 3, # 203]
61. Jig: Untitled [CICD 564 (from this recording?); version of The Kesh Jig]
62. Jig / Dance Tune: Untitled
63. Reel: Untitled [Not in CICD from this recording; Colonel Fraser]
64. Reel: Mother's Delight [CICD 4467 (from this recording); CRE 2, # 240 (from this recording); played in two different keys, the second as played by Tommy Potts]
65. Reel: Untitled [Not in CICD from this recording; The Star of Munster]
66. Reel: The Bunch of Green Rushes [CICD 5942 (from this recording)]
67. Reel: Bobby Casey's Feathers / Toss the Feathers [CICD 3051 (from this recording?); a version of Toss the Feathers played by Bobby Casey]
68. Reel: Untitled [CICD 4984 (from this recording); CRE 2, # 223 (from this recording); learnt from Bobby Casey; Tuttle's Reel]
69. Reel: Untitled [Not in CICD from this recording; The Chicago Reel]
70. Reel: Major Harrison's Fedora [CICD 4298 (from this recording); CRE 2, # 243 (from this recording)]
71. 24: Speech: Untitled [Tracking down a musician who, according to Willie Clancy's father, had a wonderful tune]
72. Reel: The Collier's Reel [Not in CICD from this recording]
73. Reel: Untitled [Not in CICD from this recording; Rakish Paddy (the version recorded by James Morrison)]
74. Reel: The Flogging Reel [Not in CICD from this recording]
75. Reel: The Pride of Loughrea [CICD 2771.12 (from this recording?); The Humours of Loughrea; Tommy Whelan’s]
76. Jig: The Frieze Breeches [CICD 952, 953 (both from this recording?); I Buried My Wife and Danced on Top of Her]
77. Jig: Untitled [CICD 2229 (from this recording?); CRE, # 34, as The Old Woman's Purse of Money; The Hag's Purse; followed by an unsuccessful attempt to think of another tune: 2nd part is that of 'I Buried My Wife and Danced on Top of Her']
78. Reel: Untitled [CICD 5049.11 (from this recording); CRE 2, # 293, as The Game of Love (from this recording)]
79. Reel: Untitled [Not in CICD from this recording; CRE 2, # 131, as Callaghan's (not from P O'L); Now She's Purring]
80. Reel: Untitled [Not in CICD from this recording; The Flowers of Limerick]
81. Reel: Untitled [Not in CICD from this recording; The Shaskeen Reel; version recorded by the Ballinakill Ceili Band]
82. Air: Untitled [The Old Man Rocking the Cradle]

Breandán Breathnach Collection. Reel-to-Reel 33 [sound recording] / [various performers]

Performers:
Unidentified performer(s), fiddle A1–3, 4, 40–42;
Unidentified performer, accordion A4;
Russell, Micho, flute A5–10, 18–20, whistle A26–27;
White, Aggie, Galway, fiddle A11–17;
Unidentified performer, bones? spoons? A11–13;
Mulqueeny, James (Jim), Clare, fiddle A21–25;
Farrell, Pat, Longford, fiddle, A28–38;
Hanley, Jim, Longford, fiddle, A28–38;
Hanley / Henley, Peter, Longford, pipes A39–42

Running Order:
1. Reel: Untitled [Not in CICD from this recording; CICD 5695, 5696 (none from this recording?)]
2. Reel: Untitled [Not in CICD from this recording]
3. Reel: Untitled [Not in CICD from this recording; CICD 4365; CRE 2, # 187 (untitled); recorded by the Castle Ceili Band?]
4. Reel: Untitled [Not in CICD from this recording; The Stony Steps / The Stony Step; CRE, # 149]
5. Reel: Carty's Reel / Cassidy's Reel [CICD 4978.11–.12 (both from this recording); 4684.11–.13, 4978 (none from this recording); partly composed by MR; commonly known as Micho Russell's; CRE 2, # 294 (as Carty's Reel from MR; possibly from this recording)]
6. Jig: The Yellow Wattle [CICD 1828 (from this recording); 1133.11, 1829 (none from this recording)]
7. Reel: Untitled [CICD 5091.11, 5093 (both from this recording?); 5084.11–.14, 5091.12–.13, 5096, (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
8. Reel: Untitled [CICD 4347.11, 4348 (both from this recording?); CRE 2, # 269 (from this recording; untitled); Mary McMahon (Bulmer & Sharpley, 'Music from Ireland', vol 2)]
9. Reel: The Fairhaired Boy [CICD 5707.11, 5710 (both from this recording?); CRE 2, # 255 (from this recording)]
10. Jig: Donall na Greine [CICD 756, 757 (both from this recording); 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR; not from this recording); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
11. Reels: Untitled [CICD 3800, 3801, 3804 (all from this recording); O'Connell's Trip to Parliament {CRE 2, # 217(i)}, probably from this recording (mistake in date reference in CRE 2 notes?)], Maud Miller [CICD 3693 (from this recording); not the tune of that name recorded by James Morrison]
12. Reels: Untitled [CICD 4380 (from this recording); CRE 2, # 186 (from this recording; untitled); Paddy Kelly's (?); composed by Paddy Kelly, fiddle (?)], Miss Thornton's [CICD 3133, 3134 (from this recording); CRE 2, # 172 (from this recording)]
13. Reels: Untitled [CICD 5152 (from this recording); recorded by Hughie Gillespie in 1937 as the first in a selection called 'Master Crowley's Reels'], Summer in Ireland [CICD 3275, 3276 (both from this recording); CRE 2, # 165 (from this recording; title 'Dowd's No. 9' is also given / Dowd's Number Nine)]
14. Reel: The Daisy Field [CICD 4544 (from this recording); DMI, # 538; recorded by Michael Coleman?]
15. Reel: Lady Gordon [CICD 4302 (from this recording, the source for this tune in CRE 5, # 157)]
16. Jig: Untitled [CICD 1664 (from this recording); Tonra's; name sometimes garbled as Tony Rowe's; composed by Brendan Tonra]
17. Reel: Untitled [CICD 5743; The Green Mountain (version of); tonic note C (usually D); CICD card is written with tonic note D]
18. Reel: The Dunagore Reel / The Concertina Reel [CICD 5610, 5610.12 (both from this recording?); 5610.11, 5769 (none from this recording); MR's mother played it on the concertina; CRE 2, # 210 and 275 (both from MR; 275 is probably from this recording as transcribed on CICD 5610); The Concertina Reel (DMWC, # 72); The Old Concertina Reel]
19. Reel: The Sporting Days of Easter [CICD 3988.14 (from this recording); 3988.13 (also from this recording, but corrected from the version on 137a-ITMA-REEL, track 44); 3989 (where this recording is referenced); 3988.11–.12, (none from this recording); CRE 2, # 281 (from this recording)]
20. Reel: The Dublin Reel [CICD 3101, 3104.11–.12 (all from this recording?); 3103.11, 3103.12, 3103.14 (none from this recording); standard version (tonic note D); MR also plays a local version]
21. Reel: The Peeler's Pocket [CICD 5458 (from this recording?); CRE 2, # 204 (from this recording)]
22. Reel: Untitled [CICD 3841 (from JM but not from this recording); The Tap Room; CRE 2, # 292 (untitled, though with many names supplied in Notai i dTaobh na bhFonn)]
23. Reel: The Rising Sun / Clear the Road [CICD 3443, 3445 (both from this recording); CRE 2, # 214 (ii), from CICD 3445]
24. Reel: The Knotted Chord [CICD 2681 (from this recording); The Knotted Cord; CRE 2, # 229 (from CICD 2681)]
25. Jig: Untitled [CICD 2393 (from this recording); Brosnahin's Frolic (Tunes of the Munster Pipers, # 59); Brosnahan's Frolic]
26. Reel: Untitled [CICD 4772–.11 (both from this recording?); 4772.12–.13 (none from this recording); The Rainy Day]
27. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 5018, 5018.11 (both from this recording?); 4995.11–.12, 5016, 5017, 5018.12 (none from this recording); CRE 2, # 225 (from this recording); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
28. Reel: Untitled [CICD 4405 (from this recording); Bonnie Ann / Bonny Ann; CRE 3, # 150]
29. Reel: Bonny Ann [CICD 2961 (from this recording)]
30. Reel: The Highland Merritor [CICD 4928 (from this recording)]
31. Reel: Old Girls of Our Town [CICD 5952.11 (from this recording?); The Pretty Girls of Our Town]
32. Reel: The New Line to Loughawn [CICD 2994 (from this recording?); a version of Sporting Paddy]
33. Reel: Untitled [CICD 3876 (from this recording?)]
34. Single Jig / [Reel / Hornpipe]: Stack the Rags [CICD 1834 (from this recording); transcribed by BB in 12/8 time, but played more like a slow reel or a hornpipe or barndance, etc]
35. Reel: Jennie Dang the Weaver / Jinnie Bang the Weaver [CICD 3974 (from this recording?)]
36. Reel: Scotch Willie [CICD 4015 (from this recording?); version of The Mayo Lasses / Johnny When You Die]
37. Reel: The Primrose Girl [CICD 5055 (from this recording); CRE 2, # 150 (ii) (from this recording)]
38. Jig: The Little Boy Fed on the Hill [CICD 2544 (not from this recording); Larry the Beerdrinker]
39. Reel: Untitled [CICD 5036 (from this recording); related to The Irishman's Blackthorn (CRE 2, # 244) and The Hills of Kesh (CRE 3, # 181)
40. Hornpipe: Untitled [not in CICD from this recording; The Groves Hornpipe (DMI, # 843)]
41. Reel: Untitled [not in CICD from this recording; Kitty in the Lane]
42. Reel: Untitled [not in CICD from this recording; The Silver Tip / Joe Mhaire Mhicilin / The Old Silver Spear / The New Mown Meadows; related to The Silver Spear] [END OF BAND ONE]

Breandán Breathnach Collection. Reel-to-Reel 169 [sound recording] / Micho Russell ; Breandán Breathnach

Performers:
Russell, Micho, Clare, tin whistle A1-35, 37-55, B1-61;
singing in Irish A27;
singing in English B59;
speech in English throughout;
Breathnach, Breandán, speech in English throughout

Running Order:
1. Reel: The Boy in the Gap (old version) [CICD 2921.11 (from this recording); 2920, 2920.11, 2921 (none from this recording); for MR's 'standard' version, see tracks A2 and B20.]
2. Reel: The Boy in the Gap (standard version) [CICD 3096.12–.13 (from this track on this recording); 3096.14–.15 (where this track on this recording is referenced; also from this recording (137b-ITMA-REEL/CDR, track 20); 3096.11, 3096.16, 3097 (none from this recording); also at track B20; for MR's 'old' version, see track A1.]
3. Reel: Patsy Campbell's Reel [CICD 3778.11 (from this recording), 3779 (not from this recording)]
4. Reel: Upstairs in a Tent [CICD 4444.12 (from this recording); 4445, 4446 (not from this recording); CRE 2, # 190 (from MR)]
5. Reel: Tadhg a Run / A Thaidhg, a Run [CICD 4964.11 (from this recording); CRE 2, # 150 (i) (from MR)]
6. Reel: Divide the Cally Fair [CICD 5300.11 (from this recording), 5300 (not from this recording); Kennaw's Reel (WSGM, # 326, version of)]
7. Jig / Slide: The Clare Jig [CICD 2364.11–.12 (both from this recording); 1162.11–.12, 2364.13–.14 (none from this recording); CRE 2, # 71 (untitled, from MR)]
8. Jig: An Chailleach is a Ceag ar a Gualainn / An Chailleach is a Ceag ar a Guala / Kitty's Rambles [CICD 1467.11 (from this recording), 1467 (not from this recording); CRE 2, # 36 (from MR)]
9. Jig: Tatter Jack Walsh / An t-Athair Jack Walsh [CICD 1394.11 (from this recording); 1393, 1394, 1394.12 (none from this recording)]
10. Jig: The Frost is All Over / Rince na gCoinini i nGarrai na hEorna [CICD 724.12 (from this recording; contains reference to 'card 2'); 809 (not from this recording)]
11. Dance Tune: Untitled [not in CICD; learned by MR from a dance group in Ghent (?) in Belgium.]
12. Reel: The Rising Sun [CICD 2907.11 (from this recording), 2908 (not from this recording; CRE 2, # 260 (from MR); for other versions and titles, see BB index, cards 2983, 2657]
13. Reel: Untitled [CICD 4363.12 (from this recording); 4363.11, 3098 (not from this recording); learned from Johnny Byrt, flute player and travelling carpenter; CRE 2, # 175 (from MR)]
14. Reel: The Boys of the Lake [CICD 3199.11–.12 (both from this recording); 3195, 3196 (none from this recording); CRE 2, # 164 (from MR)]
15. Jig: The Four Posts of the Bed [CICD 1349.14–.15 (from this recording); 1349.12–.13 (none from this recording)]
16. Jig: The Connachtman's Rambles / Bean an Brown Dilisc [CICD 2136.11 (from this recording); 2133, 2136.12, 2138 (none from this recording)]
17. Jig: The Connachtman's Rambles [Version composed by Finbar Furey, according to MR; CICD 1389.12 (from this recording)]
18. Reel: The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4230.13 (from this recording?); 4230.12 (where this recording is referenced); 4239 (not from this recording); The Blackhaired Lass]
19. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 4995.11 (from this track on this recording); 4995.12, 5018.12 (both also from this recording; see 137b-ITMA-REEL/CDR, track 30); 5016, 5017, 5018–.11 (none from this recording); CRE 2, # 225 (from MR); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
20. Reel: Untitled [CICD 5084.11–.14 (all from this track on this recording); 5091.12–.13 (both also from this recording; see 137b-ITMA-REEL/CDR, track 60); 5091.11, 5093, 5096 (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
21. Reels: The Swallow's Tail [CICD 5062.11 (from this recording); 5060.12, 5062 (none from this recording)]
22. Reel: The West Clare Reel [CICD 5883.11 (from this recording), 5883 (not from this recording); Dan Breen's]
23. Reel: Untitled [CICD 2924.11 (from this recording); 2923, 2924, 4033.11 (none from this recording)]
24. Jig: The Yellow Wattle [CICD 1133.11, 1828, 1829 (none from this recording)]
25. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
26. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.13 (from this track on this recording); 3415.11 (also from this recording; see 137b-ITMA-REEL/CDR, track 18); 2856.11, 2857, 3415.12, 3415.14 (none from this recording)]
27. Reel, Singing: An Bhean Tinceara [CICD 2686.11 (from this recording); 4028, 4029, 4030, 5750.11–.12 (none from this recording)], An Bhean Tinceara [Sung version]
28. Jig: Barr na Feirsde / Barr na Feirisde / The Munster Buttermilk [CICD 818.11–.12 (from this recording); 825 (not from this recording)]
29. Jig / Quadrille Tune: The Cumann na mBan Is Dead and Gone [CICD 2146.11–.12 (both from this recording); The Cumann na mBan Are Dead and Gone; well known as a slide; one of two tunes that MR applies this name to.]
30. Jig, Singing, Speech: Christmas Day in the Morning / On Christmas Day in the Morning [CICD 2228.12 (from this recording); 2558 (not from this recording)]; Christmas Day in the Morning / On Christmas Day in the Morning [Sung version]; Untitled [Speech about the background to the tune / song 'Christmas Day in the Morning']
31. Jig: Garrett Barry's / The Ladies' Fancy [CICD 1006.11 (from this recording); 1007, 1008 (none from this recording)]
32. Polka: An Gabhairin Bui [CICD 6439.11 (from this recording); 6283 (not from this recording); CRE 2, # 110 (from MR)]
33. Fling: Pop Goes the Weazel / Pop Goes the Weasel [CICD 6532.11 (from this recording)]
34. Jig: Ti-teen Girleen / Tidy Girlyeen [CICD 1326.13 (from this recording); 1325 (not from this recording); Behind the Bush in the Garden (DMI, # 398]
35. Reel: The Ladies Pantalettes [CICD 5626.11 (from this recording); 5626, 5637 (none from this recording)]
36. Speech: Untitled [Johnny Kilmartin, concertina, known as Johnny Sally; dancing style among the older people.]
37. Reel: All the Ways to Galway [CICD 3561.12 (from this track on this recording); 3086.11–.12, 3561–.11 (none from this recording); The Kerry Cow; I Wish I Had a Kerry Cow; CRE 2, # 282 (from MR) and also at CRE 2, # 116; for MR's version of this tune as single reel / polka, see 137b-ITMA-REEL/CDR, track 47]
38. Reel: Kitty Jones' Reel / Kitty Jones's Reel [CICD 4275.12 (from this recording); 4275.11, 4276, 4277 (none from this recording)]
39. Reel: The Old Torn Petticoat [CICD 4348.11 (from this recording), 4351 (not from this recording)]
40. Reel: Fochairi Beaga na Foraoire [CICD 5943.11 (from this recording); 5943, 5947.11 (not from this recording); Spike Island Lasses (here with only two parts, rather than the usual three)]
41. Jig / Dance Tune: An Bothar o thuaidh go dti Arainn / The Handkerchief Dance [CICD 1196.11 (from this recording); 1196.12 (also from this recording?); 1197 (none from this recording); CRE 2, # 65 (from MR)]
42. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [CICD 4007.11, 5635.11 (both from this recording); 4008, 5634, 5635 (none from this recording); CRE 2, # 259 (from MR); The Mother and Child Reel]
43. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [Partial repeat of the tune in the previous track]
44. Reel: The Sporting Days of Easter [CICD 3988.11 (from this recording); 3988.13 (where this recording is referenced; notation has been corrected from this recording?); 3988.12, 3988.14, 3989 (none from this recording); CRE 2, # 281 (from MR)]
45. Jig: Sagart na mBuataisi / The Priest in his Boots [CICD 1251.11 (from this recording), 1252 (not from this recording); CRE 2, # 17 (from MR)]
46. Jig: Connie the Soldier / The South-west Wind [CICD 2369.11 (from this recording), 2368 (not from this recording)]
47. Jig: The Rambling Pitchfork [CICD 1649.11 (from this recording); 1648 (not from this recording)]
48. Reel: The College Grove [CICD 5573.11 (from this recording); 3484 (not from this recording)]
49. Jig: The Cliffs of Moher (a), (b) [(a) CICD 784.12 (from this recording); 784.11, 784.14 (with G as the tonic note)], (b) [CICD 784.13 (from this recording); 784.15, 2113.11 (none from this recording); (with A as its tonic note)]
50. Slip Jig: The Rocky Road to Dublin / Slainte an Briste Leathain / Slainte an Bristin Leathair [CICD 440.11–.12 (both from this recording?); 435, 436 (not from this recording)]
51. Slip Jig: Untitled [CICD 315.11–.12 (from this recording), 318 (not from this recording); Barney Brallaghan (DMI, # 429, with 3 parts); 2 parts in MR's version]
52. Reel: Dunagore Reel [CICD 5610.11 (from this recording); 5610, 5610.12, 5769 (not from this recording); CRE 2, # 210 and 275 (both from MR); The Concertina Reel (DMWC, # 72); The Doonagore Reel]
53. Jig: The Irish Washerwoman / The Big Jig / Paddy McGinty's Goat [CICD 1678.12–.13 (from this recording); 1678.11, 1679, 1686 (none from this recording)]
54. Jig, Speech: Nora Criona [CICD 628.11 (not from this recording; incipit only)], Untitled [information about Larry Sharry, musician who played the tune]
55. Jig: The Boys of the Town / Sean Phaidin [CICD 2228.11 (from this recording but not this track; see 137b-ITMA-REEL/CDR, track 1 ); 2233 (not from this recording); unfinished] [END OF BAND ONE]
56. Jig: The Boys of the Town / Sean Phaidin [CICD 2228.11 (from this recording), 2233 (not from this recording)]
57. Jig: Untitled [CICD 1497.13 (from this recording); 1496, 1497.12 (not from this recording); Kitty Come Over (DMI, # 55); The Cow that Ate the Blanket]
58. Reel: Tear the Calico [CICD 3131.13–.14 (from this recording), 3130 (not from this recording); 'standard' version of the tune; MR plays the tune in two registers, and this is the higher of the two. The other version is on the next track.]
59. Reel: Tear the Calico, the old way [CICD 3131.11 (from this recording), 3131.12 (not from this recording); MR plays the tune in two registers, and this is the lower of the two. The 'standard' version is on the previous track.]
60. Jig: The Maid on the Green / The Mountainy Boy [CICD 1202.11–.12 (from this recording), 1200 (not from this recording)]
61. Jig: The Trip to the Cottage [CICD 2180.11 (from this recording), 2179 (not from this recording)]
62. Reel: The Last House in Connacht [CICD 4437.11 (from this track on this recording); 4437.12–.13 (both from track B56 on this recording)]
63. Jig: Brian O'Lynn [CICD 1567.11 (from this recording); 1565 (not from this recording)]
64. Jig: The Rakes of Clonmel [CICD 1814.12 (from this recording); 1814.11 (where this recording is referenced); 1814 (not from this recording)]
65. Reel: London Bridge [CICD 2884.11 (from this recording); 2888, 2889, 5480 (not from this recording)]
66. Polka / March / Quadrille Tune: The Boyne Water [CICD 6508.14 (from this recording); 6508.11–.13 (not from this recording); CRE 2, # 124 (from MR)]
67. Reel: The Banshee / An Bhean Si [CICD 4864.11 (from this recording); 4864.12–.13, 5384.11 (none from this recording); tune is featured on the Flanagan Brothers 78 rpm disc titled 'The Flanagans Chase the Banshee']
68. Jig: Willie Walsh's Jig [CICD 2386.11 (from this recording); 2382 (not from this recording); DMI, # 88 (as Willy Walsh's Jig); related to The Wandering Minstrel]
69. Jig: The Little House under the Hill [CICD 2048.11 (from this recording); 2047 (not from this recording)]
70. Reel: The Ships Are Sailing [CICD 2962.11–.12 (from this recording)]
71. Reel: Untitled [CICD 5456.14 (from this recording); 4137.11, 5456.11–.13, 5456.15 (none from this recording)]
72. Jig: Untitled [CICD 1559.14 (from this recording); 1559.13, 1559.15 (none from this recording); CRE 2, # 67 (from MR); often played as a slide]
73. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.11–.12 (both from this track on this recording); 3415.13 (also from this recording; see 137a-ITMA-REEL/CDR, track 26); 2856.11, 2857, 3415.14 (none from this recording)]
74. Reel: Sean sa Cheo [CICD 3976.13–.14 (from this recording), 3976.11–.12, 5649 (none from this recording)]
75. Reel: The Boy in the Gap [CICD 3096.14–.15 (both from this track on this recording); CICD 3096.12–.13 (also from this recording; see 137a-ITMA-REEL/CDR, track 2); 3096.11, 3096.16, 3097 (none from this recording); standard version of this tune; for MR's 'old' version, see track A1]
76. Reel: Clochairin Ban, An [CICD 4514.11 (from this recording); 4513, 4514 (none from this recording); The Collier's Reel]
77. Reel: Untitled [CICD 4808.11 (from this recording), 4807.11 (not from this recording); Down the Broom]
78. Reel: The Gatehouse Maid [CICD 3051.11 (from this recording); 3062, 3068.11 (none from this recording); CRE 2, # 233 (not from MR)]
79. Jig: Cathaoir an Phiobaire [CICD 1993.11 (from this recording), 1993 (not from this recording); The Piper's Chair; CRE 1, # 9 (not from MR)]
80. Jig: Cathaoir an Phiobaire [as at previous track]
81. Reel: Knocknagow [CICD 4593.12 (from this recording); 4590, 4593.11 (none from this recording); Scotch Mary]
82. Reel: Over the Moor to Maggie / Over the Meadows / Down the Meadows / Kitty's Wedding / The Dublin Reel [CICD 2804.11 (from this recording); 2804.12, 2805 (not from this recording)]
83. Reel: The Star of Munster (standard version) [CICD 4162.12 (from this recording); 4162.11, 4163, 4164 (none from this recording)], The Star of Munster (concertina version) [CICD 4019.11 (from this recording)]
84. Reel: Untitled [CICD 4772.13 (from this recording); 4772, 4772.11–.12 (none from this recording); The Rainy Day]
85. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 5018.12, 4995.12 (both from this track on this recording); 4995.11 (also from this recording; see 137a-ITMA-REEL/CDR, track 19); 5016, 5017, 5018–5018.11 (none from this recording); CRE 2, # 225 (from MR); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
86. Slip Jig: Bimid ag Ol go dti Maidin [CICD 252.14 (from this recording); 252–252.13 (none from this recording); recorded from MR in two different registers, of which the higher one is here]
87. Reel: The Maid that Left the County [CICD 4288.13 (from this recording); 4288.12 (where this recording is referenced); 4286, 4288.11, 4288.14, 4289 (none from this recording); The Honeymoon (DMI, # 791)]
88. Reel: The Wind that Shakes the Barley [CICD 5757.13–.14 (both from this recording); 5757.11–.12 (both also from this recording?); 5743.11 (not from this recording)]
89. Reel: The Lady on the Island [CICD 5853.12–.13 (both from this recording); 5853.11 (not from this recording)]
90. Reel: The Five Mile Chase [CICD 2914.11 (from this recording); 2880–.11 (not from this recording)]
91. Reels: Sporting Nellie [CICD 5075.14 (from this recording); 5075.11–.13, 5075.15–.16 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell]
92. Jig: The Walls of Liscarroll [CICD 1092.11 (from this recording); Tumble the Tinker; MR's An Bainbhin Dubh (related tune?)]
93. Reel: The Fermoy Lasses [CICD 3945.11 (from this recording)]
94. Reel: The Connemara Stockings [CICD 4006.11 (from this recording)]
95. Jig: The Battering Ram [CICD 2195.14–.15 (from this recording); 2195.12–.13 (not from this recording)]
96. Jig: Rory O'Moore [CICD 2195.11 (from this recording)]
97. Reel: The Top of the Morning [CICD 5277.11 (from this recording); 5276.11, 5277, 5277.12, 5278 (none from this recording); CRE 5, # 181 (from MR)]
98. Reel: The Bucks of Oranmore [CICD 5726.13–.14 (from this recording); 5482, 5725, 5726–.12 (none from this recording)]
99. Jig: An Rogaire Dubh [CICD 2620.11 (from this recording); 1858, 2620.12 (none from this recording); The Black Rogue]
100. Jig: McCormick's Jig [CICD 903.11–.12 (both from this recording)]
101. Jig: The Geese in the Bog [CICD 1809.13 (both from this recording?); 1809.12 (where this recording is referenced); 1809–.11, 1809.14 (none from this recording)]
102. Single Reel / Polka / Reel: Untitled [CICD 6496 (from this track on this recording); played here in polka-like tempo; All the Ways to Galway; for MR's version in reel tempo, see track A37.]
103. Reel: Untitled [CICD 4364.11 (from this recording); CRE 2, # 187 (not from MR)]
104. Reel: Untitled [CICD 5885.11–.12 (both from this recording)]
105. Jig: The Butcher's March / Hurrah for the Gallant Tipperary Boys / Lonely Old Hag Is It Tae You Want? / Hello You Old Hag Is It Tea You Want? / When Sick Is It Tea You Want? [CICD 2381.14 (from this recording); 2200.11–.12, 2224, 2381.12–.13 (none from this recording)]
106. Jig: The Walls of Liscarroll [CICD 2023.11 (from this recording); The Mug of Brown Ale; title 'The Walls of Liscarroll' given on card, in error?]
107. Jig: The Walls of Liscarroll [CICD 1483.11 (from this recording); not the tune of the same name at track B37; The Mouse in the Cupboard]
108. Jig: Cailleach a Mhairbh Me [CICD 2578.11 (from this recording); A Chailleach do Mhairis Me]
109. Hornpipe: The Flowers of Edinburgh [CICD 6256.11 (from this recording; '2 UCD 30' also given on the card as a source – in error? The tune does not appear on UCD 2)]
110. Reel: Peter Street [CICD 3440.11 (from this recording)]
111. Reel: The Last House in Connacht [CICD 4437.12–.13 (both from this track on this recording); 4437.11 (from track B7 on this recording)]
112. Jig: Happy to Meet and Sorry to Part [CICD 2127.11 (from this recording)]
113. Jig: Tom Hanna's [CICD 2374.11–.13 (all from this recording)]
114. Jig, Singing, Jig: Paddle My Own Canoe [CICD 1607.13 (from this recording)]; do. [sung version of the previous]; Back of the Haggard [CICD 1607.12 (from this recording), another version of the tune]
115. Reel: Untitled [CICD 5091.12–.13 (from this track on this recording); 5084.11–.14 (all also from this recording; see 137a-ITMA-REEL/CDR, track 20); 5091.11, 5093, 5096 (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
116. Hornpipe: Dance the Figure of Eighty on the Blackbird's Back [CICD 6191.11 (from this recording); Bantry Bay (DMI, # 823); recorded by Michael Coleman with The Stack of Barley (?)] [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 355 [sound recording] / [various performers]

Performers:
Unidentified performer [Casey, Bobby, Clare / London], fiddle solo A1–3;
Unidentified performer [Clancy, Willie, Clare], pipes solo A4–6;
pipes in instrumental group A8;
Unidentified performer [Ennis, Seamus, Dublin], speech in Irish A7, 9;
speech in English A10;
Partially identified performer [Peadar], speech in Irish A7;
Unidentified performers, instrumental group A8;
Partially identified performer [O'Brien, Pat 'Cuckoo', Clare], speech in Irish A9;
speech in English A10;
Unidentified performer [Russell, Micho, Clare], flute in duet A11;
flute solo A13;
whistle solo A14;
Unidentified performer, lilting in duet A11;
lilting solo A12;
Unidentified performer, singing in English A15;
Unidentified performer, concertina solo A16–17

Running Order:
1. Hornpipes: Untitled [Murphy's Hornpipe; preceded by brief tone signal], Untitled [The Derry Hornpipe / The Londonderry Hornpipe; faded out]
2. Jigs: Untitled [The Rambling Pitchfork], Untitled [Jimmy O'Brien's Jig]
3. Reels: Untitled [Rakish Paddy; 4-part version as recorded on 78rpm disc by James Morrison, fiddle], Untitled [The Wheels of the World; faded out]
4. Reels: Untitled [The Copperplate], Untitled [Rakish Paddy]
5. Hornpipe: Untitled [The Plains of Boyle]
6. Jig: Untitled [Garrett Barry's Jig]
7. Speech: Untitled [Interview for radio; topics include: origins of the name of the town Ballyvaughan; why Connemara people no longer bring turf to Clare in boats; at one time there was heavy traffic in turf on the sea between Clare and Connemara; origin of the name Ceann Boirne; the landlords in north Clare; An Craoibhin Aoibhinn / Douglas Hyde had high praise for the dialect of Irish spoken in north Clare; the characteristics of the Irish spoken in north Clare; the prospects for the Irish language in the area]
8. Reels: Untitled [The Heather Breeze], Untitled [Miss McLeod's Reel]
9. Speech: Untitled [Interview for radio; topics include: looking after tourists in north Clare; high seas off north Clare; how the speaker and interviewer searched unsuccessfully for bales of rubber on Oilean na bPortan / Crab Island, off Doolin, Co Clare; how the speaker acquired the nickname 'Cuckoo']
10. Speech: Untitled [How the speaker acquired the nickname 'Cuckoo'; working as a lifeguard for the beach in Doolin, Co Clare; how the speaker and interviewer searched unsuccessfully for bales of rubber on Oilean na bPortan / Crab Island, off Doolin; travelling from Doolin to Inis Oirr by currach; the dangers of that crossing; drinking poteen]
11. Jig: Untitled [The Piper's Chair]
12. Jig: Untitled [The Piper's Chair]
13. Jig: Untitled [Donal na Greine]
14. Reel: Untitled [Boil the Breakfast Early]
15. Song: Untitled [Chorus begins 'My name is Mickey Moloney'; about Miltown Malbay, Co Clare]
16. Reel: Untitled [Gorman's Reel; related to Sporting Nell]
17. Jig: Untitled [Version of Kitty's Rambles / The Rambles of Kitty] [END OF BAND ONE]

Breandán Breathnach Collection. Reel-to-Reel 329 [sound recording] / [various performers]

Performers:
Unidentified performer(s), accordion solo A1–2, B10, 12;
accordion in duet A5–6, 31, B11–12, 18;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish intermittently throughout;
Lyons, Paddy, Tipperary, mouth organ solo A3–4;
Ardellis Ceili Band, The, instrumental group A7–8;
Doherty, John, Donegal, fiddle solo A9–11, 12?;
Unidentified performer, concertina solo A13;
Unidentified performer(s), fiddle solo A14–15, 17, 23, 35–36, B8, 14;
fiddles in duet B9;
fiddle in duet B11–12;
Murphy, Denis, Kerry, fiddle in duet A16, 30, B1?;
fiddle solo A26;
fiddle in trio A28–29, 38?;
Unidentified performer [O'Keeffe, Padraig / O'Keefe, Padraig, Kerry?], fiddle in duet A16;
McHugh, Frances, Galway / Donegal, singing in English A18;
Unidentified performer, singing in Irish A19;
Unidentified performer [Droney, Jim, Clare], concertina in duet A20–21;
Unidentified performer [Droney, Chris, Clare], concertina in duet A20–21;
Unidentified performer(s), concertina solo A24, 37;
Foley, Paddy Willie, whistle solo A22;
McGann, Andy, New York, fiddle in trio A25;
Reynolds, Paddy, Longford / New York, fiddle in trio A25;
O'Sullivan, Con, Kerry, fiddle in trio A28, 38?;
Cronin, Dan, Kerry, recorder in trio A28–29, 38?;
O'Keeffe, Padraig / O'Keefe, Padraig, Kerry, fiddle in trio A29;
fiddle in duet A30?, B1?;
Burke, Joe, Galway, accordion in trio A32, 34;
Collins, Kathleen, New York / Galway, fiddle in trio A32, 34;
Unidentified performers, instrumental group [Kilfenora Ceili Band, The, Clare?], B2–4, 6–7;
Tierney, Gus, Clare, fiddle in duet B5;
Unidentified performer, speech in English B15–16;
Moloney, flute solo B15, 16?;
Unidentified performer, speech in English B17;
whistle solo B17;
Unidentified performer, flute in duet B18;
Canny, Paddy, Clare, fiddle solo B19–21;
Maguire, Johnny, Cavan, speech in English intermittently throughout B23–35;
whistle solo B23, 25–30, 32–35;
Unidentified performers, speech in English intermittently throughout B23–35;
Unidentified performer, speech in English B36

Running Order:
1. Reel: O'Mahony's Fancy [Carmel Mahoney Mulhaire; composed by Martin Mulhaire]
2. Reel: Coloney Rodney
3. Speech, Polka: Untitled [Information about the performance that follows], Finnegan's Wake
4. Speech, Polka: Untitled, Untitled [Maggie in the Wood]
5. Reels: Miss Patterson [Master Crowley's], Paddy Fahy's Reel [Composed by Paddy Fahy (information supplied by music scribe)]
6. Reels: Untitled [Mary O'Neill's Fancy], Sporting Nell, Untitled (incomplete)
7. Jig: Untitled
8. Jig: Hinchy's Delight
9. Reels: The Salamanca, Rakish Paddy
10. Jig: The Frieze Breeches
11. Hornpipe: Untitled
12. Jig: The Gold Ring
13. Reel: The Fair of Ballinasloe [Ballinasloe Fair], The Chicago Reel
14. Jig: Untitled (incomplete)
15. Reel: Untitled [The Foxhunter's Reel]
16. Slip Jig: Untitled [Ride a Mile]
17. Reel: The Enchanted Lady, The Maids of Castlebar (incomplete)
18. Speech, Song: Untitled [Information that the song sung next was composed by the performer's father], Louis Darcy
19. Speech, Song: Untitled, An Carabhat
20. Jig: Untitled [The Rambles of Kitty (not the tune commonly known by this name)]
21. Jig: Untitled [Paidin O Raifeartaigh, version of]
22. Speech, Single Jig / Slide: Untitled, Untitled
23. Speech, Polka / Hornpipe: Untitled, Untitled [Described by music scribe as 'Scotch Polka'; Staten Island (hornpipe)]
24. Jig: Untitled [The Bohola Jig; Joe Cooley's Jig]
25. Reel, Speech: The Belles of Tipperary, Untitled [Information about the performers of the tune just played]
26. Speech, Reels: Untitled [Information about the next music item, including that it was recorded in June 1955], The Morning Star, Durang's [Usually played as a hornpipe (information supplied by music scribe)]
27. Speech: Untitled [Information about the next music item]
28. Single Jigs / Slides: Cucanandy [The Whistling Thief Jig; Pete Sullivan's Fancy], Mount Collins [If I Had a Wife]
29. Speech, Jig: Untitled [Information about the next music item, including that it was recorded in June 1955], The Humours of Dingle
30. Speech, Reel: Untitled, Sporting Paddy
31. Reels: The Donegal Traveller, Miss Montgomery, The Donegal Traveller
32. Speech, Reels: Untitled, Lad O'Beirne's [The Coalminer], Finbarr Dwyer's Reel [Dwyer's Reel; The Holly Bush; Matt the Thresher; composed by Finbarr Dwyer]
33. Speech: Untitled [Information about the performers in the Joe Burke Trio]
34. Jigs: Untitled [The Humours of Kesh], Races at Carrick? [Title supplied by music scribe; The Coach Road to Sligo; CRE, # 33]
35. Reel: Shaney Mulhern? [Title supplied by music scribe; Never Was Piping so Gay, composed by Ed Reavy]
36. Jig: Untitled [The Rambler]
37. Reel: Untitled
38. Single Jigs / Slides: Untitled [Merrily Kiss the Quaker], Untitled [Dingle Regatta, in the version played by Sliabh Luachra musicians] [END OF BAND ONE]
39. Jig: When the Cock Crows it is Day [Ta an Coileach ag Fogairt an Lae]
40. Speech, Reel: Untitled, Mullin's Favourite [The Green Mountain]
41. Reel: The Reel of Rio [Composed by Sean Ryan]
42. Single Jigs / Slides, Jigs: Untitled [The Clare Jig; Old Kilfenora Jig], Untitled [Dinny Mescal's], Untitled [The Kesh Jig, version of], Untitled [Gillan's Apples]
43. Speech, Reel: Untitled, Paddy Fahy's Reel [Composed by Paddy Fahy; in ray mode (information supplied by music scribe)], Never was Piping so Gay [Composed by Ed Reavy]
44. Speech, Jig: Untitled, The Gold Ring
45. Reel: The Rainy Day
46. Reel: The Spey in Spate
47. Speech, Single Jig / Jig, Polka, Set Tune / Single Jig / Slide, Polka, Single Jigs / Slides: Untitled [Brief; describing the music selection that follows as one for a quadrille], Untitled, Untitled [Related to melody 'The Bog down in the Valley'], Untitled, Untitled, Untitled, Untitled [Comin' Thro' the Rye]
48. Jig: Untitled [The Boys of Lough Gowna; composed by Paddy O'Brien]
49. Reel: The Musical Priest
50. Reel: Devanney's Goat
51. Reel: The Sailor's Cravat
52. Reel: Lord McDonald
53. Speech, Hornpipes: Untitled, Tuamgraney Castle, Ann Sheehy's / The Bunch of Ferns [The Flowing Tide]
54. Speech, Reels: Untitled, Sean Ryan's Reel [The Reel of Rio; composed by Sean Ryan], Ganley's [Coen's Memories; composed by Tommy Coen]
55. Speech, Reel: Untitled, Fahy's
56. Jig: Untitled [Composed by Sean Ryan (information supplied by music scribe); The Hidden Ireland]
57. Speech, Reel: Untitled, Andy McGann's Reel
58. Reel: The Grand Spy [The Graf Spee]
59. Jigs: Apples in Winter, The Lark in the Morning [Dougherty's; Up Sligo]
60. Speech, Hornpipe: Untitled, The Cuckoo Hornpipe (incomplete)
61. Speech, Reel: Untitled, Reynold's Reel [The Sailor's Farewell; The Belharbour Reel; stated by the music scribe to have been composed by Martin Mulhaire, but this is questionable; Reynolds' Reel]
62. Speech: Untitled [Information about the tune that follows]
63. Reel: The Mount Nugent Reel [CICD 4609 (not from this recording); Miss Langford]
64. Speech, Reel: Untitled [Information about the tune that follows], The Boys of Twenty-Five [CICD 4895 (not from this recording); Ah Surely]
65. Speech, Reel: Untitled [Information about the tune that follows], The Maid of the House [CICD 5151 (not from this recording); published in Ceol, vol III, I]
66. Speech, Reel: Untitled, The Gatehouse Maid [CICD 4541 (not from this recording); stated by the music scribe to be mistitled; The Baltimore Reel; Hickey's]
67. Speech, Reel: Untitled, The Golden Keyboard [Composed by Martin Mulhaire]
68. Speech, Reel: Untitled, Jack Roe [CICD 4024 (not from this recording)]
69. Speech: Untitled [Information about the musician from whom the performer got the tune that follows]
70. Reel: The Crib of Perches [CICD 3124 (not from this recording)]
71. Speech, Reel: Untitled, Untitled [Related to The Ewe Reel?]
72. Speech, Reel: Untitled, Untitled
73. Speech, Reel: Untitled, The Morning Star (incomplete)
74. Speech: Untitled (clipped at end) [Information about placenames] [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 338 [sound recording] / [various performers]

Performers:
Ennis, Seamus, Dublin, whistle solo A2, 8–9, 17, 19, 23, 33;
speech in English and Irish throughout;
pipes solo A4, 6, 15, 25, 27, 31;
singing in English A11;
singing in Irish A13;
singing in Irish and English A21, 29;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish throughout;
lilting in duet A9;
Clancy, Willie, Clare, pipes solo A20, 22, 24, 26, 29, 31, 33, 35, 37

Running Order:
1. Tone Signal: Untitled
2. Slide: Untitled [The Dark Girl in Blue (CRE 3, # 50); Denis Murphy's Slide; short version to begin the 1st edition of 'Ceolta Tire' on this tape; full version at track A9]
3. Speech: Untitled [Topics include: how long does it take to make a piper? Time required: 7 years learning, 7 years practising, 7 years playing; story about 3 squabbling brothers; introduction to the tune that follows, a test piece for pipers; SE plays his father's version]
4. Set Dance: A hAon is a Do na Piobaireachta / The Ace and Deuce of Piping [One of two versions of this tune that SE played; tonic note A]
5. Speech: Untitled [About the title of the piece of music that follows, The Shaskeen Reel; bo sheasc is a cow that is not giving milk, perhaps a barren cow; the word 'seaiscin' is the affectionate diminutive of the word 'seasc', referring to such a cow that is kept as a pet]
6. Reel: The Shaskeen Reel
7. Speech: Untitled [Introduction to the theme of the story that follows; story about the hiring fairs, 'Don Nippery Septo'; story about the king of Greece who wanted to give his daughter's hand in marriage to the man who could tell the longest story – the story without end; Ennis refers to the tune that follows as 'The Eternal Slide']
8. Slide, Speech: The Eternal Slide [Dingle Regatta (Sliabh Luachra version)], Untitled
9. Slide: Untitled [The Dark Girl in Blue (CRE 3, # 50); Denis Murphy's Slide; with lilting; full version; short version at track A2]
10. Speech: Untitled [Introduction to the song that follows, which was learnt from Mrs Cronin of Ballyvourney and her son Michael; song is about the treaty of Limerick, Sarsfield and the flight of the Wild Geese]
11. Song: Untitled [The Charming Colleen Rua]
12. Speech: Untitled [Topics include: the dialect of Irish in Waterford; Labhras O Cadhlaigh; faction fighting; factions Carabhat & Seana-Bheist; introduction to the next item]
13. Song: Untitled [Is Buachaill o Chluain Meala Me; song used to start a faction fight]
14. Speech: Untitled [Discussion of topics related to the song just sung, including: faction fighting; dragging one's coat to start a fight; fair days and faction fights; '12 o'clock in the day and not a blow struck'; Labhras O Cadhlaigh interested in piping; An Lin faoi Bhlath / The Flax in Bloom, reel popular in Ring, Co Waterford]
15. Reel: An Lin faoi Bhlath / The Flax in Bloom [End of the first edition of 'Ceolta Tire' on this tape]
16. Speech: Untitled
17. Polkas: Untitled [The Dark Girl Dressed in Blue], Untitled [The Knocknaboul Polka # 2; faded out] [End of the first edition of 'Ceolta Tire' on this tape]
18. Tone signal
19. Speech: Untitled [Radio announcement; attitudes of people to pipes] [Beginning of the second edition of 'Ceolta Tire' on this tape]
20. Jigs: Down the Back Lane, Sergeant Early's Jig / An Maidrin Treitheach
21. Speech: Untitled [Radio announcement; the chanter of the uilleann pipes played by Willie Clancy here was made by the Moloney brothers of Kilrush, who lived in the first half of the 19th century; chanter is 18 long & is on loan from Sean Reid, who in turn got the chanter from Brother Gildas O'Shea, Kerry, of the De La Salle congregation; introduction to the next item]
22. Air: The Trip over the Mountain [The Trip We Took over the Mountain]
23. Speech: Untitled [Radio announcement; Willie Clancy was influenced by other pipers, including Garrett Barry and Johnny Doran]
24. Reels: The Steampacket, Rakish Paddy
25. Speech: Untitled [Radio announcement]
26. Hornpipes: The Faithful Friend [Learned from Leo Rowsome], The Plains of Boyle (faded out) [End of the second edition of 'Ceolta Tire' on this tape]
27. Tone signal
28. Speech: Untitled [Radio announcement; Willie Clancy was influenced by other pipers, including Garrett Barry, Johnny Doran, Leo Rowsome and Seamus Ennis; he was also influenced by John Potts, of Ardee St, Dublin, a native of south Co Wexford; introduction to the next item] [Beginning of the third edition of 'Ceolta Tire' on this tape]
29. Reel: The Connacht Heifers [The Connacht Heifer; learned from John Potts], Corney is Coming
30. Speech: Untitled [Radio announcement; the tune that follows is a version played by the piper Garrett Barry, whom Willie Clancy's father Gilbert knew well; introduction to the next item]
31. Jig: The Frieze Breeches [First two parts of this 5-part jig form the melody of the song sung in Connemara 'Cunnla, a chroi, na teara nios goire dom']
32. Speech: Untitled [Radio announcement; Willie Clancy's interest in Irish traditional singing is reflected in his playing of slow airs; introduction to the air that follows; Willie Clancy learned the melody from a ballad in English that his father used to sing called 'The Bold Trainer-O']
33. Air: Uilleachan Dubh O / Banchnoic Eireann O / The Bold Trainer-O [The Green Linnet; M'Uilleagan Dubh O; The Bold Traynor O]
34. Speech: Untitled [Radio announcement; West Clare is no longer a Gaeltacht; a verse in Irish connected with the first tune in the selection to be played next]
35. Reel: Bean an Tinceara [Bean a' Tinceara; An Bhean Tinceara], Carney's Reel [Kearney's Reel; The Ravelled Hank of Yarn; recorded on a commercial 78rpm disc for Gael-linn by this performer as 'Ril Mhichil Ui Cheithearnaigh', i.e. 'Michael Carney's Reel'; that recording reissued on the CD publication 'Seoltai Seidte'; recorded by Michael Carney on a commercial 78rpm disc as 'The Peeler's Jacket' (mistitled?)]
36. Speech: Untitled [Radio announcement; introduction to the next tune]
37. Slip Jig: Tiocfaidh Tu sios go Luimneach / Won't You Come down to Limerick? [An dTiocfaidh Tu sios go Luimneach? / Kitty Come down to Limerick / Will You Come down to Limerick? / The Munster Gimlet] (faded up at start) [End of third edition of 'Ceolta Tire' on this tape] [END OF BAND ONE]

Breandán Breathnach Collection. Reel-to-Reel 321 [sound recording] / [various performers]

Performers:
Clancy, Willie, Clare, pipes solo A1, 3, 5, 7, 13;
speech in English A2, 4, 6, 8, 10, 12;
whistle solo A9, 11;
O'Donnell, Michael, speech in English A2, 4, 6, 8, 10, 12

Running Order:
1. Reels: The Connacht Heifers / The Connacht Heifer, Jenny Picking Cockles
2. Speech with Music: Untitled [Willie Clancy's background in music; mother played concertina; began playing the whistle at the age of five; was over 20 when he began to play the pipes; got first set of pipes from Felix Doran; the Moloney brothers, pipemakers in Co Clare; Garrett Barry used to send to a place called Toin an Bhothair, in Co Clare, to get reeds made; Clancy was helped in learning the pipes by a local musician, Hugh Curtin; the components of a practice set; fingering technique on the chanter versus that on the whistle; is it an advantage in learning the pipes to have played the whistle?; the difficulty of unlearning bad habits; demonstration of the range of the chanter – two full octaves; adapting tunes to suit the pipes
3. Jigs: Untitled [The Gander in the Pratie Hole], Untitled [Bimid ag Ol is ag Pogadh na mBan]
4. Speech: Untitled [The reason for the strong music tradition in Clare; Clancy's opinion of musicians in Sligo; young people in Clare taking an interest in traditional music; the accordion: a problem instrument; the difficulty of acquiring and maintaining the pipes and of learning to play them; Clancy's advice to learners on the pipes; it is best to learn when young; the slow air is the cream of the music]
5. Air: An Binsin Luachra
6. Speech: Untitled [Dance tunes possibly being derived from slow airs; for example, the reel 'The Green Fields of America' is possibly derived from the air 'Pretty Molly Brannigan']
7. Air, Reel: Pretty Molly Brannigan, The Green Fields of America
8. Speech: Untitled [The first tune that Clancy played on the whistle, the jig 'Father O'Flynn']
9. Jig: Father O'Flynn
10. Speech: Untitled [The first reel that Clancy played on the whistle, which is the first tune in the next selection]
11. Reels: Untitled [The Ladies Pantalettes], Untitled [The Crooked Road to Dublin], Untitled [The Ravelled Hank of Yarn]
12. Speech: Untitled [Sean O Riada, whose funeral had just taken place; Clancy's acquaintance and musical rapport with O Riada; the lament 'The Bright Lady', which Clancy played at O Riada's funeral]
13. Air: The Bright Lady

Résultats 21 à 30 sur 46