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Collection of audio recordings, personal papers, manuscripts, ephemera, music transcriptions and notation, news cuttings and photographs, relating to the life and work of the collector Hugh Shields. The sound recordings were made chiefly across Ulster in the period 1966–81.

This collection was created by Derek Bell during his lifetime. The majority of the papers and audio visual collection date from the late 1960s to the late 1990s. There are some papers relating to Bell's early music education in London's Royal College of Music and Trinity College Dublin but the vast majority of materials date from his professional music career. The papers cover Bell's time with the City of Belfast Orchestra and the BBC Northern Ireland Orchestra. His international career as a solo musician, recording artist, composer and his long career with the Irish music group The Chieftains are very well documented in this collection. Derek Bell's interest in Irish music, ethnic music from Bulgaria, Romania, Hungary and South America and classical harp music are also evident in the collection. His interest in the relationship between music, mysticism and meditation is reflected both in his papers and his audio visual collection. The first series contains personal papers which include: music papers relating to education, teaching and musical instruments; financial documents; religious papers relating to the guru Gideon Fontalba and the spiritual organisation the Self Realization Fellowship; papers relating to family history; and papers gathered by his widow Stefanie Bell after his death in 2002. Correspondence with family, friends, music publishers, music librarians, musicians and business related correspondence can be found in the second series of this collection. The third series contains papers collected by Bell during his time as a working musician both as a solo and orchestral artist and with The Chieftains. Included in this series are invitations from individuals and organisations to Bell to perform as well as rehearsal schedules, performance related ephemera, reviews, articles, promotional material, tour schedules and awards and certificates. The final two series in this collection contain photographs of Bell and The Chieftains and audio visual material. This material includes Bell's solo recordings as well as The Chieftains many albums. Also included in the audio collection are ethnic music recordings from around the world.

The ITMA Field and Studio Recordings fonds comprises audio and video recordings taken by ITMA staff since the founding of the archive in 1987. ITMA actively seeks to record traditional music and dance in the field in order to be able to trace how it has developed across the country. Recordings include annual music festivals and conferences, one-off events, concerts and sessions, and interviews and studio recordings taken onsite at ITMA's premises on Merrion Square. It is expected that this is collection will expand continually over the coming years.

Collection contains printed items, manuscripts, sounds recordings, video recordings and photographs donated by the family of Liam O'Flynn.

Handwritten music manuscripts, music tablature manuscripts and an imperfect printed fiddle tutor. Some of the music tablature is written in the hand of Pádraig O'Keeffe and other music notation is written either by Dáibhí Ó Cróinín's father or uncle. More information to follow from Dáibhí once digitised versions of the manuscripts are shared with him.

Collection of reel-to-reel tapes featuring recordings of sessions and céilí bands, and domestic recordings of commercial material. Includes performances at the 'Fleadh Nua' in 1973 and 1975.

Collection comprises a single reel-to-reel tape recording of a performance by John Egan.

Collection comprises a single audio recording taken by Murt and Diane Conneely featuring the Galway Bay Ensemble.

Collection comprises manuscript material and a reel-to-reel tape recording.