Nellie Walsh published a column in 'Ireland's own' entitled 'Songs of your county' from the mid 1960s to just before her death in the mid 1990s. 'Songs of your county' included the lyrics of songs tied to 32 counties across Ireland, and each column was often dedicated to one specific county, though many included features from multiple. In order to find these songs, Walsh compiled lyrics from across the Island from her own experience, but also received submissions from citizens of songs they had heard throughout their lives. Though published only as ballad sheets, many of the songs were submitted or noted in tonic sol-fa, and occaisonally with accompanying staff notation. The two sub-series in this series show the published 'Songs of your county' column, and the handwritten notes that show how Walsh constructed her column, divided by county.
Audiovisual recordings of singing sessions and recordings of individual singers made in public and private venues in Ireland but predominantly in Inishowen, Co. Donegal.
Includes set list written on back of form from Walkinstown Social Service Centre. Also includes cassette inlay card dated February 1986 listing 15 tunes (annotation re reproduction and performance quality) and duplicate list written on an envelope. Includes set list on carbon paper with drawing of fiddle, a speech (?), and list of compositions by Potts.
This series contains letters and ephemera which were originally in an envelope marked 'S. Reid’. Seán Reid was a fiddler and an uilleann piper, born in Castlefin, Co. Donegal he moved to Ennis in Co. Clare in 1937 and lived there for forty years. Along with Breandán Breathnach he was founder member of Na Píobairí Uilleann and played an important part in its evolution. The series contains five letters from the famous Irish American music collector, Francis O'Neill, (O'Neill, Francis, 1848-1936) to the uilleann piper William Halpin. Also included are letters, the majority written in 1937 and 1938, from various friends and relatives to Seán Reid (Reid, Seán, 1907-1978). Some letters are personal in nature, for example those from his mother and sister, ‘Kathleen’, but the majority include many references to music, musicians and uilleann piping in 1930s Ireland. There are also a number of items of ephemera relating to feiseanna & Irish music events.
