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Performers:
Ennis, Seamus, Dublin, pipes solo A1–5

Running Order:
1. Airs: Untitled [Version of An Caisideach Ban?], Untitled [An Droighnean Donn]
2. Reels: Untitled [The First House in Connacht], Untitled [Miss Monaghan], Untitled [The First House in Connacht]
3. Jig: When the Cock Crows it is Day [Ta an Coileach ag Fogairt an Lae], Sixpenny Money [Airgead Realach]
4. Jig / Single Jig, Slip Jigs: Smash the Windows, The Drops of Brandy, The Tenpenny Piece
5. Hornpipes: Untitled [The Bantry Hornpipe], Untitled [The Tailor's Twist] [END OF BAND ONE]

Performers:
Ennis, Seamus, Dublin, speech in English A1, 3, 5;
Mac Donnchadha, Sean / 'ac Dhonncha, Sean / Johnny Joe Pheaitsin / McDonagh, Johnny, Galway, singing in Irish A2;
Ni Gallchobhair, Cait, Donegal, singing in Irish A4;
Ni Mhuimhneachain, Cait, Cork, singing in Irish A6;
Reck, Tommy, Dublin, pipes solo A7–9;
Unidentified performer, fiddle solo A10–11;
Unidentified performer [Paddy Killoran?], fiddle solo A12–15

Running Order:
1. Speech: Untitled [Topics: Seamus Ennis's work as a collector with the Irish Folklore Commission; transcribing music from collections made by James Delargy and Luke Donnellan; collecting in the field; travelling by bicycle to Connemara; riches of music in Connemara; SE's collecting method; visiting an informant's home; how SE wrote music from informants; SE working at hay or at turf; sailing and fishing; singing style in Connemara; introduction to the next item]
2. Song: Bean an Fhir Rua / The Red-Haired Man's Wife
3. Speech: Untitled [Topics: SE's work as a collector, continued; style of folktale and of music is simpler in the north of Ireland than in the west and south; introduction to the next item]
4. Song: The Mermaid Song / An Mhaighdean Mhara
5. Speech: Untitled [Complexity in singing style in Connemara; singing style in Munster; introduction to the next item]
6. Song: A Mhaire Ni Laoghaire
7. Hornpipe: Untitled [Alexander's Hornpipe]
8. Jig: Untitled [Kitty's Rambles / The Rambles of Kitty]
9. Reel: Untitled [The Scholar] (fades out)
10. Hornpipe: Untitled (short, incomplete)
11. Set Dance: Untitled [The Job of Journeywork]
12. Hornpipes: Untitled [The Bashful Bachelor], Untitled [The Flowers of Ballymote]
13. Reels: Untitled, Untitled, Untitled [Sweeney's Dream]
14. Jigs: Untitled [The Hut on the Hill (CICD 1023); Paddy Killoran's; Andy McGann's], Untitled [The Rambler], Untitled [The Humours of Bantry]
15. Reels: Untitled [The Master's Return], Untitled, Untitled [Dillon Brown] [END OF BAND ONE]

Performers:
Ennis, Seamus, Dublin, whistle A1, 7–8, 22;
speech in English and Irish A2, 4, 6, 9, 11, 13, 15, 17, 19, 21;
pipes solo A3, 5, 14, 16, 20;
singing in English A10;
singing in Irish A12, 18;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish A2, 4, 6, 9, 11, 13, 15, 17, 19, 21;
lilting A8

Running Order:
1. Slide: Untitled [Denis Murphy's Slide]
2. Speech: Untitled [Topics include: how long does it take to make a piper? 7 years learning, 7 years practising, 7 years playing to become a piper; story about squabbling brothers; the test piece for pipers (the tune that follows); introduction to the next piece of music, which SE learned from his father]
3. Set Dance: A hAon is a Do na Piobaireachta / The Ace and Deuce of Piping [One of two versions of this tune that SE played; tonic note A]
4. Speech: Untitled [About the title of the piece of music that follows, The Shaskeen Reel; bo sheasc is a cow that is not giving milk, perhaps a barren cow; the word 'seaiscin' is the affectionate diminutive of the word 'seasc', referring to such a cow that is kept as a pet]
5. Reel: The Shaskeen Reel
6. Speech: Untitled [Introduction to the theme of the story that follows; story about the hiring fairs, 'Don Nippery Septo'; story about the king of Greece who wanted to give his daughter's hand in marriage to the man who could tell the longest story – the story without end; Ennis refers to the tune that follows as 'The Eternal Slide']
7. Slide, Speech: The Eternal Slide [Dingle Regatta], Untitled
8. Slide: Untitled [Denis Murphy's Slide] with lilting by C Mac M
9. Speech: Untitled [Introduction to the song that follows, which was learnt from Mrs Cronin of Ballyvourney and her son Michael; song is about the treaty of Limerick, Sarsfield and the flight of the Wild Geese]
10. Song: Untitled [The Charming Colleen Rua]
11. Speech: Untitled [Topics include: the dialect of Irish in Waterford; Labhras O Cadhlaigh; faction fighting; introduction to the next item]
12. Song: Untitled [Is Buachaill o Chluain Meala Me; song used to start a faction fight]
13. Speech: Untitled [Discussion of topics related to the previous song, including: faction fighting; dragging one's coat to start a fight; fair days and faction fights; '12 o'clock in the day and not a blow struck'; Labhras O Cadhlaigh interested in piping; An Lin faoi Bhlath / The Flax in Bloom, reel popular in Ring, Co Waterford]
14. Reel: An Lin faoi Bhlath / The Flax in Bloom
15. Speech: Untitled [Topics including: SE plays many instrument, including the fiddle and the Jew's Harp; SE does not play a melodeon or accordion, because the notes are 'ready made'; John Clarke of the Pipers' Club said that accordions were not allowed in the club; story about a changeling who plays the fiddle and later plays the melodeon after being thrown in the river; story about the blacksmith and the Scolaire Bocht – 'se buile moch an Luain agus buile deanach an tSathairn ata dod mhilleadh']
16. Reel: The Merry Blacksmith
17. Speech: Untitled [Lore about blacksmiths, including: blacksmiths are never tired; the tiredness of the blacksmith is put over on the tinker; story about holy person who wants to get a pin made for a cloak – the tinker refuses to do it, but the blacksmith agrees, and for this reason tinkers are cursed; a poet or musician should never be refused in a forge; introduction to the song that follows]
18. Song: Amhran na nGaibhne [About a musician who went to a forge to borrow a spade]
19. Speech: Untitled [The richness of folklore in the Carna area in Connemara; introduction to the reel The Drunken Landlady, which SE learnt in Inis Ni, near Cloch na Ron [Roundstone], in Connemara; SE found the name for the tune in Co Cavan]
20. Reel: The Drunken Landlady
21. Speech: Untitled [Lore about competitions between musicians, which were based on repertoire; story about Henry Bohannon, who got the gift of music from the fairies – competition between him and another piper – wins the competition with The Lark's March / Mairseail na Fuiseoige]
22. Jig: The Lark's March / Mairseail na Fuiseoige / The Lark in the Morning (incomplete; fades out) [END OF BAND ONE]

Performers:
Ennis, Seamus, Dublin, whistle A1, 3, 7, 16, 18, 22;
speech in English and Irish A2, 4, 6, 8, 10, 12–14, 17, 19–21;
pipes solo A9, 11, 15;
singing in Irish and English A5, 13, 20;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish A2, 4, 6, 8, 10, 12–14, 17, 19–21

Running Order:
1. Polka: Untitled [Short version to begin the radio programme; full version at track A3(a)]
2. Speech: Untitled [Topics include: the tune at tracks A1 and 3 was learned by SE from Padraig O'Keeffe and Denis Murphy in Sliabh Luachra]
3. Polkas: Untitled [Full version of the tune played in track A1], Untitled
4. Speech: Untitled [Topics include: travelling in Sliabh Luachra; introduction to next song, about a man whose pup returned to him; the song has alternate verses in Irish and English]
5. Song: Untitled ['The pup came home from Claedeach...']
6. Speech: Untitled [Introduction to next piece of music, which SE learned from his father]
7. Air: The Trip We Took over the Mountain
8. Speech: Untitled [Flag floors in country houses with the dancer's flagstone; introduction to next piece of music]
9. Reel: The Flags of Dublin
10. Speech: Untitled [Topics: Raftery's poem 'Anois Teacht an Earraigh'; introduction to next piece of music, which SE plays in a version learned from his father]
11. Slip Jig: The Kid on the Mountain
12. Speech: Untitled [Topics: SE working at translating Irish songs into English; SE's translation of Peig Sayers's book 'Reflections of an Old Woman' for Oxford University Press]
13. Song with Speech: Sliabh na mBan [With each verse sung in both Irish and English; English translations by SE; with spoken interjection]
14. Speech: Untitled [Introduction to next piece of music]
15. Reel: Nil Aon Airgead Agam / I Have No Money [End of first edition of 'Ceolta Tire' on this tape]
16. Reel: An Mala Fatai / The Bag of Potatoes [Short version to begin this edition of 'Ceolta Tire'; full version at track A18]
17. Speech: Untitled [Topics include: the tune at tracks A16 and 18 was learned by SE in 1941 from a man named Geoghegan, a member of the Gardai in Salthill, Galway; superstition about sowing potatoes on Good Friday; dependency on potatoes in Connemara; fairy story relating to the potato crop during the famine, told to SE by Colm O Caoidheain, Glinsce, Connemara]
18. Reel: An Mala Fatai / The Bag of Potatoes [Full version of the tune played in track A16]
19. Speech: Untitled [Topics include: stories about the fairy folk spiriting away cows or newly-wed women to serve their need for milk]
20. Song with Speech: Amhran na Bo Baine [With explanatory speech interjection by SE]
21. Speech: Untitled [Topics include: snuff; story that is the background to the next tune]
22. Reel: The Pinch of Snuff [End of second edition of 'Ceolta Tire' on this tape] [END OF BAND ONE]

Performers:
Ennis, Seamus, Dublin, pipes solo A1, 3, 5, 7, 9, 11–12, 14, 20, 22;
speech in English and Irish A2, 4, 6, 8, 10, 13, 15, 17, 19, 21;
singing in Irish A10, 16, 18–19;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish A2, 4, 6, 8, 10, 13, 15, 17, 19, 21

Running Order:
1. Air (short, incomplete): Uirchill an Chreagain [Short version to start the first edition of 'Ceolta Tire' on this tape; for a full version, see track A3]
2. Speech: Untitled [Topics: the song 'Uirchill an Chreagain'; SE transcribed a version of the air from a cylinder in the Luke Donnellan collection at the Irish Folklore Commission]
3. Air: Uirchill an Chreagain [Full version of the tune in track A1]
4. Speech: Untitled [Topics: collecting music for the Irish Folklore Commission; SE collected the next tune from flute-player, singer, and whistler Pat Canavan from Ardmore, Carna, who later became a piper]
5. Reel: The Mist of the Hills / Ceo na gCnoc
6. Speech: Untitled [Topics: SE collecting in Connemara; the informant Colm O Caoidheain, from whom SE received the tune Titsa Miller / The Dusty Miller; story that is the background to the tune]
7. Slip Jig: Titsa Miller / The Dusty Miller [Colm O Caoidheain's version]
8. Speech with Lilting: Untitled [Topics: story told by Colm O Caoidheain that is the background to the reel 'Port na Gioboige']
9. Reel: Port na Gioboige [As learned from Colm O Caoidheain]
10. Speech with Singing: Untitled [Topics: stories relating to cats, including the story 'Lios na gCat'; introduction to the next piece of music]
11. Reel: The Drunken Landlady / Port Inis Ni [End of first edition of 'Ceolta Tire' on this tape]
12. Reel: The Shaskeen [Short version to begin the programme; for a full version, see track A14]
13. Speech: Untitled [Topics include: 'Laethanta na bo riabhaigh'; background to the name of the reel 'The Shaskeen']
14. Reel: The Shaskeen [Full version of the tune at track A12]
15. Speech: Untitled [Topics: folklore connected with St Patrick's Day and with Easter]
16. Song: Ri na hAoine / Dan na hAoine [Learned by SE from Mike Traoin, Waterford]
17. Speech: Untitled [Topics: The content of the song just sung; folklore about 'coileach Martan', the cock hatched in March who crows to greet the dawn; introduction to the next piece]
18. Song: Untitled [Learned from Colm O Caoidheain]
19. Speech with Singing: Untitled [Introduction to the next piece of music]
20. Jig: Ta an Coileach ag Fogairt an Lae / When the Cock Crows it is Day
21. Speech: Untitled [Topics: spring weather; introduction to the next tune, which SE learned from his father]
22. Reel: The Rainy Day / An La Baisti [End of second edition of 'Ceolta Tire' on this tape] [END OF BAND ONE]

Performers:
Desmond Ceili Band, The, Kerry, instrumental group A1, 3;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish A2, 4, 6, 8, 10, 12, 14, 16;
O'Brien, Jimmy, Kerry, singing in English A5, 15;
Ennis, Seamus, Dublin, speech in English and Irish A6, 8, 10, 12, 14, 16;
pipes solo A7, 9, 11, 17;
singing in Irish A8;
Murphy, Denis, Kerry, fiddle solo A13

Running Order:
1. Reel: Untitled [O'Keeffe's Plough / O'Keeffe's Speed the Plough]
2. Speech: Untitled
3. Reels: Lucy Campbell, Toss the Feathers
4. Speech: Untitled [Introduction to the next song, which was composed by Sigerson Clifford]
5. Song: The Boys of Barr na Sraide
6. Speech: Untitled [Topics: the harvest; milling the grain; tunes associated with milling]
7. Slip Jig: The Dusty Miller [SE's father's version]
8. Speech with Singing: Untitled [Topics: lore about a 'muileann si', a fairy mill; lore from Colm O Caoidheain, Glinsce, including a story that includes a song; story that is the background to the next piece of music]
9. Slip Jig: The Dusty Miller [Colm O Caoidheain's version]
10. Speech: Untitled [Topics: lore connected with St Martin's Eve and the feast of St Martin; introduction to the next tune, learned from Mickeen Conroy, whistle, brother of the piper Andy Conroy]
11. Reel: The Mills Are Grinding / The Dunmore Lasses
12. Speech: Untitled [Introduction to the next item]
13. Slides: Untitled, Untitled
14. Speech: Untitled [Introduction to the next item]
15. Song: The Tailor Ban
16. Speech: Untitled [Topics: background to the next selection of tunes]
17. Single Jig, Single Jig / Slide: Smash the Windows [Learned from SE's father], The Dark Girl in Blue [Learned from Denis Murphy and Padraig O'Keeffe; Denis Murphy's Slide] [End of first edition of Ceolta Tire on this tape]

Performers:
Ennis, Seamus, Dublin, pipes solo A1–9;
Unidentified performer, fiddle solo A10

Running Order:
1. Air: Untitled [The Trip We Took over the Mountain]
2. Air: Untitled [I'll Mend Your Pots and Kettles - O]
3. Air, Slip Jig: Untitled [Lament from 'The Fox Chase'], Untitled [The Foxhunter's Jig]
4. Air: Untitled [Uirchill an Chreagain]
5. Jigs: Untitled [The Pipe on the Hob], Untitled [Down the Back Lane], Untitled [Sixpenny Money], Untitled [Paidin O Raifeartaigh]
6. Hornpipes: Untitled [Ballymanus Fair; The Pleasures of Hope; a version of 'Fisher's Hornpipe'], Untitled [Alexander's Favourite], Untitled [The Londonderry Hornpipe / The Derry Hornpipe]
7. Reels: Untitled [The Silver Spear], Untitled [The Dublin Reel], Untitled [Miss Monaghan]
8. Reels: Untitled [The Salamanca], Untitled (incomplete; tape runs out) [Lord Gordon] [END OF BAND ONE]
9. Reels: Untitled (clipped at start) [Kiss the Maid behind the Barrel]
10. Reels: Untitled [The First House in Connacht], Untitled (clipped at end) [The Skylark; composed by James Morrison] [END OF RELEVANT MATERIAL ON BAND TWO]

Performers:
Unidentified performers, pipes in duet, A1;
O'Donnell, Michael, Dublin, speech in English A1–5, 7, 9, 12;
speech in Irish A4;
Breathnach, Breandan, Dublin, speech in English A1, 5;
O'Dowd, Dan, Dublin, speech in English A2;
Wathen, Ronnie, Wales, pipes solo A3;
speech in English A3;
Standeven, Thomas, USA, speech in English and Irish A4;
Conroy, Andy, Roscommon, pipes solo A6, 8, 10–11, 13;
speech in English A7, 9, 12

Running Order:
1. Slip Jig, Speech, Slip Jig, Speech: Untitled, Untitled [Radio interview; topics: progress that the organisation Na Piobairi Uillean has made; the acquisition of premises for the organisation; its membership; the status of pipemaking; the age profile of members; representation of women], Untitled, Untitled [Radio announcement]
2. Speech: Untitled [Radio interview; topics: reedmaking; cane plantations in Spain; 40 candidates in the reedmaking workshop; the standard of piping among young people, who are learning from tapes; acquiring a practice set of pipes, price: £14–15; a full set costs £60]
3. Air, Speech, Air: A Spailpin A Run, Untitled [Radio interview; topics: description of Ronnie Wathen's pipes, which he partly made himself], A Spailpin A Run
4. Speech: Untitled [Radio interview; topics: piping in the USA; how the interviewee learnt Irish]
5. Speech: Untitled [Radio interview; topics: the future prospects for piping; the availability of historic recordings; the willingness of present-day players to pass on their knowledge, a contrast to the secretiveness of an earlier generation]
6. Jigs, Slip Jig: The Maid on the Green, Untitled [Jackson's Jig], Give Us a Drink of Water [A Drink of Water] [This selection was recorded on a commercial 78rpm disc by piper Patsy Touhey]
7. Speech: Untitled [Radio interview; topics: Andy Conroy's home area in Loughlynn, Co Roscommon; other musicians in the area; AC began playing the pipes in England; studying the pipes in Dublin with Leo Rowsome; what impressed AC about Rowsome; AC played the tin whistle before playing the pipes]
8. Hornpipes: The Plains of Boyle, The Leitrim Fancy [This selection was recorded on commercial 78rpm discs by pipers Michael Gallagher and Willie Clancy]
9. Speech: Untitled [Interview; topics: Andy Conroy's style of piping; was influenced by fiddlers as well as pipers; describes his style as 'staccato'; rolls up his trouser leg while playing in order to 'surround the chanter with flesh'; played in Carnegie Hall; worked as a bricklayer; went to the USA in 1952; doesn't speak with an American accent; traditional music in the USA; AC keeps in practice; problems with neighbours when practicing the pipes; introduction to next piece of music]
10. Reels: Lucy Campbell, The Cup of Tea (clipped at end; tape runs out) [This selection was recorded on a commercial 78rpm disc by piper Michael Gallagher] [END OF BAND ONE]
11. Reels: Lucy Campbell, The Cup of Tea (full version of selection at track A10?; sound fade-out during 2nd tune, then the tune is repeated)
12. Speech: Untitled [Interview; topics: the number of pipers in the USA; Thomas Standeven, who speaks several languages; Andy Conroy intends to return to Ireland; may get married; was crossed in love as a young man; introduction to the next tune]
13. Jig: The Geese in the Bog [Influenced by the version recorded by Michael Carney, pipes] [END OF BAND TWO]

Performers:
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English throughout;
Redican, Larry, New York, speech in English A1;
fiddle in duet A1;
McGann, Andy, New York, fiddle in duet A1;
Field, Paddy, Tipperary, concertina solo A2–6;
speech in English A3;
Keane, James, Dublin / New York, accordion in duet A7–11;
speech in English A9–11;
McKiernan, Jim, Leitrim, speech in English A12;
fiddle solo A12, 16;
fiddle in duet A15;
McHugh, Bernie, Leitrim, speech in English A13;
mouth organ solo A13;
Rahill, Jim, Leitrim, fiddle solo A14;
speech in English A15?;
fiddle in duet A15;
Partially identified performer [Fitzgerald, P, Leitrim?], fiddle in instrumental group A17;
Unidentified performers, instrumental group A17;
Strange, N, speech in English A18;
banjo mandolin solo A18;
Reilly, Frank, speech in English A19;
fiddle solo A19;
Reilly, Michael, accordion in duet A20;
Unidentified performer(s), fiddle in duet A20, B9;
Mulkere, Jack, Clare, fiddle in duet A21;
Preston, Michael, Clare, flute in duet A21;
Canny, Paddy, Clare, fiddle solo A22–24;
Shannon Star Ceili Band, The, instrumental group A25;
McCarthy, Gerry, Kerry / Manchester / New York, fiddle in duet A26;
fiddle solo B10–12;
Murphy, Denis, Kerry, fiddle in duet A27–28, B20;
fiddle solo A31, B13–18, 21;
speech in English throughout B13–20;
Cooley, Seamus, Galway, flute solo A29–30, 32;
speech in English A30;
McMahon, Bobbie / Robbie, Clare, lilting solo A33;
O'Keeffe, Padraig / O'Keefe, Padraig, Kerry, fiddle solo B1–8;
Ray, J, accordion solo B9;
Unidentified performer, mouth organ in duet B20

Running Order:
1. Speech, Reels: Untitled, The Providence [CICD 4023 (from this recording)], The Belles of Tipperary [CICD 3599 (from this recording)] [This track was recorded on 30 April 1962]
2. Polka: Untitled [CICD 6341 (from this recording?)]
3. Speech, Polka: Untitled, Untitled [CICD 6441 (from this recording)]
4. Polka: The Humours of Whiskey [CICD 6473 (from this recording); My Love Is but a Lassie]
5. Jig: Rory O'Moore
6. Reel: The Dublin Reel
7. Speech, Reels: Untitled, Untitled [Thady Casey's Fancy], Untitled [Lady Gordon], Untitled [Mary MacMahon]
8. Reel: The Limestone Rock, Untitled [The Humours of Loughrea]
9. Speech, Reels: Untitled, Spike Island Lasses, The Sailor on the Rock
10. Speech, Jigs: Untitled, Untitled [Father Tom's Wager], The Frieze Breeches [Do You Want Any More?; same melody as The Collier's Reel]
11. Speech, Reels: Untitled, Untitled [The Roscommon Reel], The College Grove [Sudden dip in sound level during this tune]
12. Speech, Reels: Untitled, Hobble the Botches, Peeping through the Keyhole / Faral O'Gara
13. Speech, Reel: Untitled, The Plough and the Stars
14. Reel: The Reconciliation Reel [CICD 3506 (from this recording); 3433 (from ms possibly transcribed from this recording)]
15. Speech, Reels: Untitled, The Cloone Reel [The Humours of Toonagh], The Aughavas Reel [CICD 5530 (for which this recording is a partial source); CRE 5, # 145]
16. Speech, Reels: Drowsy Maggie, The Ranting Widow [The Tap Room]
17. Speech, Reels: Untitled, Untitled [The Morning Mist; composed by Paddy Kelly's?], Untitled [I'm Waiting for You] [Performers on this track are listed by BB as 'Fitz et al']
18. Speech, Reels: Eleanor Kane's Reel [The Providence], The Leinster Ladies [Anderson's Reel]
19. Speech, Reel: Untitled, Gregg's Pipes [The Leitrim version of The Bucks of Oranmore; performer is identified by BB as a blacksmith]
20. Speech, Jigs: Untitled, The House in the Glen [CICD 1352, 1353 & 1354 (none from this recording; 1352 provides title)], Untitled (incomplete)
21. Speech, Polka: Untitled [Information about this track; recording was made in Crusheen, Co Clare in 1955], The Mountain Pathway
22. Speech, Reels: Untitled [Information about the next 3 tracks; they were recorded in Crusheen, Co Clare, January 1955], Sporting Nell, Ballinasloe Fair
23. Jigs: The Luckpenny, The Cherry Tree [The Humours of Ennistymon; Coppers and Brass]
24. Hornpipe: The Cuckoo Hornpipe
25. Jig: Father Hanley's Jig [CICD 2499 (partly from this recording); The Rambler]
26. Jigs: The Housekeeper [For another version, see track B4], Cailleach an Airgid [The Hag with the Money]
27. Reels: Untitled [CICD 3036 (from this recording); Tom Billy's; The New Post Office (CRE 5, # 146); The Gleanntan Reel], The Cameronian [CICD 5372 (from this recording)] [This track was recorded on 11 June 1957]
28. Jigs: The Unfortunate Rake [Apples in Winter], Untitled [CICD 749 (from this recording); The Munster Jig]
29. Speech, Reel: Untitled, The Earl's Chair
30. Speech, Jigs: Untitled, The Cockadoon Man, Sean Ryan's [The Killimor; composed by Sean Ryan]
31. Speech, Reel: Untitled, The Shaskeen Reel
32. Hornpipes: Untitled [CICD 6057 (from this recording); Joe Cooley's Hornpipe; composed by Paddy O'Brien], The Friendly Visit [CICD 6126 (from this recording)
33. Reel: The Mason's Apron [END OF BAND ONE]
34. Hornpipe: Fisher's Hornpipe [CICD 6092–6093 (from this recording); 6092 gives date of recording as 3 November 1960; for another version, see track B14]
35. Air: Cath Cheim an Fhia
36. Reels: Untitled [The Game of Love; The Girls of Farranfore], The Bucks of Oranmore
37. Jigs: Untitled [The Housekeeper; for another version, see track A26], The Rambling Pitchfork
38. Slides: Untitled [Merrily Kiss the Quaker], Mickeen Dawley's [CICD 2169 (not from this recording)], Untitled [The Dark Girl in Blue; Denis Murphy's Slide], Mickeen Dawley's [Repeat of the second tune in this selection]
39. Reel: The New-Mown Meadows [CICD 2725–2726 (not from this recording?); Joe Mhaire Mhicilin], The Flowing Bowl [CICD 5748 (not from this recording); The Piper's Despair, version of]
40. Jig: Tell Her I Am
41. Air: Untitled [The Wounded Hussar]
42. Reels: The Road to Poulaphouca / Mulhaire's no. 4 [CICD 3334 (partly from this recording); Grandpa Tommy's Ceili Band; composed by Martin Mulhaire; CRE 5, # 129], The Copperplate
43. Polkas: Untitled [Egan's; Peg Ryan's], Untitled [Peggy Ryan's Fancy; The Murroe], Untitled [CICD 6353 (from this recording); Denis Doody's], Untitled [CICD 6286 & 6287 (both from this recording); The Knocknaboul Polka] [Order of the tunes in this selection is 1,2,1,2,3,4]
44. Speech, Reel: Untitled, The Lad among the Spriggers / The Steeplechase [CICD 5045 (from ms; transcribed possibly from this recording; gives reference to secondary source where Denis Murphy is the performer) and 5313 (not from this recording)]
45. March / Jig: O'Sullivan's March / Painneach na nUbh
46. Speech, Jigs: Untitled, The Munster Buttermilk / The Sports of Multyfarnham, The Munster Jig
47. Speech, Hornpipe: Untitled, The Fisherman's Hornpipe [CICD 6091 (not from this recording); Fisher's Hornpipe; for another version, see track B1]
48. Speech, Reel: Untitled, Sheila's Fancy [CICD 4460 (not from this recording); The Monsignor's Blessing (related tune)]
49. Speech, Hornpipe: Untitled, Walsh's Hornpipe [CICD 6119 (from this recording; recording date given as August 1966) and 6120 (where this recording is given as a secondary source)]
50. Air: Untitled [Sweet Kingwilliamstown]
51. Air: Staker Wallace [Caoine Ui Dhomhnaill / The Lament for O'Donnell]
52. Slides, Speech: The Rathawaun [CICD 1743 (not from this recording], The Hare in the Corn [CICD 1450 (not from this recording], Untitled
53. Speech, Polkas: Untitled, Untitled [The Knocknaboul Polka # 2], Untitled [The Knocknaboul Polka # 1]
54. Slide: Untitled [Danny Ab's; played for dancing] [END OF BAND TWO]