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Breandán Breathnach Collection Dublin Item
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Breandán Breathnach Collection. Reel-to-Reel 113 [sound recording] / [various performers]

Performers:
Breathnach, Breandan, Dublin, speech in English throughout;
Donnelly, Maeve, Galway, speech in English throughout;
fiddle solo throughout;
Unidentified performer [Kelly, John (senior), Clare / Dublin?], speech in English intermittently

Running Order:
1. Speech: Untitled [The date of recording; where the performer comes from – near Kylemore Abbey, which is near Loughrea, Co Galway]
2. Reel, Speech: Untitled [The Belles of Tipperary], Untitled
3. Reels: Colonel Fraser, Untitled [The Floating Crowbar; The Rathcroghan Reel]
4. Speech: Untitled [The performer's version of Colonel Fraser was derived from Sean Keane, fiddle; how the performer acquired her music; she associates the second reel with Brendan McGlinchey, fiddle]
5. Jig: The Gold Ring [Version associated originally with Willie Clancy; popularised by Sean Keane, fiddle]
6. Speech, Jig: Untitled [About the tune to be played next], The Gold Ring
7. Speech: Untitled [Tune played in previous track is not related to that played in track before that]
8. Single Jig: Untitled
9. Speech: Untitled [About the tune just played]
10. Reel: Untitled [Lord Gordon]
11. Jig: Untitled [The Castle Jig; composed by Sean Ryan] [END OF BAND ONE]
12. Reels, Speech: The Mooncoin Reel (clipped at start), Untitled [Related to 'Mrs Crotty's' ?], Untitled [Related to 'The Monsignor's Blessing' ?], Untitled [About the tunes just played; the performer learned the tunes from Denis Murphy (fiddle)]
13. Jigs, Speech: The Trip to Athlone, The Pipe on the Hob [Tonic note: D], Untitled [About the tunes just played]
14. Reel: Farewell to Ireland
15. Speech: Untitled [The performer favours Sean Keane's style of playing; about the tune to be played next]
16. Reel, Speech: The Bucks of Oranmore, Untitled
17. Reels, Speech: The Wheels of the World, The Chicago Reel, Untitled [About the tunes just played]
18. Hornpipe: Untitled [Brigid of Knock; composed by Ed Reavy]
19. Speech: Untitled [The performer's sources for the pieces played in the last two tracks – Seamus Connolly (fiddle) for the hornpipe in track A18; Tommy Peoples (fiddle) for the reels in track A17] [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 150 [sound recording] / [various performers]

Performers:
White, Aggie, Galway, fiddle in duet A1;
O'Loughlin, Peadar / O'Loughlin, Peter, flute in duet A1;
Ennis, Seamus, Dublin, pipes solo A2;
Kelly, John, Clare and Dublin, fiddle solo A3;
Russell, Micho, Clare, whistle solo A4, 6;
Clancy, Willie, Clare, pipes solo A5;
Doran, Johnny, Wicklow, pipes solo A7;
Moloney, Eddie, Galway, flute solo A8

Running Order:
1. Jig: Untitled [Cathaoir an Phiobaire], Untitled [Whelan's Jig]
2. Jigs: Untitled [The Pipe on the Hob], Untitled [Down the Back Lane], Untitled [Sixpenny Money], Untitled [Paidin O Raifeartaigh]
3. Reel: Untitled
4. Reel: The Boy in the Gap [CICD 3096.11–.16, 3097 (none from this recording); standard version of this tune; MR also plays an 'old' version]
5. Slow Air: Untitled [The Green Linnet]
6. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
7. Reels: Untitled [Colonel Fraser], Untitled [My Love is in America], Untitled [Rakish Paddy] (incomplete)
8. Reels: Untitled [Tommy Whelan's Reel], Untitled [The Sailor on the Rock] [END]

Breandán Breathnach Collection. Reel-to-Reel 155 [sound recording] / [various performers]

Performers:
O'Keeffe, Patrick / O'Keeffe, Pádraig / O'Keefe, Pádraig, Kerry, fiddle solo A1–2?, 6?, 12?;
fiddle in duet A4–5?, 11;
Murphy, Denis, Kerry, fiddle solo A3?;
fiddle in duet A4–5?, 11;
Unidentified performer, singing in English A7;
Unidentified performer, speech in Irish A8;
lilting solo A8–9;
Unidentified performer(s), speech in Irish A8, 10;
Breathnach, Breandán, Dublin, speech in English A11

Running Order:
1. Reel: Untitled [Kiss the Maid behind the Barrel; The Maid behind the Bar]
2. Slides: Untitled, Untitled, Untitled
3. Reels: Untitled [Anderson's; the first section of this tune is at twice the speed of the rest of the contents of the tape; speed change in mid-tune], Untitled [Kennedy's; The Hare's Foot / The Hare's Paw] [For an edited version of this track to eliminate the speed change in mid-track, see track A13]
4. Slides: Untitled, Untitled [Dingle Regatta, Sliabh Luachra version]
5. Polkas: Untitled [As I Went out upon the Ice], Untitled [Melody of the song 'Annie Laurie'], Untitled
6. Reels: Untitled, Untitled [The Morning Star]
7. Song: Untitled [My Darling, I'm Fond of You] [END OF RELEVANT MATERIAL ON BAND ONE]
8. Speech, Single Jig, Speech: Untitled, Untitled, Untitled
9. Reel: Untitled
10. Speech: Untitled
11. Speech, Slides: Untitled [Information about the source of the music that follows], Untitled [Chase Me Charlie], Untitled [The Kilcummin Slide] (clipped at end) [END OF BAND TWO]
12. Reels: Untitled [Rolling on the Ryegrass / Rolling in the Ryegrass], Untitled [The Heather Breeze], Untitled [Rolling on the Ryegrass / Rolling in the Ryegrass], Untitled [The Heather Breeze] [END OF RELEVANT MATERIAL ON BAND THREE]
13. Reels: Untitled [Anderson's; the first section of this tune is at twice the speed of the rest of the contents of the tape], Untitled [Kennedy's; The Hare's Foot / The Hare's Paw] [Edited version of track A3 to eliminate the speed change in mid-track]

Breandán Breathnach Collection. Reel-to-Reel 167 [sound recording] / Micho Russell ; Breandán Breathnach

Performers:
Russell, Micho, Clare, tin whistle A1–4, 6–20, 22–38;
speech in English A5, 21, throughout;
Breathnach, Breandán, tin whistle A8 and throughout;
speech in English, throughout

Running Order:
1. Reel: The Boy in the Gap (old version) [CICD 2920.11 (from this recording); 2921.11 (where this recording is referenced); 2920, 2921 (none from this recording); distinct from the standard version of this tune, which MR also plays.]
2. Reel: All the Ways to Galway [CICD 3086.12 (from this recording); 3086.11, 3561.12 (where this recording is referenced); 3561–.11 (none from this recording); The Kerry Cow; I Wish I Had a Kerry Cow; CRE 2, # 282 (from MR) and also at CRE 2, # 116]
3. Jig: Untitled [CICD 795.11, 795.13 (both from this recording?); 1879 (not from this recording); as Gillan's Apples in CRE 2, # 7 and DMI, # 287; Apples in Winter]
4. Reel: Sporting Nellie [CICD 5075.16 (from this recording); 5075.11, 5075.13–.15 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell]
5. Speech: Untitled [dancing customs]
6. Slip Jig: Bimid ag Ol go dti Maidin [first version] [CICD 252.13 (from this recording), 252.11–252.12 (from the next track on this recording), 252, 252.14 (none from this recording); recorded from MR in two different registers, of which the higher one is here, and the lower one is on the next track]
7. Slip Jig: Bimid ag Ol go dti Maidin [second version] [CICD 252.11–252.12 (from this recording); played in a lower register than on the previous track; for more information see previous track]
8. Jig / Slide: Untitled (short, tentative; unfinished)
9. Reel: The Chicago Reel [CICD 4599.11 (from this recording)]
10. Reel: Untitled [CICD 4137.11, 5456.13 (both from this recording); 5456.11–.12, 5456.14–.15 (none from this recording)]
11. Jig / Slide: The Road to Lisdoonvarna [Not in CICD?]
12. Reel: The Top of the Morning [CICD 5276.11 (from this recording); 5277–5277.12, 5278 (none from this recording); CRE 5, # 181]
13. Hornpipe: The Rights of Man [CICD 6248.11 (from this recording)]
14. Jig: The Butcher's March / Hurrah for the Gallant Tipperary Boys / Lonely Old Hag Is It Tae You Want? / Hello You Old Hag Is It Tea You Want? / When Sick Is It Tea You Want? [CICD 2200.11–.12, 2381.12–.13 (all from this recording); 2381.14 (not from this recording)]
15. Polka / Single Reel: Untitled [CICD 6511.11–.12 (both from this recording), 6511 ( not from this recording); only one part of the tune is played]
16. Polka: Bean na Stocai Bana / My Darling I'm Fond of You [CICD 6439.13 (from this recording)]
17. Polka: Rise Your Legs, Says Maire [CICD 6346.11 (from this recording), 6346 (not from this recording); The Rose Tree in Full Bearing; Bhios-sa La i bPort Lairge]
18. Polka: The Bog Down in the Valley [CICD 6283.11 (from this recording), 6285 (not from this recording); The British Grenadiers (title supplied by Breandan Breathnach)]
19. Polka: Untitled [CICD 6507.12 (from this recording); 6506.11 (where this recording is referenced)]
20. Reel: Carty's Reel / Cassidy's Reel [CICD 4684.13 (from this recording); 4684.11–.12 (where this recording is referenced); 4978–.12 (none from this recording); partly composed by MR; commonly known as Micho Russell's; as Carty's Reel from MR in CRE 2, # 294]
21. Speech: Untitled [dancing customs; dancing out of time with the music; other topics]
22. Polka: Untitled [CICD 6371.11 (from this recording)]
23. Reel: Turkey in the Straw [CICD 2669.11 (from this recording)]
24. Reel: The Banshee / An Bhean Si [CICD 4864.12 (from this recording); 4864.11–.13, 5384.11 (none from this recording); tune is featured on the Flanagan Brothers 78 rpm disc titled 'The Flanagans Chase the Banshee']
25. Polka / March: The Battle of Aughrim [CICD 6448.11–.12 (from this recording), 6448 (not from this recording)]
26. Reel: The Heights of Alma / The Rakes of Mallow [CICD 2692.11 (from this recording)]
27. Reel: The Fair of Ballinasloe [CICD 2812.11 (from this recording); Ballinasloe Fair]
28. Fling / Barn Dance, Speech: Moneymusk / The Barn Dance [CICD 6539 (from this recording); 6538, 6540 (none from this recording)]; Untitled [flings danced on the Aran Islands]
29. Fling / Barn Dance: Johnny Will You Marry Me? / Love Will You Marry Me? / When Kitty Is Convenient [CICD 6541 (from this recording); Some Say the Devil Is Dead]
30. Hornpipe: The Home Brew [CICD 6257.12 (from this recording); 6257–.11 (not from this recording); version of The Road to Boyle (CRE 3, # 227)]
31. Speech, Air: Untitled [information about the air and song Dark Lochnagar], Dark Lochnagar
32. Reel: Untitled [CICD 5703.11 (from this recording), 5703.12–.13 (not from this recording)]
33. Reel: The Sporting Days of Easter [CICD 3988.12 (from this recording); 3988.11, 3988.13–.14, 3989 (none from this recording); CRE 2, # 281]
34. Hornpipe: The First of May / The Skillet Pot [CICD 6222.11 (from this recording); The Sweets of May]
35. Hornpipe: Fisher's Hornpipe [CICD 6089.11 (from this recording); 6090, 6090.11 (not from this recording)]
36. Hornpipe: The Cork Hornpipe [CICD 6231.11 (from this recording); Harvest Home]
37. Hornpipe: The Boys of Blue Hill [CICD 6274.11 (from this recording; only partially transcribed)]
38. Hornpipe: An Spealadoir [CICD 6225.11 (from this recording); The Cuckoo's Nest]

Breandán Breathnach Collection. Reel-to-Reel 169 [sound recording] / Micho Russell ; Breandán Breathnach

Performers:
Russell, Micho, Clare, tin whistle A1-35, 37-55, B1-61;
singing in Irish A27;
singing in English B59;
speech in English throughout;
Breathnach, Breandán, speech in English throughout

Running Order:
1. Reel: The Boy in the Gap (old version) [CICD 2921.11 (from this recording); 2920, 2920.11, 2921 (none from this recording); for MR's 'standard' version, see tracks A2 and B20.]
2. Reel: The Boy in the Gap (standard version) [CICD 3096.12–.13 (from this track on this recording); 3096.14–.15 (where this track on this recording is referenced; also from this recording (137b-ITMA-REEL/CDR, track 20); 3096.11, 3096.16, 3097 (none from this recording); also at track B20; for MR's 'old' version, see track A1.]
3. Reel: Patsy Campbell's Reel [CICD 3778.11 (from this recording), 3779 (not from this recording)]
4. Reel: Upstairs in a Tent [CICD 4444.12 (from this recording); 4445, 4446 (not from this recording); CRE 2, # 190 (from MR)]
5. Reel: Tadhg a Run / A Thaidhg, a Run [CICD 4964.11 (from this recording); CRE 2, # 150 (i) (from MR)]
6. Reel: Divide the Cally Fair [CICD 5300.11 (from this recording), 5300 (not from this recording); Kennaw's Reel (WSGM, # 326, version of)]
7. Jig / Slide: The Clare Jig [CICD 2364.11–.12 (both from this recording); 1162.11–.12, 2364.13–.14 (none from this recording); CRE 2, # 71 (untitled, from MR)]
8. Jig: An Chailleach is a Ceag ar a Gualainn / An Chailleach is a Ceag ar a Guala / Kitty's Rambles [CICD 1467.11 (from this recording), 1467 (not from this recording); CRE 2, # 36 (from MR)]
9. Jig: Tatter Jack Walsh / An t-Athair Jack Walsh [CICD 1394.11 (from this recording); 1393, 1394, 1394.12 (none from this recording)]
10. Jig: The Frost is All Over / Rince na gCoinini i nGarrai na hEorna [CICD 724.12 (from this recording; contains reference to 'card 2'); 809 (not from this recording)]
11. Dance Tune: Untitled [not in CICD; learned by MR from a dance group in Ghent (?) in Belgium.]
12. Reel: The Rising Sun [CICD 2907.11 (from this recording), 2908 (not from this recording; CRE 2, # 260 (from MR); for other versions and titles, see BB index, cards 2983, 2657]
13. Reel: Untitled [CICD 4363.12 (from this recording); 4363.11, 3098 (not from this recording); learned from Johnny Byrt, flute player and travelling carpenter; CRE 2, # 175 (from MR)]
14. Reel: The Boys of the Lake [CICD 3199.11–.12 (both from this recording); 3195, 3196 (none from this recording); CRE 2, # 164 (from MR)]
15. Jig: The Four Posts of the Bed [CICD 1349.14–.15 (from this recording); 1349.12–.13 (none from this recording)]
16. Jig: The Connachtman's Rambles / Bean an Brown Dilisc [CICD 2136.11 (from this recording); 2133, 2136.12, 2138 (none from this recording)]
17. Jig: The Connachtman's Rambles [Version composed by Finbar Furey, according to MR; CICD 1389.12 (from this recording)]
18. Reel: The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4230.13 (from this recording?); 4230.12 (where this recording is referenced); 4239 (not from this recording); The Blackhaired Lass]
19. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 4995.11 (from this track on this recording); 4995.12, 5018.12 (both also from this recording; see 137b-ITMA-REEL/CDR, track 30); 5016, 5017, 5018–.11 (none from this recording); CRE 2, # 225 (from MR); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
20. Reel: Untitled [CICD 5084.11–.14 (all from this track on this recording); 5091.12–.13 (both also from this recording; see 137b-ITMA-REEL/CDR, track 60); 5091.11, 5093, 5096 (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
21. Reels: The Swallow's Tail [CICD 5062.11 (from this recording); 5060.12, 5062 (none from this recording)]
22. Reel: The West Clare Reel [CICD 5883.11 (from this recording), 5883 (not from this recording); Dan Breen's]
23. Reel: Untitled [CICD 2924.11 (from this recording); 2923, 2924, 4033.11 (none from this recording)]
24. Jig: The Yellow Wattle [CICD 1133.11, 1828, 1829 (none from this recording)]
25. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
26. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.13 (from this track on this recording); 3415.11 (also from this recording; see 137b-ITMA-REEL/CDR, track 18); 2856.11, 2857, 3415.12, 3415.14 (none from this recording)]
27. Reel, Singing: An Bhean Tinceara [CICD 2686.11 (from this recording); 4028, 4029, 4030, 5750.11–.12 (none from this recording)], An Bhean Tinceara [Sung version]
28. Jig: Barr na Feirsde / Barr na Feirisde / The Munster Buttermilk [CICD 818.11–.12 (from this recording); 825 (not from this recording)]
29. Jig / Quadrille Tune: The Cumann na mBan Is Dead and Gone [CICD 2146.11–.12 (both from this recording); The Cumann na mBan Are Dead and Gone; well known as a slide; one of two tunes that MR applies this name to.]
30. Jig, Singing, Speech: Christmas Day in the Morning / On Christmas Day in the Morning [CICD 2228.12 (from this recording); 2558 (not from this recording)]; Christmas Day in the Morning / On Christmas Day in the Morning [Sung version]; Untitled [Speech about the background to the tune / song 'Christmas Day in the Morning']
31. Jig: Garrett Barry's / The Ladies' Fancy [CICD 1006.11 (from this recording); 1007, 1008 (none from this recording)]
32. Polka: An Gabhairin Bui [CICD 6439.11 (from this recording); 6283 (not from this recording); CRE 2, # 110 (from MR)]
33. Fling: Pop Goes the Weazel / Pop Goes the Weasel [CICD 6532.11 (from this recording)]
34. Jig: Ti-teen Girleen / Tidy Girlyeen [CICD 1326.13 (from this recording); 1325 (not from this recording); Behind the Bush in the Garden (DMI, # 398]
35. Reel: The Ladies Pantalettes [CICD 5626.11 (from this recording); 5626, 5637 (none from this recording)]
36. Speech: Untitled [Johnny Kilmartin, concertina, known as Johnny Sally; dancing style among the older people.]
37. Reel: All the Ways to Galway [CICD 3561.12 (from this track on this recording); 3086.11–.12, 3561–.11 (none from this recording); The Kerry Cow; I Wish I Had a Kerry Cow; CRE 2, # 282 (from MR) and also at CRE 2, # 116; for MR's version of this tune as single reel / polka, see 137b-ITMA-REEL/CDR, track 47]
38. Reel: Kitty Jones' Reel / Kitty Jones's Reel [CICD 4275.12 (from this recording); 4275.11, 4276, 4277 (none from this recording)]
39. Reel: The Old Torn Petticoat [CICD 4348.11 (from this recording), 4351 (not from this recording)]
40. Reel: Fochairi Beaga na Foraoire [CICD 5943.11 (from this recording); 5943, 5947.11 (not from this recording); Spike Island Lasses (here with only two parts, rather than the usual three)]
41. Jig / Dance Tune: An Bothar o thuaidh go dti Arainn / The Handkerchief Dance [CICD 1196.11 (from this recording); 1196.12 (also from this recording?); 1197 (none from this recording); CRE 2, # 65 (from MR)]
42. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [CICD 4007.11, 5635.11 (both from this recording); 4008, 5634, 5635 (none from this recording); CRE 2, # 259 (from MR); The Mother and Child Reel]
43. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [Partial repeat of the tune in the previous track]
44. Reel: The Sporting Days of Easter [CICD 3988.11 (from this recording); 3988.13 (where this recording is referenced; notation has been corrected from this recording?); 3988.12, 3988.14, 3989 (none from this recording); CRE 2, # 281 (from MR)]
45. Jig: Sagart na mBuataisi / The Priest in his Boots [CICD 1251.11 (from this recording), 1252 (not from this recording); CRE 2, # 17 (from MR)]
46. Jig: Connie the Soldier / The South-west Wind [CICD 2369.11 (from this recording), 2368 (not from this recording)]
47. Jig: The Rambling Pitchfork [CICD 1649.11 (from this recording); 1648 (not from this recording)]
48. Reel: The College Grove [CICD 5573.11 (from this recording); 3484 (not from this recording)]
49. Jig: The Cliffs of Moher (a), (b) [(a) CICD 784.12 (from this recording); 784.11, 784.14 (with G as the tonic note)], (b) [CICD 784.13 (from this recording); 784.15, 2113.11 (none from this recording); (with A as its tonic note)]
50. Slip Jig: The Rocky Road to Dublin / Slainte an Briste Leathain / Slainte an Bristin Leathair [CICD 440.11–.12 (both from this recording?); 435, 436 (not from this recording)]
51. Slip Jig: Untitled [CICD 315.11–.12 (from this recording), 318 (not from this recording); Barney Brallaghan (DMI, # 429, with 3 parts); 2 parts in MR's version]
52. Reel: Dunagore Reel [CICD 5610.11 (from this recording); 5610, 5610.12, 5769 (not from this recording); CRE 2, # 210 and 275 (both from MR); The Concertina Reel (DMWC, # 72); The Doonagore Reel]
53. Jig: The Irish Washerwoman / The Big Jig / Paddy McGinty's Goat [CICD 1678.12–.13 (from this recording); 1678.11, 1679, 1686 (none from this recording)]
54. Jig, Speech: Nora Criona [CICD 628.11 (not from this recording; incipit only)], Untitled [information about Larry Sharry, musician who played the tune]
55. Jig: The Boys of the Town / Sean Phaidin [CICD 2228.11 (from this recording but not this track; see 137b-ITMA-REEL/CDR, track 1 ); 2233 (not from this recording); unfinished] [END OF BAND ONE]
56. Jig: The Boys of the Town / Sean Phaidin [CICD 2228.11 (from this recording), 2233 (not from this recording)]
57. Jig: Untitled [CICD 1497.13 (from this recording); 1496, 1497.12 (not from this recording); Kitty Come Over (DMI, # 55); The Cow that Ate the Blanket]
58. Reel: Tear the Calico [CICD 3131.13–.14 (from this recording), 3130 (not from this recording); 'standard' version of the tune; MR plays the tune in two registers, and this is the higher of the two. The other version is on the next track.]
59. Reel: Tear the Calico, the old way [CICD 3131.11 (from this recording), 3131.12 (not from this recording); MR plays the tune in two registers, and this is the lower of the two. The 'standard' version is on the previous track.]
60. Jig: The Maid on the Green / The Mountainy Boy [CICD 1202.11–.12 (from this recording), 1200 (not from this recording)]
61. Jig: The Trip to the Cottage [CICD 2180.11 (from this recording), 2179 (not from this recording)]
62. Reel: The Last House in Connacht [CICD 4437.11 (from this track on this recording); 4437.12–.13 (both from track B56 on this recording)]
63. Jig: Brian O'Lynn [CICD 1567.11 (from this recording); 1565 (not from this recording)]
64. Jig: The Rakes of Clonmel [CICD 1814.12 (from this recording); 1814.11 (where this recording is referenced); 1814 (not from this recording)]
65. Reel: London Bridge [CICD 2884.11 (from this recording); 2888, 2889, 5480 (not from this recording)]
66. Polka / March / Quadrille Tune: The Boyne Water [CICD 6508.14 (from this recording); 6508.11–.13 (not from this recording); CRE 2, # 124 (from MR)]
67. Reel: The Banshee / An Bhean Si [CICD 4864.11 (from this recording); 4864.12–.13, 5384.11 (none from this recording); tune is featured on the Flanagan Brothers 78 rpm disc titled 'The Flanagans Chase the Banshee']
68. Jig: Willie Walsh's Jig [CICD 2386.11 (from this recording); 2382 (not from this recording); DMI, # 88 (as Willy Walsh's Jig); related to The Wandering Minstrel]
69. Jig: The Little House under the Hill [CICD 2048.11 (from this recording); 2047 (not from this recording)]
70. Reel: The Ships Are Sailing [CICD 2962.11–.12 (from this recording)]
71. Reel: Untitled [CICD 5456.14 (from this recording); 4137.11, 5456.11–.13, 5456.15 (none from this recording)]
72. Jig: Untitled [CICD 1559.14 (from this recording); 1559.13, 1559.15 (none from this recording); CRE 2, # 67 (from MR); often played as a slide]
73. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.11–.12 (both from this track on this recording); 3415.13 (also from this recording; see 137a-ITMA-REEL/CDR, track 26); 2856.11, 2857, 3415.14 (none from this recording)]
74. Reel: Sean sa Cheo [CICD 3976.13–.14 (from this recording), 3976.11–.12, 5649 (none from this recording)]
75. Reel: The Boy in the Gap [CICD 3096.14–.15 (both from this track on this recording); CICD 3096.12–.13 (also from this recording; see 137a-ITMA-REEL/CDR, track 2); 3096.11, 3096.16, 3097 (none from this recording); standard version of this tune; for MR's 'old' version, see track A1]
76. Reel: Clochairin Ban, An [CICD 4514.11 (from this recording); 4513, 4514 (none from this recording); The Collier's Reel]
77. Reel: Untitled [CICD 4808.11 (from this recording), 4807.11 (not from this recording); Down the Broom]
78. Reel: The Gatehouse Maid [CICD 3051.11 (from this recording); 3062, 3068.11 (none from this recording); CRE 2, # 233 (not from MR)]
79. Jig: Cathaoir an Phiobaire [CICD 1993.11 (from this recording), 1993 (not from this recording); The Piper's Chair; CRE 1, # 9 (not from MR)]
80. Jig: Cathaoir an Phiobaire [as at previous track]
81. Reel: Knocknagow [CICD 4593.12 (from this recording); 4590, 4593.11 (none from this recording); Scotch Mary]
82. Reel: Over the Moor to Maggie / Over the Meadows / Down the Meadows / Kitty's Wedding / The Dublin Reel [CICD 2804.11 (from this recording); 2804.12, 2805 (not from this recording)]
83. Reel: The Star of Munster (standard version) [CICD 4162.12 (from this recording); 4162.11, 4163, 4164 (none from this recording)], The Star of Munster (concertina version) [CICD 4019.11 (from this recording)]
84. Reel: Untitled [CICD 4772.13 (from this recording); 4772, 4772.11–.12 (none from this recording); The Rainy Day]
85. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 5018.12, 4995.12 (both from this track on this recording); 4995.11 (also from this recording; see 137a-ITMA-REEL/CDR, track 19); 5016, 5017, 5018–5018.11 (none from this recording); CRE 2, # 225 (from MR); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
86. Slip Jig: Bimid ag Ol go dti Maidin [CICD 252.14 (from this recording); 252–252.13 (none from this recording); recorded from MR in two different registers, of which the higher one is here]
87. Reel: The Maid that Left the County [CICD 4288.13 (from this recording); 4288.12 (where this recording is referenced); 4286, 4288.11, 4288.14, 4289 (none from this recording); The Honeymoon (DMI, # 791)]
88. Reel: The Wind that Shakes the Barley [CICD 5757.13–.14 (both from this recording); 5757.11–.12 (both also from this recording?); 5743.11 (not from this recording)]
89. Reel: The Lady on the Island [CICD 5853.12–.13 (both from this recording); 5853.11 (not from this recording)]
90. Reel: The Five Mile Chase [CICD 2914.11 (from this recording); 2880–.11 (not from this recording)]
91. Reels: Sporting Nellie [CICD 5075.14 (from this recording); 5075.11–.13, 5075.15–.16 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell]
92. Jig: The Walls of Liscarroll [CICD 1092.11 (from this recording); Tumble the Tinker; MR's An Bainbhin Dubh (related tune?)]
93. Reel: The Fermoy Lasses [CICD 3945.11 (from this recording)]
94. Reel: The Connemara Stockings [CICD 4006.11 (from this recording)]
95. Jig: The Battering Ram [CICD 2195.14–.15 (from this recording); 2195.12–.13 (not from this recording)]
96. Jig: Rory O'Moore [CICD 2195.11 (from this recording)]
97. Reel: The Top of the Morning [CICD 5277.11 (from this recording); 5276.11, 5277, 5277.12, 5278 (none from this recording); CRE 5, # 181 (from MR)]
98. Reel: The Bucks of Oranmore [CICD 5726.13–.14 (from this recording); 5482, 5725, 5726–.12 (none from this recording)]
99. Jig: An Rogaire Dubh [CICD 2620.11 (from this recording); 1858, 2620.12 (none from this recording); The Black Rogue]
100. Jig: McCormick's Jig [CICD 903.11–.12 (both from this recording)]
101. Jig: The Geese in the Bog [CICD 1809.13 (both from this recording?); 1809.12 (where this recording is referenced); 1809–.11, 1809.14 (none from this recording)]
102. Single Reel / Polka / Reel: Untitled [CICD 6496 (from this track on this recording); played here in polka-like tempo; All the Ways to Galway; for MR's version in reel tempo, see track A37.]
103. Reel: Untitled [CICD 4364.11 (from this recording); CRE 2, # 187 (not from MR)]
104. Reel: Untitled [CICD 5885.11–.12 (both from this recording)]
105. Jig: The Butcher's March / Hurrah for the Gallant Tipperary Boys / Lonely Old Hag Is It Tae You Want? / Hello You Old Hag Is It Tea You Want? / When Sick Is It Tea You Want? [CICD 2381.14 (from this recording); 2200.11–.12, 2224, 2381.12–.13 (none from this recording)]
106. Jig: The Walls of Liscarroll [CICD 2023.11 (from this recording); The Mug of Brown Ale; title 'The Walls of Liscarroll' given on card, in error?]
107. Jig: The Walls of Liscarroll [CICD 1483.11 (from this recording); not the tune of the same name at track B37; The Mouse in the Cupboard]
108. Jig: Cailleach a Mhairbh Me [CICD 2578.11 (from this recording); A Chailleach do Mhairis Me]
109. Hornpipe: The Flowers of Edinburgh [CICD 6256.11 (from this recording; '2 UCD 30' also given on the card as a source – in error? The tune does not appear on UCD 2)]
110. Reel: Peter Street [CICD 3440.11 (from this recording)]
111. Reel: The Last House in Connacht [CICD 4437.12–.13 (both from this track on this recording); 4437.11 (from track B7 on this recording)]
112. Jig: Happy to Meet and Sorry to Part [CICD 2127.11 (from this recording)]
113. Jig: Tom Hanna's [CICD 2374.11–.13 (all from this recording)]
114. Jig, Singing, Jig: Paddle My Own Canoe [CICD 1607.13 (from this recording)]; do. [sung version of the previous]; Back of the Haggard [CICD 1607.12 (from this recording), another version of the tune]
115. Reel: Untitled [CICD 5091.12–.13 (from this track on this recording); 5084.11–.14 (all also from this recording; see 137a-ITMA-REEL/CDR, track 20); 5091.11, 5093, 5096 (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
116. Hornpipe: Dance the Figure of Eighty on the Blackbird's Back [CICD 6191.11 (from this recording); Bantry Bay (DMI, # 823); recorded by Michael Coleman with The Stack of Barley (?)] [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 171 [sound recording] / Micho Russell ; Breandán Breathnach

Performers:
Russell, Micho, Clare, tin whistle A1–11, 13–26;
speech in English A12 and throughout;
Breathnach, Breandán, tin whistle, occasionally;
speech in English throughout

Running Order:
1. Reel: Farewell to Connacht [CICD 3041.12 (from this recording); 3041.11 (not from this recording)]
2. Reel: Carty's Reel / Cassidy's Reel [CICD 4684.11–.12 (from this recording); 4684.13, 4978–.12 (none from this recording); partly composed by MR; commonly known as Micho Russell's; as Carty's Reel from MR in CRE 2, # 294]
3. Jig: The Humours of Bantry [CICD 1194.11 (from this recording; DMI, # 13)]
4. Jig: Jimmy O'Brien's Jig [CICD 1860.11 (from this recording) / The Maid in the Meadows [CICD 1866–7 (not from this recording)]
5. Jig: The Frieze Breeches / La Sin' Seain / Trom La [CICD 1492.11–.13 (all from this recording); 1486, 1487, 1488, 1490 (none from this recording); standard version of the tune; for MR's 'old' version see the next track.]
6. Jig: Frieze Breeches (the old way) [CICD 954.11 (from this recording); as MR heard it played on concertina and jew's harp; for MR's 'standard' version of the tune, see the previous track.]
7. Jig: The Chorus Jig / The Kilfenora Jig [CICD 2218.11–.12 (from this recording)]
8. Jig: Is Fearr Paidir na Port [CICD 1713.11 (from this recording); MR explains that this tune is played after The Chorus Jig / The Kilfenora Jig (see previous track) and is sometimes regarded as part of it.]
9. Cudreels / Cudrils / Quadrille Tunes / [Jigs / Slides]: She Hadn't the Knack She Thought She Had [CICD 1470.12 (from this recording); 1470.11 (not from this recording)], The Cumann na mBan Are Dead and Gone [CICD 1968.13 (from this recording); 1968.11–.12 (none from this recording); one of 2 tunes that MR assigns this name to.]
10. Speech, Set Dance: Untitled [Patrick Killoughrey, dancer; confusion about parts of the tune that follows], The Retreat [CICD 6528, 6529, 6530 (all from this recording? Part of the tune replayed separately {card 6530?}); 6531, 6532 (none from this recording); Bonaparte's Retreat]
11. Set Dance: Rodney's Glory [CICD 6527 (from this recording)]
12. Speech: Untitled [Introduction to the music on track 13, mainly topics related to dancing, including: the travelling dancing master and fiddle player Hennessy (trained local people to dance the jig, reel and hornpipe; first taught the rising step in the jig, then the side-step for the reel; was active in the 1920s and '30s; taught MR's father; {MR himself saw H.}; taught pupils individually and charged sixpence per step, then thought very expensive; used to stay and teach in Michael Flanagan's house; would stay for one to two months at a time; when the lessons were over, sets would be danced in Flanagan's house); the dancing master Stack (from Ballycotton, Co Kerry); the dancer Paddy Moloney (danced in knickerbockers; danced Sagart na mBuataisi {The Priest in his Boots} as a solo dance); dancers in the Aran Islands (made up their own steps; when dancing a set would make the figures very long); Mairtin O Griofa, Carraroe, Co Galway, solo dancer (would make up his own steps); 'single' dancing (i.e. solo dancing by one man); a girl from Belgium performed what she called 'nature dancing' at the festival in Lisdoonvarna to the tune selection in track 13 (BB enquires if she was still dressed); Father Pat Ahearn (Siamsa Tire) arranged this tune set for the Fleadh Nua; MR offers to demonstrate a double batter with heel and toe in reel or quick hornpipe time.]
13. Air / Slow March, Slip Jig, Reel, Air: The South Wind [not in CICD], The Foxhunter's Jig / Nead na Lachan sa mButa [CICD 272.11 (from this recording); MR's name in Irish from Donal Standun (banjo, Spiddal, Co Galway); BB says that Willie Clancy's tune The Humours of Derrykissane is a version of this], The Foxhunter's Reel [CICD 2898.11 (from this recording; transcribed only in part); BB says that Patrick Kelly (fiddle) was the first person he heard playing this, and that Sean Keane (fiddle, The Chieftains) had popularised it], The South Wind [as played earlier in this track]
14. Reel: The Green Fields of America / Molly Branagan (Molly Brannigan?) [CICD 4754.11 (from this recording); 4749 (not from this recording); DMI, # 523]
15. Reel: Rakish Paddy [CICD 6015.11 (from this recording); 3108, 3109, 3110 (not from this recording); DMI, # 749; CRE, # 145]
16. Reel: The Blackhaired Lass / The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4230.12 (from this recording), 4230.13, 4239 (not from this recording)]
17. Reel: Untitled [CICD 4363.11 (from this recording); 4363.12, 3098 (not from this recording); played by Johnny Byrt, a travelling carpenter from Liscannor; CRE 2, # 175 (from MR)]
18. Reel: Patsy Campbell's Reel [CICD 3778.11 (where this recording is referenced); 3779 (not from this recording)]
19. Reel: Drowsy Maggie (mother's version) [CICD 3896.11 (from this recording); from MR's mother, who played the concertina; for another version, which MR learned in Donegal, see the next track.]
20. Reel: Drowsy Maggie (Donegal version) [CICD 3896.12–.13 (from this recording); version learned by MR from the Byrnes of Kilcar (fiddle players) while on a visit to Donegal.]
21. Jig: The Geese in the Bog [CICD 724.11 (from this recording); 1604, 1605 (not from this recording); CRE 2, # 53 (from MR); The Lark's March]
22. Jig: The Geese in the Bog [CICD 1809.11 (from this recording); 1809 (not from this recording); not the same tune as on previous track; minor key, tonic note A; for a version of this tune with tonic note B, see the next track]
23. Jig: The Geese in the Bog [CICD 1809.12 (from this recording); 1809.13–.14 (not from this recording); not the same tune as that at track 21; minor key, tonic note B; for a version of this tune with tonic note A, see the previous track]
24. Reel, Speech: Upstairs in a Tent [CICD 4444.12 (where this recording is referenced); 4445, 4446 (not from this recording); CRE 2, # 190 (from MR)], Untitled [about Jimmy Mulqueeny (fiddle), who supplied the name for this tune. From BB's comments re 'Jimmy Mucai' it looks as if he had CICD card 4446 card in front of him when talking to MR here.]
25. Jigs / Single Jigs / Slides: Mickey Callaghan's Slide [CICD 2325.11 (from this recording), 2323.11 (not from this recording)], The Clare Jig [CICD 2364.13–.14 (from this recording); 1162.11–.12, 2364.11–.12, 2364.15 (none from this recording); CRE 2, # 71 (untitled, from MR)]
26. Speech: Untitled [Speech to introduce the reel The Boy in the Gap (the old way), but tape runs out before tune gets under way.] [END OF BAND ONE]

Breandán Breathnach Collection. Reel-to-Reel 172 [sound recording] / [various performers]

Performers:
Kelly, James, Dublin, speech in English throughout tracks A;
fiddle solo throughout tracks A;
Breathnach, Breandán, speech in English throughout tracks A;
[unidentified performer], accordion in duet B1–4;
[unidentified performer], fiddle solo B5–6, 8–14;
speech in English throughout B5–6, 8–14;
[unidentified performers], speech in English intermittently throughout tracks B;
[unidentified performer], flute solo B7, 15;
[unidentified performer], speech in English B16;
accordion solo B16–17;
[unidentified performer], guitar in duet B1–4

Running Order:
1. Speech: Untitled [Making a living from music; instrument tuning; the tune that follows] (very low sound level initially)
2. Reel: Philip O'Beirne's Delight
3. Speech: Untitled [About the tune just played and the tune to be played next]
4. Jig: The Kinnegad Slashers [Transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field]
5. Hornpipes: The Stage Hornpipe, Western Hornpipe [Transcriptions (from this recording) of both these tunes was published in 'Ceol': see first entry in this field]
6. Speech: Untitled [About the tune to be played next]
7. Reel: Sweeney's Reel [Transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field]
8. Speech: Untitled [Visits to John Doherty in Donegal]
9. Hornpipe, Speech: Sliabh na mBan [Slievenamon; transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field], Untitled [About the tune just played and the tunes to be played next, both of which were composed by Ed Reavy]
10. Speech, Hornpipes: Untitled, Untitled [Lad O'Beirne's], Untitled [Transcription (from this recording) of this tune was published in 'Ceol' (p. 18): see first entry in this field]
11. Speech: Untitled
12. Jig, Slip Jig: Untitled [Transcription (from this recording) of this tune was published in 'Ceol' (p. 15, first tune): see first entry in this field], Kitty Come down to Limerick
13. Speech: Untitled [Tunes just played were learned from the playing of John Doherty; the tune to be played next was learned from a recording of Neil O'Boyle, fiddle]
14. Speech, Reel: Untitled, The Moving Cloud
15. Speech: Untitled [Neil O'Boyle composed the tune just played; the performer's experiences of meeting the Irish music community in the USA; recording music from 78rpm discs in the collection of Richard Nevins; the tune to be played next, which was the first tune that the performer learned]
16. Jig: Untitled [Transcription (from this recording) of this tune was published in 'Ceol' (p. 17): see first entry in this field]
17. Speech: Untitled [About the tune just played, with demonstration on fiddle; the performer started playing the fiddle at the age of 3 or 4; as a boy and teenager, the performer spent much time listening to music; Michael Coleman, Patsy Touhey, Barney Delaney, Seamus Ennis, set high standards; discussion of fiddle and piping styles; one of BB's favourite piping performances is Willie Clancy playing the reel 'The Ravelled Hank of Yarn'; the tune to be played next]
18. Reel: The Fermoy Lasses [Transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field]
19. Speech: Untitled [About the tune to be played next; with tentative playing on fiddle]
20. Speech, Jig: Untitled, Untitled [Stated to sometimes have the title 'Apples in Winter'; transcription (from this recording) of this tune was published in 'Ceol' (p. 15, second tune): see first entry in this field]
21. Speech: Untitled [Discussion about the jig title 'Apples in Winter']
22. Reel: Untitled [The Humours of Ballyconnell]
23. Speech: Untitled [About the tune to be played next, which the performer heard on a recording by Mrs Kenny (fiddle)]
24. Reel: All the Ways to Galway
25. Speech: Untitled
26. Jig: Untitled
27. Speech: Untitled [Discussion about the performer's work with Paddy O'Brien; playing music in the USA] [END OF BAND ONE]
28. Speech: Untitled [Playing music in the USA; the community and audience for Irish music in the USA; playing tunes in different keys from the normal; the tune The March of the King of Laois; the tune was published in Playford's collection in England in 1660; BB thinks that tunes played in the key of A have a flavour of the warpipes; similarities between Donegal and Scottish music; Scott Skinner; the music style of John Doherty and other Donegal players; BB objects to hearing John Doherty's music played on the pipes by Robbie Hannan and Joe McLaughlin; the performer's father, John Kelly (senior), had different settings of tunes for concertina and for fiddle; Seamus Connolly's fiddle-playing influenced by the accordion; Paddy Murphy's concertina-playing influenced by the fiddle; BB has a poor opinion of crans being played on the fiddle; story about Tommy Potts reproducing ornamentation by Michael Coleman] [End of recording session with James Kelly]
29. Reels: Untitled [Cross the Shannon; composed by Paddy Fahy], Untitled [Andy McGann's Reel], Untitled [The Sailor's Farewell]
30. Reel: Untitled
31. Jig: Untitled [Tonra's Jig; composed by Brendan Tonra]
32. Reel: Untitled
33. Jig, Speech: Untitled [The Maid on the Green; usually with 2 parts, here with 3], Untitled
34. Reel: Untitled [The Humours of Castlefin]
35. Barn Dance / Hornpipe, Barn Dances: Untitled [Curlew Hills; The Glenbeigh Hornpipe], Untitled [Peach Blossom], Untitled [Curlew Hills; The Glenbeigh Hornpipe], Untitled [On commercial 78rpm disc by P J Conlon, accordion; Hanley's Delight]
36. Polkas, Speech: Untitled, The School in the Valley [The Bog down in the Valley], Untitled
37. Jig, Speech: Loughlin's Jig [Jimmy O'Brien's Jig], Untitled
38. Hornpipe, Speech: Kitty's Wedding, Untitled
39. Hornpipe: Untitled [Played quite fast; perhaps at speed for set-dancing]
40. Speech, Slides: Untitled, Untitled [If I Had a Wife], Untitled [The Dark Girl Dressed in Blue; The Dark Girl in Blue], Untitled
41. Hornpipe: Untitled [Callaghan's]
42. Speech, Air: Untitled, Jimmy Mo Mhile Stor
43. Speech, Polka: Untitled, Untitled (incomplete)
44. Speech, Polkas, Speech: Untitled, Untitled [Johnny I Do Miss You (related tune)], Untitled, Untitled, Untitled
45. Slides: Untitled [Denis Murphy's Slide], Untitled [Going to the Well for Water; The Kaiser] (clipped at end) [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 26 [sound recording] / [various performers]

Performers:
Unidentified performer [Seamas O hIghne], chanting of a Fenian lay in Irish A1;
Unidentified performer, harp [?] solo A2–4;
Unidentified performer [Keane, Sean, Dublin], fiddle solo A5–6;
Unidentified performer [Murphy, Mollie / Murphy, Mrs, Cork], fiddle solo A7, 11;
Unidentified performer [Murphy, Denis, Kerry], fiddle solo A8–10;
speech in English A9;
Unidentified performer [Breathnach, Breandan, Dublin], speech in English A9;
Unidentified performer [Ennis, Seamus, Dublin], pipes solo A12;
Unidentified performer [Clancy, Willie, Clare], pipes solo A13;
Unidentified performer [Russell, Micho, Clare], whistle solo A14;
Unidentified performer [Doran, Johnny, Wicklow], pipes solo A15;
Unidentified performer [Eddie Moloney, Galway], flute solo A16

Running Order:
1. Fenian Lay: Untitled [Laoi na Mna Moire]
2. Air: Untitled
3. Air: Untitled
4. Miscellaneous, Speech: Untitled [Instrument tuning], Untitled
5. Jigs: Untitled [The Gander in the Pratie Hole], Untitled [The Trip to Killavel] [This track is probably a dub from track 6 of the accompanying sound recording to BB's book 'Folk Music and Dances of Ireland']
6. Reels: Untitled [The Congress], Untitled [The Foxhunter's Reel] [This track is probably a dub from track 4 of the accompanying sound recording to BB's book 'Folk Music and Dances of Ireland']
7. Jig: Untitled [Cnocan an Teampaill / Church Hill]
8. Hornpipe: Untitled [The Rights of Man] (end clipped)
9. March, Speech: Untitled, Untitled
10. Reel: Untitled [Colonel Fraser / Colonel Frazer]
11. Jig / March: Untitled [Painneach na nUbh / Painneach na n-Ubh / O'Sullivan's March]
12. Jigs: Untitled [The Pipe on the Hob], Untitled [Down the Back Lane], Untitled [Sixpenny Money], Untitled [Paidin O Raifeartaigh]
13. Air: Untitled [The Green Linnet]
14. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)] (running too fast)
15. Reels: Untitled [Colonel Fraser], Untitled [My Love is in America], Untitled [Rakish Paddy] (running too fast)
16. Reels: Untitled [Tommy Whelan's Reel], Untitled [The Sailor on the Rock] (overmodulated on original) [END OF BAND ONE]

Breandán Breathnach Collection. Reel-to-Reel 277 [sound recording] / [various performers]

Performers:
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish throughout;
Crehan, Junior, Clare, speech in English A1, 14;
fiddle solo A1;
Unidentified performer [Ward, Jim, Clare], whistling solo A1;
singing in English A1;
Unidentified performers, speech in English throughout;
Killeen, Tom, singing in English A2;
Unidentified performer(s), accordion solo A3;
accordion in duet A10;
Unidentified performer [Murphy, Denis, Kerry?], fiddle solo A4, 12;
fiddle in duet A6;
Doyle, Jimmy / Doyle, Seamus, Kerry, accordion in duet A5, 22, 24;
O'Leary, Johnny, Kerry, accordion in duet A5, 6[?];
accordion solo A8;
Sweeney, Sonny, Kerry, fiddle solo A7;
Unidentified performer(s), whistle in duet A9;
whistle solo A17;
Unidentified performer, fiddle in duet A10;
Kane, Eleanor / Neary, Eleanor, Chicago, speech in English A11;
piano solo A11;
Unidentified performers, instrumental group A13;
Donoghue, Jack, Clare, concertina solo A14;
Lawlor, Peter, [Clare?], concertina or mouth organ in duet A15;
Unidentified performer, [Clare?], concertina or mouth organ in duet A15;
Clifford, Julia, Kerry / London, fiddle in duet A16;
Clifford, Billy, Kerry / London, whistle in duet A16;
Unidentified performer [Breathnach, Breandan, Dublin], speech in English A18, 28–30;
Daly, Michael, Worthing, flute solo A18;
O Meachair, Eamonn, [Clare?], fiddle in duet A19–20;
O Meachair, Padraig / Maher, Paddy, [Clare?], whistle in duet A19–20;
Cronin, Dan, whistle in duet A21, 25–26;
O'Sullivan, Cornelius, fiddle in duet A21, 24;
fiddle solo A23;
Murphy, Diarmuid, Kerry, fiddle in duet A22;
fiddle solo A27;
Murphy, Denis, Kerry, fiddle in duet A25–26;
McKeown, Tom, Tyrone, fiddle in duet A28–29, 31–32;
speech in English A28–30;
fiddle solo A30;
Unidentified performer, fiddle in duet A28–29, 31–32

Running Order:
1. Speech with Music and Singing: Untitled [Discussion about dances performed in the area (west Clare?), with examples of dance tunes played on fiddle, whistled, and sung; dances discussed include sets and also other dances like Cock Your Leg up, Moll Roe (tune played; Father Halpin's Top Coat; The Varsovienne); Green Grow the Rushes; The Gabhairin Bui (tune played); The Peeler and the Goat; and Saint Patricks's Day; the slip jig 'Moll Roe' is whistled and words to it sung]
2. Speech, Song: Untitled [Introduction to the performance that follows], Untitled (incomplete)
3. Jig: Untitled [Related to 'The Sports of Multyfarnham'] (clipped at both ends) [Music is followed on the tape by periods of silence interspersed with tone signals (not digitised)]
4. Jig: Untitled (incomplete)
5. Speech, Slides: Untitled [Introduction to the performance that follows], Untitled [If I Had a Wife; 3 parts; not the tune associated with that title that was recorded by the Chieftains], Untitled [For another performance of the music selection played in this track, see track A5]
6. Speech, Polkas: Untitled [Introduction to the performance that follows], The Blue Ribbon, The Knocknagree Polka [Dan O'Connell's Favourite]
7. Speech, Polka: Untitled [Introduction to the performance that follows], Sweeney's Polka [For another performance of this tune, see track A10b]
8. Speech, Slides: Untitled [Introduction to the performance that follows], Untitled [If I Had a Wife; 3 parts; not the tune associated with that title that was recorded by the Chieftains], Untitled [For another performance of the music selection played in this track, see track A5] (clipped at end)
9. Slides: Untitled, Untitled
10. Polkas: Untitled, Untitled [Sweeney's Polka; for another performance of this tune, see track A7], Untitled (incomplete; clipped at end)
11. Speech, Slide: Untitled [Introduction to the performance that follows; tune was learned from someone who was a pupil of Padraig O'Keeffe at home in Ireland and who later came to Chicago], Untitled [Terry Teahan's]
12. Polkas: Untitled [Jimmy Doyle's Favourite], Untitled [Bill the Weaver's (2); Tarrant's]
13. Polkas: Untitled [Recorded on commercial 78rpm disc by John McKenna, flute], Untitled, Untitled
14. Speech, Jig: Untitled [Introduction to the performance that follows], Molly's Lough
15. Speech, Polka: Untitled [Introduction to the performance that follows], Drink Your Tea
16. Speech, Polkas: Untitled [Introduction to the performance that follows], Untitled, Untitled, Untitled
17. Polka: Untitled
18. Speech, Polka: Untitled [Introduction to the performance that follows], The Little Green Cottage
19. Speech, Polkas: Untitled [Introduction to the performance that follows], The Dandy Peeler [Related to melody of song 'Finnegan's Wake'], Untitled [[Stated to be 'an old Clare set' tune]
20. Speech, Polkas: Untitled [Introduction to the performance that follows], Untitled [I Looked East and I Looked West], Untitled [Melody of song 'Muirsheen Durkin']
21. Speech, Slides: Untitled [Introduction to the performance that follows], Untitled, Untitled, Untitled [Repeat of the first tune in this selection]
22. Speech, Polka: Untitled [Introduction to the performance that follows], Untitled
23. Speech, Slide: Untitled [Introduction to the performance that follows], Untitled
24. Speech, Slide: Untitled [Introduction to the performance that follows], Duggan's Favourite [Composed by Mick Duggan, Kerry, fiddle, according to CICD; false start]
25. Speech, Polka: Untitled [Introduction to the performance that follows], Jimmy Barry's Polka [Sound level low]
26. Speech, Slide: Untitled [Introduction to the performance that follows], Art O'Keeffe's Jig
27. Speech, Polka: Untitled [Introduction to the performance that follows], Denis Murphy's Polka [Tom Billy's Polka]
28. Speech, Polka, Speech: Untitled [Introduction to the performance that follows], Gurteen Cross [?] / Curtin's Cross [?] [The Church Street Polka], Untitled [Information about dancing in the local area (Galbally, Co Tyrone)]
29. Polka, Speech: Untitled [Saint Mary's Polka], Untitled
30. Polka, Speech: Untitled, Untitled
31. Polka: Untitled
32. Speech, Polka: Untitled, Untitled [END OF BAND ONE - Band Two contains an episode of the radio drama series 'The Kennedys of Castleross' (not digitised)]

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