Item BBR-18712/1/258843 - Breandán Breathnach Collection. Reel-to-Reel 172 [sound recording] / [various performers]

Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 1 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 2 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 3 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 4 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 5 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 6 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 7 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 8 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 9 Breandán Breathnach Collection.  Reel-to-Reel 172 [sound recording] / [various performers]. Track 10
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Identity area

Reference code

BBR-18712/1/258843

Title

Breandán Breathnach Collection. Reel-to-Reel 172 [sound recording] / [various performers]

Date(s)

  • 03-Sep-82 (Creation)

Level of description

Item

Extent and medium

1 sound tape reel (1 hr., 30 min., 5 sec.) : analog

Context area

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Scope and content

Performers:
Kelly, James, Dublin, speech in English throughout tracks A;
fiddle solo throughout tracks A;
Breathnach, Breandán, speech in English throughout tracks A;
[unidentified performer], accordion in duet B1–4;
[unidentified performer], fiddle solo B5–6, 8–14;
speech in English throughout B5–6, 8–14;
[unidentified performers], speech in English intermittently throughout tracks B;
[unidentified performer], flute solo B7, 15;
[unidentified performer], speech in English B16;
accordion solo B16–17;
[unidentified performer], guitar in duet B1–4

Running Order:
1. Speech: Untitled [Making a living from music; instrument tuning; the tune that follows] (very low sound level initially)
2. Reel: Philip O'Beirne's Delight
3. Speech: Untitled [About the tune just played and the tune to be played next]
4. Jig: The Kinnegad Slashers [Transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field]
5. Hornpipes: The Stage Hornpipe, Western Hornpipe [Transcriptions (from this recording) of both these tunes was published in 'Ceol': see first entry in this field]
6. Speech: Untitled [About the tune to be played next]
7. Reel: Sweeney's Reel [Transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field]
8. Speech: Untitled [Visits to John Doherty in Donegal]
9. Hornpipe, Speech: Sliabh na mBan [Slievenamon; transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field], Untitled [About the tune just played and the tunes to be played next, both of which were composed by Ed Reavy]
10. Speech, Hornpipes: Untitled, Untitled [Lad O'Beirne's], Untitled [Transcription (from this recording) of this tune was published in 'Ceol' (p. 18): see first entry in this field]
11. Speech: Untitled
12. Jig, Slip Jig: Untitled [Transcription (from this recording) of this tune was published in 'Ceol' (p. 15, first tune): see first entry in this field], Kitty Come down to Limerick
13. Speech: Untitled [Tunes just played were learned from the playing of John Doherty; the tune to be played next was learned from a recording of Neil O'Boyle, fiddle]
14. Speech, Reel: Untitled, The Moving Cloud
15. Speech: Untitled [Neil O'Boyle composed the tune just played; the performer's experiences of meeting the Irish music community in the USA; recording music from 78rpm discs in the collection of Richard Nevins; the tune to be played next, which was the first tune that the performer learned]
16. Jig: Untitled [Transcription (from this recording) of this tune was published in 'Ceol' (p. 17): see first entry in this field]
17. Speech: Untitled [About the tune just played, with demonstration on fiddle; the performer started playing the fiddle at the age of 3 or 4; as a boy and teenager, the performer spent much time listening to music; Michael Coleman, Patsy Touhey, Barney Delaney, Seamus Ennis, set high standards; discussion of fiddle and piping styles; one of BB's favourite piping performances is Willie Clancy playing the reel 'The Ravelled Hank of Yarn'; the tune to be played next]
18. Reel: The Fermoy Lasses [Transcription (from this recording) of this tune was published in 'Ceol': see first entry in this field]
19. Speech: Untitled [About the tune to be played next; with tentative playing on fiddle]
20. Speech, Jig: Untitled, Untitled [Stated to sometimes have the title 'Apples in Winter'; transcription (from this recording) of this tune was published in 'Ceol' (p. 15, second tune): see first entry in this field]
21. Speech: Untitled [Discussion about the jig title 'Apples in Winter']
22. Reel: Untitled [The Humours of Ballyconnell]
23. Speech: Untitled [About the tune to be played next, which the performer heard on a recording by Mrs Kenny (fiddle)]
24. Reel: All the Ways to Galway
25. Speech: Untitled
26. Jig: Untitled
27. Speech: Untitled [Discussion about the performer's work with Paddy O'Brien; playing music in the USA] [END OF BAND ONE]
28. Speech: Untitled [Playing music in the USA; the community and audience for Irish music in the USA; playing tunes in different keys from the normal; the tune The March of the King of Laois; the tune was published in Playford's collection in England in 1660; BB thinks that tunes played in the key of A have a flavour of the warpipes; similarities between Donegal and Scottish music; Scott Skinner; the music style of John Doherty and other Donegal players; BB objects to hearing John Doherty's music played on the pipes by Robbie Hannan and Joe McLaughlin; the performer's father, John Kelly (senior), had different settings of tunes for concertina and for fiddle; Seamus Connolly's fiddle-playing influenced by the accordion; Paddy Murphy's concertina-playing influenced by the fiddle; BB has a poor opinion of crans being played on the fiddle; story about Tommy Potts reproducing ornamentation by Michael Coleman] [End of recording session with James Kelly]
29. Reels: Untitled [Cross the Shannon; composed by Paddy Fahy], Untitled [Andy McGann's Reel], Untitled [The Sailor's Farewell]
30. Reel: Untitled
31. Jig: Untitled [Tonra's Jig; composed by Brendan Tonra]
32. Reel: Untitled
33. Jig, Speech: Untitled [The Maid on the Green; usually with 2 parts, here with 3], Untitled
34. Reel: Untitled [The Humours of Castlefin]
35. Barn Dance / Hornpipe, Barn Dances: Untitled [Curlew Hills; The Glenbeigh Hornpipe], Untitled [Peach Blossom], Untitled [Curlew Hills; The Glenbeigh Hornpipe], Untitled [On commercial 78rpm disc by P J Conlon, accordion; Hanley's Delight]
36. Polkas, Speech: Untitled, The School in the Valley [The Bog down in the Valley], Untitled
37. Jig, Speech: Loughlin's Jig [Jimmy O'Brien's Jig], Untitled
38. Hornpipe, Speech: Kitty's Wedding, Untitled
39. Hornpipe: Untitled [Played quite fast; perhaps at speed for set-dancing]
40. Speech, Slides: Untitled, Untitled [If I Had a Wife], Untitled [The Dark Girl Dressed in Blue; The Dark Girl in Blue], Untitled
41. Hornpipe: Untitled [Callaghan's]
42. Speech, Air: Untitled, Jimmy Mo Mhile Stor
43. Speech, Polka: Untitled, Untitled (incomplete)
44. Speech, Polkas, Speech: Untitled, Untitled [Johnny I Do Miss You (related tune)], Untitled, Untitled, Untitled
45. Slides: Untitled [Denis Murphy's Slide], Untitled [Going to the Well for Water; The Kaiser] (clipped at end) [END OF BAND TWO]

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Language of material

  • English

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Note

Notes:
Track B2 was recorded at half the speed of the rest of the contents of this tape; the speed has been reset to normal by software means.
Digitised and catalogue updated by Jackie Small, February 2008. Report year 2008
Imported from Reeldubs July 2013

Documentation:
Spoken information on tape ; Carton: '1982 / James / Kelly / TAPE 114' ; Spool: ; Label 1: 'Jas Kelly / for / Ceol / 3. IX / 82 / Side 1' ; Label 2: 'TAPE 114'

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  • English

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