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Breandán Breathnach Collection Dublin Ireland: Singing in Irish
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Breandán Breathnach Collection. Reel-to-Reel 313 [sound recording] / [various performers]. Track 15

Speech: Untitled [Topics including: SE plays many instrument, including the fiddle and the Jew's Harp; SE does not play a melodeon or accordion, because the notes are 'ready made'; John Clarke of the Pipers' Club said that accordions were not allowed in the club; story about a changeling who plays the fiddle and later plays the melodeon after being thrown in the river; story about the blacksmith and the Scolaire Bocht – 'se buile moch an Luain agus buile deanach an tSathairn ata dod mhilleadh']

Ennis, Seamus
Mac Mathuna, Ciaran, Limerick / Dublin

Breandán Breathnach Collection. Reel-to-Reel 313 [sound recording] / [various performers]. Track 17

Speech: Untitled [Lore about blacksmiths, including: blacksmiths are never tired; the tiredness of the blacksmith is put over on the tinker; story about holy person who wants to get a pin made for a cloak – the tinker refuses to do it, but the blacksmith agrees, and for this reason tinkers are cursed; a poet or musician should never be refused in a forge; introduction to the song that follows]

Ennis, Seamus
Mac Mathuna, Ciaran, Limerick / Dublin

Breandán Breathnach Collection. Reel-to-Reel 312 [sound recording] / [various performers]

Performers:
Ennis, Seamus, Dublin, speech in English A1, 3, 5;
Mac Donnchadha, Sean / 'ac Dhonncha, Sean / Johnny Joe Pheaitsin / McDonagh, Johnny, Galway, singing in Irish A2;
Ni Gallchobhair, Cait, Donegal, singing in Irish A4;
Ni Mhuimhneachain, Cait, Cork, singing in Irish A6;
Reck, Tommy, Dublin, pipes solo A7–9;
Unidentified performer, fiddle solo A10–11;
Unidentified performer [Paddy Killoran?], fiddle solo A12–15

Running Order:
1. Speech: Untitled [Topics: Seamus Ennis's work as a collector with the Irish Folklore Commission; transcribing music from collections made by James Delargy and Luke Donnellan; collecting in the field; travelling by bicycle to Connemara; riches of music in Connemara; SE's collecting method; visiting an informant's home; how SE wrote music from informants; SE working at hay or at turf; sailing and fishing; singing style in Connemara; introduction to the next item]
2. Song: Bean an Fhir Rua / The Red-Haired Man's Wife
3. Speech: Untitled [Topics: SE's work as a collector, continued; style of folktale and of music is simpler in the north of Ireland than in the west and south; introduction to the next item]
4. Song: The Mermaid Song / An Mhaighdean Mhara
5. Speech: Untitled [Complexity in singing style in Connemara; singing style in Munster; introduction to the next item]
6. Song: A Mhaire Ni Laoghaire
7. Hornpipe: Untitled [Alexander's Hornpipe]
8. Jig: Untitled [Kitty's Rambles / The Rambles of Kitty]
9. Reel: Untitled [The Scholar] (fades out)
10. Hornpipe: Untitled (short, incomplete)
11. Set Dance: Untitled [The Job of Journeywork]
12. Hornpipes: Untitled [The Bashful Bachelor], Untitled [The Flowers of Ballymote]
13. Reels: Untitled, Untitled, Untitled [Sweeney's Dream]
14. Jigs: Untitled [The Hut on the Hill (CICD 1023); Paddy Killoran's; Andy McGann's], Untitled [The Rambler], Untitled [The Humours of Bantry]
15. Reels: Untitled [The Master's Return], Untitled, Untitled [Dillon Brown] [END OF BAND ONE]

Breandán Breathnach Collection. Reel-to-Reel 312 [sound recording] / [various performers]. Track 1

Speech: Untitled [Topics: Seamus Ennis's work as a collector with the Irish Folklore Commission; transcribing music from collections made by James Delargy and Luke Donnellan; collecting in the field; travelling by bicycle to Connemara; riches of music in Connemara; SE's collecting method; visiting an informant's home; how SE wrote music from informants; SE working at hay or at turf; sailing and fishing; singing style in Connemara; introduction to the next item]

Ennis, Seamus, Dublin - speech in English

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