Showing 101 results

Performers:
Ennis, Seamus, Dublin, speech in English A1, 3, 5;
pipes solo A16;
Mac Donnchadha, Sean / 'ac Dhonncha, Sean / Johnny Joe Pheaitsin / McDonagh, Johnny, Galway, singing in Irish A2;
Ni Gallchobhair, Cait, Donegal, singing in Irish A4;
Ni Mhuimhneachain, Cait, Cork, singing in Irish A6;
Reck, Tommy, Dublin, pipes solo A7–9;
Unidentified performer, fiddle solo A10–11;
Unidentified performer [Paddy Killoran, Sligo / USA?], fiddle solo A12–15

Running Order:
1. Speech: Untitled [Topics: Seamus Ennis's work as a collector with the Irish Folklore Commission; transcribing music from collections made by James Delargy and Luke Donnellan; collecting in the field; travelling by bicycle to Connemara; riches of music in Connemara; SE's collecting method; visiting an informant's home; how SE wrote music from informants; SE working at hay or at turf; sailing and fishing; singing style in Connemara; introduction to the next item]
2. Song: Bean an Fhir Rua / The Red-Haired Man's Wife
3. Speech: Untitled [Topics: SE's work as a collector, continued; style of folktale and of music is simpler in the north of Ireland than in the west and south; introduction to the next item]
4. Song: The Mermaid Song / An Mhaighdean Mhara
5. Speech: Untitled [Complexity in singing style in Connemara; singing style in Munster; introduction to the next item]
6. Song: A Mhaire Ni Laoghaire
7. Hornpipe: Untitled [Alexander's Hornpipe]
8. Jig: Untitled [Kitty's Rambles / The Rambles of Kitty]
9. Reel: Untitled [The Scholar] (fades out)
10. Hornpipe: Untitled (short, incomplete)
11. Set Dance: Untitled [The Job of Journeywork]
12. Hornpipes: Untitled [The Bashful Bachelor], Untitled [The Flowers of Ballymote]
13. Reels: Untitled, Untitled, Untitled [Sweeney's Dream]
14. Jigs: Untitled [The Hut on the Hill (CICD 1023); Paddy Killoran's; Andy McGann's], Untitled [The Rambler], Untitled [The Humours of Bantry]
15. Reels: Untitled [The Master's Return], Untitled, Untitled [Dillon Brown]
16. Reels: Untitled [The Steampacket; The Mountain Lark], Untitled [The Sligo Maid's Lament; The Sligo Maid], Untitled [The Flax in Bloom] (clipped at end)
17. Miscellaneous: Untitled [Tape noise, including sound of original tape being rewound] [END OF BAND ONE]

Performers:
O'Keeffe, Padraig / O'Keefe, Padraig, Kerry, fiddle solo A2–9?;
fiddle in duet A10?;
Murphy, Denis, Kerry, fiddle in duet A10?

Running Order:
1. Tone signal
2. Slides: Untitled, Untitled, Untitled
3. Reels: Quinn's [CRE 2, # 171], Callaghan's [The Doon Reel], Bean a' Ti ar Lar [The Woman of the House]
4. Hornpipe: Johnny Cope
5. Hornpipes: Campbell's Hornpipe [The Smoky Chimney; with extra parts, including one from 'Kitty O'Neill'?], English Hornpipe
6. Single Jigs / Slides: Sheehan's Jig, Untitled, Untitled
7. Reel: Untitled [Kiss the Maid behind the Barrel; The Maid behind the Bar; with more parts than in the standard version]
8. Reel: Untitled [First part is that of Colonel Fraser; second differs]
9. Air: Untitled [The Wounded Hussar]
10. Slides: Untitled, Untitled [Chase Me Charlie], Untitled [END OF BAND ONE]

Performers:
Unidentified performer(s), accordion solo A1–2, B10, 12;
accordion in duet A5–6, 31, B11–12, 18;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish intermittently throughout;
Lyons, Paddy, Tipperary, mouth organ solo A3–4;
Ardellis Ceili Band, The, instrumental group A7–8;
Doherty, John, Donegal, fiddle solo A9–11, 12?;
Unidentified performer, concertina solo A13;
Unidentified performer(s), fiddle solo A14–15, 17, 23, 35–36, B8, 14;
fiddles in duet B9;
fiddle in duet B11–12;
Murphy, Denis, Kerry, fiddle in duet A16, 30, B1?;
fiddle solo A26;
fiddle in trio A28–29, 38?;
Unidentified performer [O'Keeffe, Padraig / O'Keefe, Padraig, Kerry?], fiddle in duet A16;
McHugh, Frances, Galway / Donegal, singing in English A18;
Unidentified performer, singing in Irish A19;
Unidentified performer [Droney, Jim, Clare], concertina in duet A20–21;
Unidentified performer [Droney, Chris, Clare], concertina in duet A20–21;
Unidentified performer(s), concertina solo A24, 37;
Foley, Paddy Willie, whistle solo A22;
McGann, Andy, New York, fiddle in trio A25;
Reynolds, Paddy, Longford / New York, fiddle in trio A25;
O'Sullivan, Con, Kerry, fiddle in trio A28, 38?;
Cronin, Dan, Kerry, recorder in trio A28–29, 38?;
O'Keeffe, Padraig / O'Keefe, Padraig, Kerry, fiddle in trio A29;
fiddle in duet A30?, B1?;
Burke, Joe, Galway, accordion in trio A32, 34;
Collins, Kathleen, New York / Galway, fiddle in trio A32, 34;
Unidentified performers, instrumental group [Kilfenora Ceili Band, The, Clare?], B2–4, 6–7;
Tierney, Gus, Clare, fiddle in duet B5;
Unidentified performer, speech in English B15–16;
Moloney, flute solo B15, 16?;
Unidentified performer, speech in English B17;
whistle solo B17;
Unidentified performer, flute in duet B18;
Canny, Paddy, Clare, fiddle solo B19–21;
Maguire, Johnny, Cavan, speech in English intermittently throughout B23–35;
whistle solo B23, 25–30, 32–35;
Unidentified performers, speech in English intermittently throughout B23–35;
Unidentified performer, speech in English B36

Running Order:
1. Reel: O'Mahony's Fancy [Carmel Mahoney Mulhaire; composed by Martin Mulhaire]
2. Reel: Coloney Rodney
3. Speech, Polka: Untitled [Information about the performance that follows], Finnegan's Wake
4. Speech, Polka: Untitled, Untitled [Maggie in the Wood]
5. Reels: Miss Patterson [Master Crowley's], Paddy Fahy's Reel [Composed by Paddy Fahy (information supplied by music scribe)]
6. Reels: Untitled [Mary O'Neill's Fancy], Sporting Nell, Untitled (incomplete)
7. Jig: Untitled
8. Jig: Hinchy's Delight
9. Reels: The Salamanca, Rakish Paddy
10. Jig: The Frieze Breeches
11. Hornpipe: Untitled
12. Jig: The Gold Ring
13. Reel: The Fair of Ballinasloe [Ballinasloe Fair], The Chicago Reel
14. Jig: Untitled (incomplete)
15. Reel: Untitled [The Foxhunter's Reel]
16. Slip Jig: Untitled [Ride a Mile]
17. Reel: The Enchanted Lady, The Maids of Castlebar (incomplete)
18. Speech, Song: Untitled [Information that the song sung next was composed by the performer's father], Louis Darcy
19. Speech, Song: Untitled, An Carabhat
20. Jig: Untitled [The Rambles of Kitty (not the tune commonly known by this name)]
21. Jig: Untitled [Paidin O Raifeartaigh, version of]
22. Speech, Single Jig / Slide: Untitled, Untitled
23. Speech, Polka / Hornpipe: Untitled, Untitled [Described by music scribe as 'Scotch Polka'; Staten Island (hornpipe)]
24. Jig: Untitled [The Bohola Jig; Joe Cooley's Jig]
25. Reel, Speech: The Belles of Tipperary, Untitled [Information about the performers of the tune just played]
26. Speech, Reels: Untitled [Information about the next music item, including that it was recorded in June 1955], The Morning Star, Durang's [Usually played as a hornpipe (information supplied by music scribe)]
27. Speech: Untitled [Information about the next music item]
28. Single Jigs / Slides: Cucanandy [The Whistling Thief Jig; Pete Sullivan's Fancy], Mount Collins [If I Had a Wife]
29. Speech, Jig: Untitled [Information about the next music item, including that it was recorded in June 1955], The Humours of Dingle
30. Speech, Reel: Untitled, Sporting Paddy
31. Reels: The Donegal Traveller, Miss Montgomery, The Donegal Traveller
32. Speech, Reels: Untitled, Lad O'Beirne's [The Coalminer], Finbarr Dwyer's Reel [Dwyer's Reel; The Holly Bush; Matt the Thresher; composed by Finbarr Dwyer]
33. Speech: Untitled [Information about the performers in the Joe Burke Trio]
34. Jigs: Untitled [The Humours of Kesh], Races at Carrick? [Title supplied by music scribe; The Coach Road to Sligo; CRE, # 33]
35. Reel: Shaney Mulhern? [Title supplied by music scribe; Never Was Piping so Gay, composed by Ed Reavy]
36. Jig: Untitled [The Rambler]
37. Reel: Untitled
38. Single Jigs / Slides: Untitled [Merrily Kiss the Quaker], Untitled [Dingle Regatta, in the version played by Sliabh Luachra musicians] [END OF BAND ONE]
39. Jig: When the Cock Crows it is Day [Ta an Coileach ag Fogairt an Lae]
40. Speech, Reel: Untitled, Mullin's Favourite [The Green Mountain]
41. Reel: The Reel of Rio [Composed by Sean Ryan]
42. Single Jigs / Slides, Jigs: Untitled [The Clare Jig; Old Kilfenora Jig], Untitled [Dinny Mescal's], Untitled [The Kesh Jig, version of], Untitled [Gillan's Apples]
43. Speech, Reel: Untitled, Paddy Fahy's Reel [Composed by Paddy Fahy; in ray mode (information supplied by music scribe)], Never was Piping so Gay [Composed by Ed Reavy]
44. Speech, Jig: Untitled, The Gold Ring
45. Reel: The Rainy Day
46. Reel: The Spey in Spate
47. Speech, Single Jig / Jig, Polka, Set Tune / Single Jig / Slide, Polka, Single Jigs / Slides: Untitled [Brief; describing the music selection that follows as one for a quadrille], Untitled, Untitled [Related to melody 'The Bog down in the Valley'], Untitled, Untitled, Untitled, Untitled [Comin' Thro' the Rye]
48. Jig: Untitled [The Boys of Lough Gowna; composed by Paddy O'Brien]
49. Reel: The Musical Priest
50. Reel: Devanney's Goat
51. Reel: The Sailor's Cravat
52. Reel: Lord McDonald
53. Speech, Hornpipes: Untitled, Tuamgraney Castle, Ann Sheehy's / The Bunch of Ferns [The Flowing Tide]
54. Speech, Reels: Untitled, Sean Ryan's Reel [The Reel of Rio; composed by Sean Ryan], Ganley's [Coen's Memories; composed by Tommy Coen]
55. Speech, Reel: Untitled, Fahy's
56. Jig: Untitled [Composed by Sean Ryan (information supplied by music scribe); The Hidden Ireland]
57. Speech, Reel: Untitled, Andy McGann's Reel
58. Reel: The Grand Spy [The Graf Spee]
59. Jigs: Apples in Winter, The Lark in the Morning [Dougherty's; Up Sligo]
60. Speech, Hornpipe: Untitled, The Cuckoo Hornpipe (incomplete)
61. Speech, Reel: Untitled, Reynold's Reel [The Sailor's Farewell; The Belharbour Reel; stated by the music scribe to have been composed by Martin Mulhaire, but this is questionable; Reynolds' Reel]
62. Speech: Untitled [Information about the tune that follows]
63. Reel: The Mount Nugent Reel [CICD 4609 (not from this recording); Miss Langford]
64. Speech, Reel: Untitled [Information about the tune that follows], The Boys of Twenty-Five [CICD 4895 (not from this recording); Ah Surely]
65. Speech, Reel: Untitled [Information about the tune that follows], The Maid of the House [CICD 5151 (not from this recording); published in Ceol, vol III, I]
66. Speech, Reel: Untitled, The Gatehouse Maid [CICD 4541 (not from this recording); stated by the music scribe to be mistitled; The Baltimore Reel; Hickey's]
67. Speech, Reel: Untitled, The Golden Keyboard [Composed by Martin Mulhaire]
68. Speech, Reel: Untitled, Jack Roe [CICD 4024 (not from this recording)]
69. Speech: Untitled [Information about the musician from whom the performer got the tune that follows]
70. Reel: The Crib of Perches [CICD 3124 (not from this recording)]
71. Speech, Reel: Untitled, Untitled [Related to The Ewe Reel?]
72. Speech, Reel: Untitled, Untitled
73. Speech, Reel: Untitled, The Morning Star (incomplete)
74. Speech: Untitled (clipped at end) [Information about placenames] [END OF BAND TWO]

Performers:
Ennis, Seamus, Dublin, whistle solo A2, 8–9, 17, 19, 23, 33;
speech in English and Irish throughout;
pipes solo A4, 6, 15, 25, 27, 31;
singing in English A11;
singing in Irish A13;
singing in Irish and English A21, 29;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English and Irish throughout;
lilting in duet A9;
Clancy, Willie, Clare, pipes solo A20, 22, 24, 26, 29, 31, 33, 35, 37

Running Order:
1. Tone Signal: Untitled
2. Slide: Untitled [The Dark Girl in Blue (CRE 3, # 50); Denis Murphy's Slide; short version to begin the 1st edition of 'Ceolta Tire' on this tape; full version at track A9]
3. Speech: Untitled [Topics include: how long does it take to make a piper? Time required: 7 years learning, 7 years practising, 7 years playing; story about 3 squabbling brothers; introduction to the tune that follows, a test piece for pipers; SE plays his father's version]
4. Set Dance: A hAon is a Do na Piobaireachta / The Ace and Deuce of Piping [One of two versions of this tune that SE played; tonic note A]
5. Speech: Untitled [About the title of the piece of music that follows, The Shaskeen Reel; bo sheasc is a cow that is not giving milk, perhaps a barren cow; the word 'seaiscin' is the affectionate diminutive of the word 'seasc', referring to such a cow that is kept as a pet]
6. Reel: The Shaskeen Reel
7. Speech: Untitled [Introduction to the theme of the story that follows; story about the hiring fairs, 'Don Nippery Septo'; story about the king of Greece who wanted to give his daughter's hand in marriage to the man who could tell the longest story – the story without end; Ennis refers to the tune that follows as 'The Eternal Slide']
8. Slide, Speech: The Eternal Slide [Dingle Regatta (Sliabh Luachra version)], Untitled
9. Slide: Untitled [The Dark Girl in Blue (CRE 3, # 50); Denis Murphy's Slide; with lilting; full version; short version at track A2]
10. Speech: Untitled [Introduction to the song that follows, which was learnt from Mrs Cronin of Ballyvourney and her son Michael; song is about the treaty of Limerick, Sarsfield and the flight of the Wild Geese]
11. Song: Untitled [The Charming Colleen Rua]
12. Speech: Untitled [Topics include: the dialect of Irish in Waterford; Labhras O Cadhlaigh; faction fighting; factions Carabhat & Seana-Bheist; introduction to the next item]
13. Song: Untitled [Is Buachaill o Chluain Meala Me; song used to start a faction fight]
14. Speech: Untitled [Discussion of topics related to the song just sung, including: faction fighting; dragging one's coat to start a fight; fair days and faction fights; '12 o'clock in the day and not a blow struck'; Labhras O Cadhlaigh interested in piping; An Lin faoi Bhlath / The Flax in Bloom, reel popular in Ring, Co Waterford]
15. Reel: An Lin faoi Bhlath / The Flax in Bloom [End of the first edition of 'Ceolta Tire' on this tape]
16. Speech: Untitled
17. Polkas: Untitled [The Dark Girl Dressed in Blue], Untitled [The Knocknaboul Polka # 2; faded out] [End of the first edition of 'Ceolta Tire' on this tape]
18. Tone signal
19. Speech: Untitled [Radio announcement; attitudes of people to pipes] [Beginning of the second edition of 'Ceolta Tire' on this tape]
20. Jigs: Down the Back Lane, Sergeant Early's Jig / An Maidrin Treitheach
21. Speech: Untitled [Radio announcement; the chanter of the uilleann pipes played by Willie Clancy here was made by the Moloney brothers of Kilrush, who lived in the first half of the 19th century; chanter is 18 long & is on loan from Sean Reid, who in turn got the chanter from Brother Gildas O'Shea, Kerry, of the De La Salle congregation; introduction to the next item]
22. Air: The Trip over the Mountain [The Trip We Took over the Mountain]
23. Speech: Untitled [Radio announcement; Willie Clancy was influenced by other pipers, including Garrett Barry and Johnny Doran]
24. Reels: The Steampacket, Rakish Paddy
25. Speech: Untitled [Radio announcement]
26. Hornpipes: The Faithful Friend [Learned from Leo Rowsome], The Plains of Boyle (faded out) [End of the second edition of 'Ceolta Tire' on this tape]
27. Tone signal
28. Speech: Untitled [Radio announcement; Willie Clancy was influenced by other pipers, including Garrett Barry, Johnny Doran, Leo Rowsome and Seamus Ennis; he was also influenced by John Potts, of Ardee St, Dublin, a native of south Co Wexford; introduction to the next item] [Beginning of the third edition of 'Ceolta Tire' on this tape]
29. Reel: The Connacht Heifers [The Connacht Heifer; learned from John Potts], Corney is Coming
30. Speech: Untitled [Radio announcement; the tune that follows is a version played by the piper Garrett Barry, whom Willie Clancy's father Gilbert knew well; introduction to the next item]
31. Jig: The Frieze Breeches [First two parts of this 5-part jig form the melody of the song sung in Connemara 'Cunnla, a chroi, na teara nios goire dom']
32. Speech: Untitled [Radio announcement; Willie Clancy's interest in Irish traditional singing is reflected in his playing of slow airs; introduction to the air that follows; Willie Clancy learned the melody from a ballad in English that his father used to sing called 'The Bold Trainer-O']
33. Air: Uilleachan Dubh O / Banchnoic Eireann O / The Bold Trainer-O [The Green Linnet; M'Uilleagan Dubh O; The Bold Traynor O]
34. Speech: Untitled [Radio announcement; West Clare is no longer a Gaeltacht; a verse in Irish connected with the first tune in the selection to be played next]
35. Reel: Bean an Tinceara [Bean a' Tinceara; An Bhean Tinceara], Carney's Reel [Kearney's Reel; The Ravelled Hank of Yarn; recorded on a commercial 78rpm disc for Gael-linn by this performer as 'Ril Mhichil Ui Cheithearnaigh', i.e. 'Michael Carney's Reel'; that recording reissued on the CD publication 'Seoltai Seidte'; recorded by Michael Carney on a commercial 78rpm disc as 'The Peeler's Jacket' (mistitled?)]
36. Speech: Untitled [Radio announcement; introduction to the next tune]
37. Slip Jig: Tiocfaidh Tu sios go Luimneach / Won't You Come down to Limerick? [An dTiocfaidh Tu sios go Luimneach? / Kitty Come down to Limerick / Will You Come down to Limerick? / The Munster Gimlet] (faded up at start) [End of third edition of 'Ceolta Tire' on this tape] [END OF BAND ONE]

Performers:
Cronin, Paddy, Kerry, fiddle solo throughout

Running Order:
1. Tone signal
2. Jigs: Untitled [The Munster Jig; CICD 735], Untitled [Tell Her I Am; for another performance of this tune, see track A8]
3. Reels: Untitled [Duggan's Fancy; CICD 4744; recorded on 78 rpm commercial disc by Michael Coleman, fiddle, as O'Rourke's (the first tune in a selection); The Wild Irishman (title used by Coleman for the second tune in the selection; often used for this tune and possibly Coleman's intended title for this tune)], Untitled [The Galtee / The Galtee Ranger / The Galtee Rangers], Untitled [The Woman of the House, Bean a' Ti ar Lar]
4. Single Jigs / Slides, Jig: Untitled [Tom Billy's Fancy; Johnny Mick Dinny's (JOLSL, # 95)], Untitled [CICD 1775; The Cat in the Corner (JOLSL, # 348)], Untitled [The Humours of Kilkenny; Cailleach an Airgid; CICD 4744; The Hag with the Money]
5. Single Jigs / Slides: Untitled [The Dark Girl in Blue; Denis Murphy's Slide], Untitled [Across the Road; Paddy Cronin's (JOLSL, # 75)]
6. Reels: Untitled [The Doon Reel; The Chorus Reel], Untitled [Pepper and Salt; Tansey's Favourite; CRE 3, # 136]
7. Hornpipes: Untitled [Cronin's Hornpipe (JOLSL, # 171)], Untitled [The Brittania Hornpipe; CICD 6077], Untitled [The Fisherman's Hornpipe; Fisher's Hornpipe]
8. Jigs: Untitled [Down the Meadows; related to Malowney's Wife (DMI, # 11)], Untitled [Tell Her I Am; for another performance of this tune, see track A2]
9. Reels: Untitled [The Dairy Maid], Untitled [The Morning Star]
10. Reels: Untitled [The Wind that Shakes the Barley], Untitled [Wellington's Reel (CRE 3, # 110); closely related to Sheehan's Reel (DMI)]
11. Air: Untitled [The Lament for O'Donnell / Caoine Ui Dhomhnaill]
12. Set Dance: Untitled [The Jockey to the Fair]
13. Hornpipes: Untitled [Byrne's Hornpipe], Untitled
14. Single Jigs, Slides: Untitled [The Quarry Cross; The Dingle Regatta, in the version played by Sliabh Luachra musicians], Untitled [Barrack Hill (DMI, # 410)], Untitled [Pucan; CICD 1415; The Worn Torn Petticoat; Quarry Cross; The Leprechaun] (clipped at end) [END OF BAND ONE]

Performers:
Clancy, Willie, Clare, pipes solo A1, 3, 5, 7, 13;
speech in English A2, 4, 6, 8, 10, 12;
whistle solo A9, 11;
O'Donnell, Michael, speech in English A2, 4, 6, 8, 10, 12

Running Order:
1. Reels: The Connacht Heifers / The Connacht Heifer, Jenny Picking Cockles
2. Speech with Music: Untitled [Willie Clancy's background in music; mother played concertina; began playing the whistle at the age of five; was over 20 when he began to play the pipes; got first set of pipes from Felix Doran; the Moloney brothers, pipemakers in Co Clare; Garrett Barry used to send to a place called Toin an Bhothair, in Co Clare, to get reeds made; Clancy was helped in learning the pipes by a local musician, Hugh Curtin; the components of a practice set; fingering technique on the chanter versus that on the whistle; is it an advantage in learning the pipes to have played the whistle?; the difficulty of unlearning bad habits; demonstration of the range of the chanter – two full octaves; adapting tunes to suit the pipes
3. Jigs: Untitled [The Gander in the Pratie Hole], Untitled [Bimid ag Ol is ag Pogadh na mBan]
4. Speech: Untitled [The reason for the strong music tradition in Clare; Clancy's opinion of musicians in Sligo; young people in Clare taking an interest in traditional music; the accordion: a problem instrument; the difficulty of acquiring and maintaining the pipes and of learning to play them; Clancy's advice to learners on the pipes; it is best to learn when young; the slow air is the cream of the music]
5. Air: An Binsin Luachra
6. Speech: Untitled [Dance tunes possibly being derived from slow airs; for example, the reel 'The Green Fields of America' is possibly derived from the air 'Pretty Molly Brannigan']
7. Air, Reel: Pretty Molly Brannigan, The Green Fields of America
8. Speech: Untitled [The first tune that Clancy played on the whistle, the jig 'Father O'Flynn']
9. Jig: Father O'Flynn
10. Speech: Untitled [The first reel that Clancy played on the whistle, which is the first tune in the next selection]
11. Reels: Untitled [The Ladies Pantalettes], Untitled [The Crooked Road to Dublin], Untitled [The Ravelled Hank of Yarn]
12. Speech: Untitled [Sean O Riada, whose funeral had just taken place; Clancy's acquaintance and musical rapport with O Riada; the lament 'The Bright Lady', which Clancy played at O Riada's funeral]
13. Air: The Bright Lady

Performers:
Clancy, Willie, Clare, pipes solo A1–9

Running Order:
1. Jigs: Down the Back Lane, Sergeant Early's Jig / An Maidrin Treitheach
2. Air: The Trip over the Mountain [The Trip We Took over the Mountain]
3. Reels: The Steampacket, Rakish Paddy
4. Hornpipe: Faithful Friend [Learned from Leo Rowsome], The Plains of Boyle (faded out)
5. Reels: The Connaught Heifers [The Connacht Heifers / The Connacht Heifer; learned from John Potts], Corney's Coming [Corney is Coming]
6. Jig: The Frieze Breeches
7. Air: M'Uilleagan Dubh O / The Bold Traynor O [The Bold Trainer O / The Green Linnet] (with drop in sound level in mid-tune)
8. Reels: Bean a' Tinceara [An Bhean Tinceara], Kearney's Reel [Recorded on a commercial 78rpm disc for Gael-linn by this performer as 'Ril Mhichil Ui Cheithearnaigh', i.e. 'Michael Carney's Reel'; that recording reissued on the CD publication 'Seoltai Seidte'; The Ravelled Hank of Yarn; recorded by Carney as 'The Peeler's Jacket' (mistitled?)]
9. Slip Jig: Tiocfaidh Tu sios go Luimneach [Kitty Come down to Limerick / Will You Come down to Limerick / The Munster Gimlet] (faded up at the start)

Performers:
Clancy, Willie, Clare, pipes in duet A1–5 [?];
pipes solo A6–7;
whistle solo A8–10

Running Order:
1. Hornpipe / Single Jig: Untitled [Garrai na Saileog / Mrs Galvin's; not reissued on PWC 2; DMWC, # 85 (where it is listed as a single jig but written in 4/4 time); usually regarded as a hornpipe by musicians]
2. Slip Jig: Untitled [An Phis Fhliuch; reissued as PWC 2, track 18; The Choice Wife / O'Farrell's Welcome to Limerick]
3. Jig: Untitled [Garrett Barry's Jig; reissued as PWC 2, track 21]
4. Set Dance: Untitled [The Hunt; The Mount Phoebus Hunt; The Mount Famous Hunt]
5. Reel: Untitled [Colonel Fraser]
6. Jig: Untitled [The Frieze Breeches / I Buried My Wife and Danced on Top of Her; reissued as PWC 2, track 6; DMWC, # 11]
7. Single Jig / Fling: Untitled [Kitty Got a Clinking Coming from the Fair; played by Willie Clancy on track 13 of the CD 'The Pipering of Willie Clancy – Volume 1' (Claddagh Records / RTE; CC32CD); noticed there as a single jig; this is a different performance here; DMWC, # 146, as 'Fling No. 1']
8. Reels: Untitled [McKenna's Reels, two reels consisting of: (a) Colonel Rodger's Favourite; (b) The Happy Days of Yore / The Happy Days of Youth. This selection was reissued as PWC 2, track 3, but this is a different performance here; the selection was recorded in the USA on a commercial 78rpm disc by John McKenna (flute) and Michael Gaffney (banjo) as 'Colonel Roger's Favorite' and 'The Happy Days of Youth']
9. Reel: Untitled [The Concert Reel (DMWC, # 9)]
10. Hornpipes: Untitled [The Galway Hornpipe; not in DMWC], Untitled [McDermott's Hornpipe; CRE 2, # 299] [The performer repeats the selection on the track, i.e. tune order is 1–2–1–2; not reissued on PWC 2] [END OF BAND ONE]

Performers:
Quill, Ellen Mary / O Duibhir, Eibhlin Bean Ui Dh- / O'Dwyer, Mrs, Limerick, concertina solo A1;
speech in English A1;
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English throughout;
speech in Irish throughout;
Unidentified performers, speech in English and Irish throughout;
O Duibhir, Roibeard / O'Dwyer, Robert [Limerick?], accordion solo A2–3;
O hUardaill, Padraig, Waterford [?], speech in Irish A4;
singing in Irish A5;
O Suilleabhain, Criostoir, Waterford [?], speech in Irish A5;
singing in Irish A6–7

Running Order:
1. Reel, Speech: Toss the Feathers (clipped at start) [Part overlap and continuation of the last track on BB_RR_353], Untitled
2. Jigs, Speech: Garrett Barry's Favourite, The Leitrim Double Jig [The Leitrim Jig], Garrett Barry's Favourite, Untitled
3. Country Dance Tunes [Polkas]: Untitled, Untitled, Untitled, Untitled, Untitled [The Croppies' March], Untitled [Repeat of first tune in this selection]
4. Speech: Untitled
5. Song, Speech: Bruach na Carraige Baine [With alternate verses in Irish and English], Untitled
6. Song: Untitled [Sliabh na mBan]
7. Speech, Song: Untitled, Untitled [END OF BAND ONE]

Performers:
Russell, Micho, Clare, tin whistle A2–5, 7–37, B1–29, 31;
flute B32–33;
speech in English, throughout;
singing in English A1, B12;
speech in Irish B30;
Breathnach, Breandán, Dublin, tin whistle A6, B31 and throughout;
speech in English, throughout

Running Order:
1. Speech, Song: Untitled [Name of, and words to, the hornpipe An Spealadoir / The Cuckoo's Nest; continued from previous tape (UCD 2)?], The Cuckoo's Nest
2. Hornpipe: The Plains of Boyle [CICD 6217.11 (source not given); partly transcribed only; CRE 2, # 315 (not from MR)]
3. Reel: Miss Thornton's Reel [CICD 3099.11 (from this recording)]
4. Jig: My Darling Asleep [CICD 1822.11 (from this recording; title 'The Wicklow Miners' / 'The Miners of Wicklow' given - in error?); 1822, 1822.12–.13 (not from this recording)]
5. Jig: The Rakes of Clonmel [CICD 1814.11 (from this recording); 1814.12, 1814 (not from this recording); DMI, # 149]
6. Jig, Speech: Miners of Wicklow [Not in CICD from this recording], Untitled [BB recites words sung to The Miners of Wicklow]
7. Jig: Sixpenny Money [CICD 1573.11 (from this recording?)]
8. Jig: The Guinea Gold Ring [CICD 1012–.12 (from this recording?); 3 parts played; The Gold Ring (CRE, # 47, where 4 parts are given)]
9. Jig: The Castlebar Races [CICD 795.12 (from this recording); 1672 (not from this recording); Morrison's Fancy (WSGM, # 197)]
10. Jig: The Cliffs of Moher [CICD 784.11 (from this recording?); 784.12–.15, 2113.11 (none from this recording); MR plays this tune in 2 versions, one with G as the tonic note (as here), one with A]
11. Jig: Delia McQuane and her Charlemoi / Delia McQuane and her Charlemy / Come Back, Paddy Reilly (P. French) [CICD 2091.11 (from this recording?); 2089 (not from this recording; where BB suggests that Percy French used this tune for his song Come Back, Paddy Reilly); Sweet Biddy Daly (DMI, # 278)]
12. Reel: Matt the Thresher [CICD 5359.11 (from this recording); 5359 (not from this recording)]
13. Reel: Untitled [CICD 4033.11 (from this recording); 2923, 2924–.11 (none from this recording)]
14. Jig: Willie Coleman's [CICD 1406.12 (from this recording); 1401 (not from this recording; on which title is given as Willie Cronin's – in error?); composed by Martin Wynne?]
15. Reel: The Maid that Left the County [CICD 4288.12, 4288.14 (both from this recording); 4286, 4288.11, 4288.13, 4289 (none from this recording); The Honeymoon (DMI, # 791); Lady O'Brien's Reel (Tunes of the Munster Pipers, # 96)]
16. Polka: The White Cockade [CICD 6475.11 (from this recording); CRE 2, # 115 (from MR)]
17. Reel: Come West along the Road [CICD 5502.11 (from this recording); 5502, 5505 (not from this recording); DMI, # 793]
18. Reel: Miss Monaghan [CICD 3179.12 (from this recording)]
19. Reel: The Dairy Maid / Kiss the Bride in Bed [CICD 5358.11 (from this recording); CRE 3, # 191]
20. Reel: The Humours of Tulla [CICD 3857.12 (from this recording); standard setting of the tune; CRE 3, # 135; for MR's 'old' setting, see the next track]
21. Reel: The Humours of Tulla [CICD 3726.11 (from this recording); old setting, as played by the flute-player Austin Linnane, from Ballycotton; for MR's 'standard' setting, see the previous track]
22. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.14 (from this recording); 3415.12 (where this recording is referenced); 2856.11, 2857, 3415.11, 3415.13 (none from this recording); DMI, # 779]
23. Reel: Sporting Nellie [CICD 5075.11–.12 (both from this recording); 5075.13–.16 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell; CRE 3, # 194]
24. Reel: Kitty's Gone a-Milking / The Dublin Reel [CICD 5211.11 (where this recording is referenced? from this recording?); not the tune generally called The Dublin Reel; DMWC, # 31]
25. Reel, Speech: The Dublin Reel (a) [not in CICD in this version; tonic note C; local version from concertina players], The Dublin Reel (b) [CICD 3103.11, 3103.12, 3103.14 (all from this recording?); 3101, 3104.11–.12 (none from this recording); standard version (tonic note D)], Untitled [78 rpm recording by William J. Mullaly]
26. Reels: The Green Groves of Erin [CICD 2913.11 (from this recording?)], The Ivy Leaf [CICD 3622.11 (from this recording); also at track 28]
27. Reel: The Pigeon on the Gate [5239.11–.12 (both from this recording? With tonic note A); 5261.11–.12 (none from this recording; with tonic note E)]
28. Reel: The Ivy Leaf [CICD 3622.11 (from this recording); also at track 26(b)]
29. Reel: The Swallow's Tail / Howley's Swallow [CICD 5060.11 (from this recording); the version played by Corney Howley; for MR's 'standard' version, see the next track]
30. Reel: The Swallow's Tail [CICD 5060.12 (from this recording); 5062–.11 (none from this recording); for a local version played by MR, see the previous track]
31. Reel: The Silver Spear [CICD 5768.11 (from this recording); CRE, # 141]
32. Reel: Untitled [CICD 5399.11 (from this recording); 5399 (not from this recording); version of Lord McDonald?]
33. Reel: Rafferty's Reel [CICD 3317.11 (from this recording); 3316.11–.12 (not from this recording); according to BB, a version of The Rising Sun; The Old Blackthorn (version)]
34. Jig: Banish Misfortune / The Irishman's Misfortune / The Shady Groves of Peamount [CICD 1367.11–.12 (both from this recording)]
35. Jig / Quadrille Tune / Slide: Untitled [CICD 708.11 (from this recording); Rural Felicity; a four-part version was recorded by De Danann as 'Kathleen Hehir's']
36. Polka: Untitled [CICD 6506.11, 6507.12 (none from this recording)]
37. Jig: Down the Back Lane / Kitty Come Down the Meadows [CICD 1097.11 (from this recording); Bimid ag Ol] [END OF BAND ONE]
38. Jig / March: Brian Boru's March [CICD 1326.14–.15 (none from this recording)]
39. Reel: Sailing into Walpole's Marsh [Not in CICD from this recording]
40. Reel: Rolling in the Ryegrass / The Shannon Breeze [Not in CICD from this recording]
41. Reel: The Peeler's Jacket [Not in CICD from this recording]
42. Reel: The Morning Star [CICD 4489.11 (not from this recording)]
43. Reel: The Teetotaller / Old Mary Ann [Not in CICD from this recording]
44. Reel: Upstairs in a Tent [CICD 4444.12, 4445, 4446 (none from this recording); CRE 2, # 190 (from MR)]
45. Jig: Come into the Town, My Lady Oh [CICD 987.11–.12 (not from this recording)]
46. Jig: Off She Goes [Not in CICD from this recording]
47. Reels: Boil the Breakfast Early [Not in CICD from this recording; DMI, # 789], Boil the Kittle Early [CICD 5498.11 (not from this recording); BB adds note: Mixture of 'Repeal of the Union' and 'Boy in the Gap'; Boil the Kettle Early]
48. Speech, Jig: Untitled [Description of the handkerchief dance / rag dance / cloth dance; danced by couples; danced to The Peeler and the Goat], The Peeler and the Goat [Not in CICD from this recording]
49. Speech, Fling, Song: Untitled [Dancing customs; the chair dance], The Keel Row [CICD 6533 (not from this recording)], The Keel Row
50. Speech, Reel: Untitled [Man in Ennistymon asks for the tune 'Bean an Ti ar Lar'], The Woman of the House / The Mistress of the House [Not in CICD from this recording; learned by MR from group from San Francisco; piping version; for the 'standard' version, see the next track]
51. Reel: The Woman of the House [Not in CICD from this recording; 'standard' version; for the piping version, see the previous track]
52. Reel: The Shaskeen [Not in CICD from this recording]
53. Reel: Untitled [Not in CICD from this recording; Jackie Coleman's Reel]
54. Reel: The Dunagore Reel / The Concertina Reel [CICD 5610–.12, 5769 (none from this recording); MR's mother played it on the concertina; CRE 2, # 210 and 275 (both from MR); The Concertina Reel (DMWC, # 72)]
55. Jig: The Donnybrook Jig [Not in CICD from this recording; Donnybrook Fair (DMI, # 79)]
56. Reel: The Sally Gardens [Not in CICD from this recording]
57. Reel: The Mason's Apron [Not in CICD from this recording; played the 'old' way, as played by local concertina players]
58. Reel: Untitled [Not in CICD from this recording; version of The Humours of Westport]
59. Reel: The Flogging Reel [Not in CICD from this recording]
60. Reel: Untitled [Not in CICD from this recording; The Old 'Wheels of the World' (DMWC, # 56)]
61. Reel: The Hunter's Purse / An Sceach / Maire Ni Luachra's Reel / Maire Ni Dhonaill [Not in CICD from this recording]
62. Jig: The Humours of Ennistymon / Coppers and Brass [Not in CICD from this recording]
63. Reel: The Moving Bog / Miss Wallace / The Upper Room [Not in CICD from this recording]
64. Jig: Untitled [Not in CICD from this recording; The Kinnegad Slashers (DMI, # 148)]
65. Speech with Music Demonstration: Untitled [BB questions MR about his technique and ornamentation; to demonstrate, MR plays the reels Jenny Picking Cockles and The Concertina Reel, and the jig Donall na Greine]
66. Reel: Bonny Kate [Not in CICD from this recording]
67. Speech, Untitled [Words in Irish to the jig Paidin O Raifeartaigh and to other tunes, including Slainte an Bristin Leathair and The Blackthorn Stick; information about MR's mother, Annie Moloney, a concertina player; words she had to The Blackthorn Stick]
68. Jig, Air: The Blackthorn Stick [CICD 1176.11 (not from this recording); The Maid at the Well (DMI, # 24)], The Blackthorn Stick / Buachaill on Eirne
69. Reel: The Fermoy Lasses [CICD 3945.11 (not from this recording); DMI, # 573]
70. Reel: Toss the Feathers (the old way) [CICD 3630.11 (not from this recording); incomplete] [END OF BAND TWO]