Fonds BBR-18712 - Breandán Breathnach Collection

Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 1 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 2 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 3 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 4 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 5 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 6 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 7 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 8 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 9 Breandán Breathnach Collection. Reel-to-Reel 214 [sound recording] / [various performers]. Track 10
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Zone d'identification

Cote

BBR-18712

Titre

Breandán Breathnach Collection

Date(s)

  • 1911 - 1985 (Production)
  • 1911-1982 (Production)

Niveau de description

Fonds

Étendue matérielle et support

100 boxes

Zone du contexte

Nom du producteur

(1912-1985)

Notice biographique

Breandán Breathnach was born in The Liberties area of Dublin on 1 April 1912. His father Pádraig Walsh, was the last of the Dublin silk weavers and his mother Julia Parker died when Breandán was young.

From an early age he acquired an interest in the Irish language and Irish music from his father and Uncle Joe. He began playing music on the highland pipes, at an early age, and eventually took up his uncle’s uilleann pipes, this change of instrument brought him in contact with John Potts and the Potts family. Originally from Wexford, the Potts, who now lived in The Coombe, were steeped in the piping traditions of the previous century. This friendship began his lifelong love and passion for the uilleann pipes. Among some of Breathnach’s early uilleann pipe teachers were Billy Andrews, Brother Gildas (Ó Sé, Pádraig, ? 1881-1960) and Leo Rowsome (Rowsome, Leo, 1903-1970). Breandán was educated by the Christian Brothers in Synge Street and entered the Civil Service in 1930 where he served in the Departments of Posts and Telegraphs, Finance, Education and Agriculture.

Breathnach devoted his spare time to the study of Irish music. He actively sought out musicians in 1950s Dublin and noted down tunes they were playing. Since his marriage to Lena Donnellan from Mullagh, Co. Clare in 1943, he had also been in contact with Clare musicians like Willie Clancy (Clancy, Willie, 1918-1973) and Seán Reid (Reid, Seán, 1907-1978). As a result of this collecting work, he published his first collection of Irish music Ceol rince na hÉireann in 1963. Lifelong research of manuscript, printed and recording sources for Irish music lead to four more publications in this series. Ceol rince na hÉireann II & III were published in 1976 and 1985. After his death in 1985, two more volumes, edited by Jackie Small, were published in 1996 and 1999.

In 1964 Breathnach was seconded from the Department of Agriculture to the Department of Education to undertake the task of making a complete collection of Irish traditional dance music. In 1972 Breathnach succeeded in establishing a national archive of Irish folk music within this department and in 1974 the archive transferred to the Department of Irish Folklore in University College, Dublin where he became Director of Irish Folk Music. He retired from UCD in 1977. The foundation of the Irish Traditional Music Archive was the Breandán Breathnach Collection, which was donated by his family after his death.

Breathnach was involved with many Irish music organisations, including Comhaltas Ceoltóirí Éireann, where he served for a period as Assistant Secretary. He was a founder-member of Na Píobairí Uilleann, along with Seán Reid and others, and was the organisation’s chairman from 1968 until his death in 1985. He was involved with the Willie Clancy Summer School, a founder-member in 1971 of the Folk Music Society of Ireland and also co-edited its journal Irish folk music studies Éigse cheol tíre. He lectured in Irish music in Trinity College Dublin and was a member of the Arts Council.

He contributed to many publications including the Encyclopedia of Ireland (1966), the New Grove dictionary of music and musicians (1981). As well as the previously mentioned Ceol rince series. He published a handbook on Irish music entitled Folk music and dances of Ireland in 1971 and Ceol agus Rince na hÉireann was published posthumously in 1989. In 1963 he began publishing Ceol: a journal of Irish music which continued to be produced by him for twenty two years. He edited and contributed to An Píobaire, the bulletin of Na Píobairí Uilleann from 1969 until his death in 1985.

Histoire archivistique

This fonds forms part of a larger collection of material, sound recordings, printed items, photographs, etc., which was deposited in trust to the Irish Traditional Music Archive (ITMA) by the Breathnach Family in August 1987 until July 1989 when the position of the collection was to be reconsidered. The date of July 1989 given for reconsideration arises from the fact that the Archive was at that time only a two-year pilot project funded by the Arts Council. When the Archive's future was made more certain the Collection was felt to be safe and a formal letter of deposit from Breandán Breathnach's literary executor, his daughter Eibhlín Bhreathnach, was issued to ITMA.

Source immédiate d'acquisition ou de transfert

Zone du contenu et de la structure

Portée et contenu

These fonds were largely created by Breandán Breathnach while he was chairman of the uilleann piping society, Na Píobairí Uilleann, from its establishment in 1968, right through the 1970s and into the early 1980s. The majority of the material dates from the decade 1968-1978. The first series contains letters from Francis O'Neill (O'Neill, Francis, 1848-1936) to William Halpin and letters from various individuals to Seán Reid (Reid, Seán, 1907-1978), mostly dating from the 1930s. It is most likely that the Seán Reid and Francis O'Neill letters were purchased by, or donated to, Breandán Breathnach in 1973 by Seán Reid after a request by Breathnach to deposit the originals in his newly established 'National Archives'. Breathnach wrote 'I am making so bold as to suggest you should donate these & other papers you might have to the National Archives new established in this Department or perhaps you would not mind offering them for sale' (M/187/3/3/2, 30 Oct 1973). These fonds also contain papers relating to Seán Ó Riada (Ó Riada, Seán, 1931-1971) from Len Clifford who seemed to be acting as an agent for ÓRiada during the early 1970s. It is not known how Breathnach came to be in possession of these papers, it is most likely that they were given to him as part of his national music archive project. The last series in this collection relates to the organisation Na Píobairí Uilleann. It includes correspondence and papers of a financial and administrative nature, as well as, documents relating to the organisation's various activities i.e. exhibitions, concerts, and pipe making.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

The creator's original file structure has largely been maintained where possible, papers which were in labelled files have remained intact. In some instances files have been chronologically subdivided for ease of access. The fonds have been arranged chronologically into three series: Seán Reid, Len Clifford and Na Píobairí Uilleann. The first series has been divided into one subseries and the third series has been further subdivided into three subseries: administration, activities and correspondence.

Zone des conditions d'accès et d'utilisation

Conditions d’accès

Conditions de reproduction

In copyright

Langue des documents

  • anglais
  • irlandais

Écriture des documents

Notes de langue et graphie

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Descriptive Catalogue

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

The Seán Reid Collection, which includes papers from the early years of Na Píobairí Uilleann, is held at Na Píobairí Uilleann Archive, 15 Henrietta Street, Dublin 2

The Sean ÓRiada Collection /Bailiúchán Sheáin Uí Riada is held at UCC Archives, IE BL/PP/OR

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

AIP UUID

73c2b8ce-f3f5-4367-84b2-d10c378cd178

Mots-clés

Mots-clés - Lieux

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

ITMA IE

Règles et/ou conventions utilisées

ISAD(G): General International Standard Archival Description. 2 nd ed. Ottawa: International Council on Archives, 2000.
Irish Guidelines for Archival Description. Ireland: Society of Archivists, 2009
Anglo-American cataloguing rules. 2nd ed., 1988 revision. Ottawa : Chicago: Canadian Library Association.

Statut

Niveau de détail

Moyen

Dates de production, de révision, de suppression

Finding aid prepared November 2016

Langue(s)

  • anglais

Écriture(s)

Sources

Fintan Vallely, ed., The companion to Irish traditional music. 2nd ed. Cork University Press, 2011

Nicholas Carolan, 'Breandán Breathnach (1912-1985)' in Ceol: a journal of Irish music Vol 8, nos 1-2 (1986)

Note de l'archiviste

Catalogue compiled by Maeve Gebruers. The cataloguing of the Breathnach collection is on-going. This catalogue record does not yet describe the entire Breathnach collection at ITMA.

Zone des entrées