Collection JOBM-18671 - Jimmy O'Brien Moran Collection

Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 1 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 2 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 3 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 4 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 5 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 6 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 7 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 8 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 9 Jimmy O'Brien-Moran Collection. Reel-to-Reel 1 [sound recording] / [various performers]. Track 10
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Identity area

Reference code

JOBM-18671

Title

Jimmy O'Brien Moran Collection

Date(s)

Level of description

Collection

Extent and medium

1 box

Context area

Name of creator

(b. 1957-)

Biographical history

O’Brien-Moran, Jimmy. (1957-). Uilleann pipes, saxophone. Born at Tramore, Co. Waterford, his interest in Irish music, and piping especially, was awakened through Planxty, whose sleeve notes prompted his listening to Séamus Ennis and Willie Clancy. At age seventeen he began playing on a Matt Kiernan chanter and homemade bag and bellows. Lessons from Tommy Kearney, tips from Donncha Ó Maidín and Pat Mitchell’s classes at the Willie Clancy Summer School in 1975 and 1976, at Liam O’Flynn’s in 1977, all developed his playing, placing him on The Piper’s Rock showcase album of young pipers in 1977. He played pipes, whistle and saxophone with Scullion 1979–80 and also played saxophone in a ten-piece dance band for several years. Having worked in the jewellery trade for a number of years he took a music degree in 1992 and now lectures at WIT. His PhD research at UL concerned Galway piper Paddy Conneely; he was Fulbright visiting professor at Boston College in 2008. He plays a pre-1825 Colgan B set, this ‘loaned for life’ by the late Seán Reid. He played at the Sense of Ireland festival in London in 1980 and at the French 1996 l’Imaginaire Irlandais festival, has toured Europe, and USA and New Zealand. He gives workshops, lectures and writes in the field of piping. His solo cd entitled Seán Reid’s Favourite was released in 1996.

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

tbc

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Users may not have access to original recordings, but may access digital surrogate onsite at ITMA, 73 Merrion Square.

Conditions governing reproduction

In copyright

Language of material

  • English
  • Irish

Script of material

Language and script notes

Physical characteristics and technical requirements

Finding aids

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Notes area

Alternative identifier(s)

Access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

IE ITMA

Rules and/or conventions used

ISAD(G): General International Standard Archival Description. 2 nd ed. Ottawa: International Council on Archives, 2000.
Irish Guidelines for Archival Description. Ireland: Society of Archivists, 2009
Anglo-American cataloguing rules. 2nd ed., 1988 revision. Ottawa : Chicago: Canadian Library Association.

Status

Level of detail

Partial

Dates of creation revision deletion

Language(s)

  • English

Script(s)

Sources

Fintan Vallely, ed., The companion to Irish traditional music. 2nd ed. Cork University Press, 2011

Accession area

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