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Archival description
Ireland: Speech in English Video With digital objects
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The Road to Lough Swilly : a new composition for the uilleann pipes [videorecording] / [various performers]

Performers:
Track listings refer to the CDR dubs of the DVCAM soundtrack
Potts, Sean, Dublin, compere, speech in English, track 1, 3, 5, 10, B1, speech in Irish, track 1
Brady, Dr Ciaran, lecture in English, track 2 (sometimes off-mic)
O'Briain, Micheal, Dublin, speech in English, track 4, B3, pipes solo, track 4, B4, pipes in duet with voice, track 11
O'Connor, Liam, Dublin, fiddle in duet, track 6-9, speech in English, track 7, 9
McKeon, Conor, Dublin, speech in English, track 5-6, 8, pipes in duet, track 6-9
Holohan, Gabrielle, Dublin, singing in Irish in duet, track 11
Holohan, Michael, Dublin, speech in English B2

Running Order:
1. Speech: Introduction to the night's events and Dr Ciaran Brady
2. Lecture: The Battle of Kinsale, 24 December 1601, a brief historical account
3. Speech/Tuning: Introduction to Micheal O'Briain
4. Speech/Descriptive Piece: The Road to Lough Swilly (comp. Michael Holohan): Introduction - The Cuckoo, The Rascal Horseboy (The Young Hugh) - Reel, The Queen's Pageant (at the Earl of Leicester's, Kenilworth) - Court dance, Lament for the Earl of Desmond (d. 1583) - Air, Mabel Bagenal (The elopment, 1591) - Hornpipe, The Yellow Ford (1598) - March in Jig-time, (a) The Running Beast - Descriptive piece, (b) O'Donnell's March (Sliabh Phelim) - March, (c) The Battle of Kinsale (24th Dec. 1601) - Descriptive piece, The Broken Stone (After the Battle) - Air, The Submission (Mellifont 1603) - Air, The Flight of the Earls (Lough Swilly 1607) - Slip-jig
5. Speech/Tuning: Introduction to Conor McKeon and Liam O'Connor
6. Tuning/Speech/Jigs: Jackson's Morning Brush, Dunkin's
7. Speech/Reels: Dispute at the Crossroads, Untitled
8. Speech/Hop Jigs: Untitled, Dusty Miller
9. Speech/Planxty/Reels: Planxty O'Connor, Miss Ramsey, The Dublin Reel
10. Speech/Tuning: Introduction to Gabrielle Holohan and Micheal O'Briain
11. Song: Ar nAthair (arr. Michael Holohan) [recording continued on CDR B]
12. Speech: Overview of Michael Holohan's composition and introduction to Michael Holohan
13. Speech: Michael Holohan gives an overview of the process of writing the piece
14. Speech: Thanks from Micheal O'Briain
15. Despriptive Piece: The Road to Lough Swilly
16. Speech: final thanks [end of DAT]

Launch of Amhráin Ghrá CD ; Launch of The Companion to Irish Traditional Music, 2nd ed. [videorecording] / Nicholas Carolan ; Fintan Vallely ; [various performe

Performers:
Carolan, Nicholas, Louth/Dublin, speech in English, speech in Irish [CD and book]
Vallely, Fintan, Armagh, speech in English [book]
Cronin, Michael, speech in English [book]
Ó Casaide, Odhrán, fiddle
Unidentified, pipes
Unidentified, flute
Unidentified, bodhran

Running Order:
1. Speech: Launch of 'Amhrain Ghrá' by Nicholas Carolan
2. Speech: Introduction to 'Companion to Irish traditional music, 2nd ed.' by Fintan Vallely
3. Speech: Launch of 'Companion to Irish traditional music, 2nd ed.' by Nicholas Carolan and Professor Michael Cronin.

Interview and performance in Des Garvin's house [videorecording] / John McGirr ; Des Garvin ; Nicholas Carolan

Performers:
McGirr, John, Belfast, fiddle, speech in English
Carolan, Nicholas, speech in English
Garvin, Des, accordion, speech in English
Garvin, Brian, fiddle, speech in English
Garvin, Daire, fiddle

Running Order:
1. Reels: The Woman of the House, Dan Breen's Reel, Greig's Pipes
2. Reels: The Tarbolton, The Sailor's Bonnet, The Longford Collector

Interview with Raymond Deane about Seachanges [videorecording] / Michael Dungan ; Raymond Deane

Performers:
Dungan, Michael, interview in English, track 1-14
Deane, Raymond, speech in English, track 1-14

Running Order:
1. Speech: anti-establishment, being on the Leaving Certificate
2. Speech: suitability of `seachanges' for an introduction to contemporary classical music
3. Speech: the trilogy being an irreverant view of death
4. Speech: resonances with earlier music
5. Speech: influences
6. Speech: suggested further listening
7. Speech: origins of the piece
8. Speech: focus on the micro-structure of the piece
9. Speech: the musical language of young people
10. Speech: view on music education in Ireland
11. Speech: suggested listening outside of `seachanges'
12. Speech: music in Raymond's teenage life
13. Speech: the background of the piece
14. Speech: organic nature of the piece [END OF DAT]

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