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A selection of digitised books from the library collection of the Irish Traditional Music Archive.

Copy of a handwritten music and song manuscript compiled by Andrew Mac Intyre in Co. Donegal in the 1920s and 1940s from local musicians including a "Mr Kelly in Killybegs, Stationmaster, Lifford", a "B. Quinn, Castlefin" and a "Dilla Mac Intyre" who was Andrew's daughter. Also included is a handwritten letter from Eamon Mac Intyre with biographical information about his paternal grandfather Andrew Mac Intyre.

Handwritten music manuscripts, music tablature manuscripts and an imperfect printed fiddle tutor. Some of the music tablature is written in the hand of Pádraig O'Keeffe and other music notation is written either by Dáibhí Ó Cróinín's father or uncle. More information to follow from Dáibhí once digitised versions of the manuscripts are shared with him.

This collection of sound recordings is a unique taste of post-war Irish traditional music in New York, with leading players including Andy McGann, Paddy Reynolds and Larry Redican, concertina music from Charlie Mulvihill and family sessions with Charlie and his son Tommy (fiddle) and daughter Geraldine (piano).

This collection was created by Derek Bell during his lifetime. The majority of the papers and audio visual collection date from the late 1960s to the late 1990s. There are some papers relating to Bell's early music education in London's Royal College of Music and Trinity College Dublin but the vast majority of materials date from his professional music career. The papers cover Bell's time with the City of Belfast Orchestra and the BBC Northern Ireland Orchestra. His international career as a solo musician, recording artist, composer and his long career with the Irish music group The Chieftains are very well documented in this collection. Derek Bell's interest in Irish music, ethnic music from Bulgaria, Romania, Hungary and South America and classical harp music are also evident in the collection. His interest in the relationship between music, mysticism and meditation is reflected both in his papers and his audio visual collection. The first series contains personal papers which include: music papers relating to education, teaching and musical instruments; financial documents; religious papers relating to the guru Gideon Fontalba and the spiritual organisation the Self Realization Fellowship; papers relating to family history; and papers gathered by his widow Stefanie Bell after his death in 2002. Correspondence with family, friends, music publishers, music librarians, musicians and business related correspondence can be found in the second series of this collection. The third series contains papers collected by Bell during his time as a working musician both as a solo and orchestral artist and with The Chieftains. Included in this series are invitations from individuals and organisations to Bell to perform as well as rehearsal schedules, performance related ephemera, reviews, articles, promotional material, tour schedules and awards and certificates. The final two series in this collection contain photographs of Bell and The Chieftains and audio visual material. This material includes Bell's solo recordings as well as The Chieftains many albums. Also included in the audio collection are ethnic music recordings from around the world.

The collection contains music manuscripts, photographs, slides, lecture scripts, diaries, music arrangements (mostly for the Irish harp), research notes, ephemera, artefacts, and commercial & non-commercial sound recordings. A large number of books also form part of this collection.

Collection of reel-to-reel sound recordings made on trips to Ireland by the Armagh-born, New York-based musician Louis Quinn.

Collection of audio recordings, personal papers, manuscripts, ephemera, music transcriptions and notation, news cuttings and photographs, relating to the life and work of the collector Hugh Shields. The sound recordings were made chiefly across Ulster in the period 1966–81.