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Derek Bell Collection
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Audio / Audiovisual Material

Series comprises commercial and non-commercial audio material on vinyl, reel-to-reel tape, tape cassettes, DAT tapes. This audio material reflects Derek Bell’s music interests, his solo music career as well as his career with The Chieftains. Many of his published albums are in this series, along with pre-publication and demo copies of the same albums. There are recordings of interviews with Bell both on radio and television and video footage of various television appearances. There are also audio recordings of a number of Bell’s solo performances as well as performances with The Chieftains. Two documentaries made by Alan Tongue about Derek Bell in 1977 and 1988 are also in this series. Bell’s interest in mysticism and ethnic music is reflected throughout his audio collection.

Vinyl Records

LPs include Medley es flog ein kleins waldvogelein (1956); Harpe Indienne du Paraguay (1956); Mo cheol thú (1956); Benno Moiseiwitsch (1957); Spring tide (1957); Les Chants Et Danses Des Républiques Soviétiques (1958); Tance Slaskie: Kapella ludowa Rozglosni Slaskiej (1959); Tarybų Lietuva = Советская Литва (1959); Songs of my heart (1960); Newfoundland fiddler (1960); Liam O'Flaherty reads The ecstasy of Angus (1961); [Non-commercial LP] (1961); Reisebüro atla s (record 2) (1961); The week before Easter (1961); The playboy of the western world (1962) [two copies]; The world of so(koto) (1962); The Chieftains 1 (1962); Gypsy romance (1963); Folksongs and dances of Armenia and the Caucasus (1963); Centro Qosqo del Arte Nativo, volumen 2 (1963); A harpa e a cristandade (1963); Music folklorique du monde: Hongrie (1964); Folk music of Rumania (1964); Salzburger tanzmusick (1965); Ann's harp (1965); Rasa (1965); A bit of Ireland (1966); Hungarian folk songs (1966); The Chieftains 8 (1967); Slovenské l'udové piesne (1967); Ansamblul "perinita" (1968); Boil the breakfast early : The Chieftains 9 (1968); The drones and the chanters : Irish pipering (1968); Music of Bolivia (1968); The Budapest gipsies (1968); Hungarian folk songs (1968); Bucharest by night (1968); Sonatas / Francis Poulenc (1968); The Chieftains. 2 (1969); Music for meditation, volume 2 (1969); Hungarian folk songs (1969); Irish folk songs 2 (1969); The legacy of Michael Coleman (1969); Paraguayan harp (1969); Songs and music of Tibet (1970); The Chieftains 4 (1970); Live for Ireland [Disk 1] (1970); Ballad of the Irish horse / The Chieftains (1970); Legendary music of the Andes (1970); The forty minute raga (1970); Spring in the air (1970); Na ceirníní 45 (1970); Cymbalo solos (1971); The Chieftains 7 (1971); A musical anthology of the Orient Viet-nam 1 (1971); Mooncoin (1971); Conversa-Phone's Round-The-World Hungarian Language Record Course (1971); Music of India (1971); Tin whistles (1971); Sounds from Rumania (1971); Azerbaijanian folk melodies (1972); Music from Hungary (1972); Voice of the Xtabay (1972); Rumanian folk songs and dances (1972); 8 - Les Copains D'Abord (1972); An appointment with W.B. Yeats (1972); Bretagne (1973); A primasok primasa / Sandor Lakatos (1973); Ó Riada (1973); Heyrðu - Lög Með Vísnavinum (1973); Janos Nemeth Cymbalo (1973); Songs of the Isles (1973); Plkeloiden Parhaat (1974); Chorus and Orchestra of the Hungarian State Folk Ensemble (1974); Reisebüro atlas (record 1) (1974); Bravo dingo! (1974); Muzică Populară Din Oltenia Și Muntenia (1974); The world of Christmas music (1974); Flutes, harpes et guitares Indiennes (1974); Kantele of Finland (1974); The Chieftains 5 (1975); Carolan's receipt (1975) [two copies]; Gusty's frolicks / Seán Keane (1975); Songs of my heart (1975); Chants and prayers (1975); [unidentified Japanese script] (1975); Black & White Piano Ragtime (1975); Rumanian wedding (1975); Brabantse volksmuzie (1975); Panpipes of Rumania (1975); Matt Molloy (1976); Bretagne (1976); Het Brabants Volksorkest – Volksmuziek Uit Brabant en de Kempen - Musique popuaire du Brabant et de la campine (1976); Three Swedish fiddlers (1976); Muzica populara Transilvaneana (1976); The star-spangled Molly (1976); Symphonic music of Rumania (1976); Music from the soundtrack of Barry Lyndon (1976); Cymbalo recital (1976); The Chieftains 7 (1977); Little criminals / Randy Newman (1977); Colm Gallagher plays "The dove" (1977); Seán Keane (1977); The gypsy princess (1977); Gypsy caravan (1977); Bonaparte's retreat / The Chieftains (1977); George Brassens sings of the birds & the bees… (1977); More path rent (1977); The tailor of Gloucester (1978); Cymbalo solos (1978); God first (1978); К ыргыздын Элдик Ырлары Жана Күүлөрү = Kirghiz folk songs and melodies (1978); Music for meditation, volume 1 (1978); Irish rhythms (1978); James Galway and The Chieftains in Ireland (1978); Raga Desi (1978); Virtuoso cymbalo and clarinet solos (1978); The Chieftains. 2 (1979); The Chieftains live (1979); The Chieftains 4 (1979); National (1979); Matt Molloy (1980); Virtuosi of the cymbalo (1980); The Chieftains 10 : cotton-eyed Joe (1980); Sean Keane (1981); Barere - complete edition (1981); Gheorghe Zamfir (1981); Fănică Luca (1981); Traditional Norwegian fiddle music (1981); Bootleg (1981); Na ca'l fuau (1981); L'alouette (1981); Medley es flog ein kleins waldvogelein (1981); North India instrumental music : Vina, Vichitra Vina, Sarod, Shahnai (1981); Sail away / Randy Newman (1981); The year of the French / The Chieftains (1982); Medley es flog ein kleins waldvogelein (1982); [unidentified Arabic script] (1982); Songs of Korea (1982); Javanese court gamelan from the Pura Paku Alaman, Jogyakarta (1982); Romanian folk dan ces (1982); From sinding to swing (1983) [two copies]; Alfredo Rolando Ortiz in concert. Vol. 3 (1983); Hei-Fara! (1983); Claddagh's choice (1984); The music of India (1984); Gheorghe Zamfir (1984); Cymbalo recital / Aladár Rácz (1985); Flautovy recital (1985); The Chieftains 10 (1985); Derek Bell's musical Ireland (1986); Chants and prayers (1987); Folk music of Bulgaria (1987); Arpa del Ande (1988); U-vox (1988); Live for Ireland [Disk 2] (1999); Conversa-Phone's round-the-world Swedish language record course (1962?); The tailor of Gloucester (1988?); Ansamblul "perinita" (n.d.); Janos Nemeth with folk orchestra (n.d.); Colm Gallagher plays "The dove" (n.d.); Chants and prayers (n.d.); Janos Nemeth with folk orchestra (n.d.); Ciocirlia: the famous Romanian folklore ensemble (n.d.); Slow airs and set dances / Eugene O'Donnell (n.d.); Cymbalo recital Aladár Rácz (n.d.); Old Hungarian songs / Régi Nóták (n.d.); Classic recordings of Scottish fiddling (n.d.); Kashmir : traditional songs and dances (n.d.); Music of India - Rāgas and Tālas / Ravi Shankar with Alla Rakha (n.d.); Wedding at Ecser / Ecseri Lakodalmas (n.d.); Folk music of Hungar y (n.d.); Os grandes sucessos da harpa paraguaia (n.d.); Gyps y (n.d.); Toni Lordache (n.d.); Hippy hangover and Thinking about the sun (n.d.); Mná na hÉireann and the morning dew (n.d.); Valiha de la cote est (n.d.); Alan Stivell reflects (n.d.); Orthodox Slavonic liturgy (n.d.); Folksongs and dances of Rumania (n.d.); Selected folk songs and dances (n.d.); Magic music from south India with Balachander (n.d.); Play, gypsy (n.d.); From Ireland, Scotland and Wales (n.d.); Golden rain (n.d.); Gamelan Semar Pegulingan (n.d.); Sahlstroms-Stanman i vendel (n.d.); Tabula rasa (n.d.); Les instruments folkloriques Roumains (n.d.); Muzica populara Moldoveneasca (n.d.); Douce amère = Bitter sweet (n.d.); Rapsodia Romina (n.d.); The harp key = Crann nan teud (n.d.); Varteikn (n.d.); Féidhlim Tonn Rí's castle (n.d.); És Zenekara Játszik / Lakatos Sándor (n.d.); L'Eblouissant virtuose du cymbalum (n.d.); Sarod (n.d.); Ustad ali akbar khan (n.d.); Music for solo harpsichord (n.d.).

Tape Cassettes

Commercial and non-commercial tape cassette. Includes recordings of Derek Bell and The Chieftains; a 3 tape cassette publication of The Chieftains: the authorized biography by John Glatt, narrated by Nanci Griffith (1999); various recordings relating to music and mysticism; recordings sent to Derek Bell of other artists including a recording of Irish fiddle player Sean Maguire in the Clare Folk Club (11 Jul 1978) and a recording of Sean Maguire and Josephine Keegan in the Shetlands (n.d.); radio interviews with Derek Bell and The Chieftains; demo tapes; recordings of lectures; recordings of various artists which have recorded with The Chieftains including Mark Knopfler, Van Morrison, Midge Ure; recordings of Derek Bell’s compositions; and recordings of folk music from around the world including Folksongs from Rumania (n.d.)

Oboe, Cimbalom and Heckelphone

Includes original and photocopied letters from Liya and Elise ? to Derek Bell and John Leach about the manufacture and purchase of a cimbalom (2 May 1974); Hungarian cimbalom catalogue (27 Feb 1996); photograph of a cimbalom; typescript of an article ‘The heckelphones’ (Oct 1998); typescript of an article by Michael Finkelman ‘The bass oboe’ (Oct 1998); letter from Gildas Jaffrennou, Ploeren, France to Derek Bell which includes the article ‘The Celtic hammered dulcimer’ (22 July 1994); and a handwritten article by Derek Bell ‘The tiompán in ancient Ireland’.

Correspondence

Includes personal and business related correspondence. The majority of correspondence pertains to music in some way with many references to Derek Bell’s performances, concerts, musical appointments, recordings, radio and television appearances, tours, awards as well as his work with The Chieftains. Some letters are personal in nature, for example those from his parents, sister, Deirdre Bell, and wife, Stefanie Bell and various nieces and nephews. The letters are organised by date, undated letter are placed at the end of each file.

Correspondence with Music Publishers and Music Librarians

Original typed and handwritten letters from various music publishers, music sellers, instrument makers and music librarians to Derek Bell. Two addresses listed for Bell are CEMA [the Council for the Encouragement of Music and the Arts, Northern Ireland], Tyrone House, Ormeau Avenue, Belfast (29 Oct 1957) and BBC Orchestra, Ormeau Ave, Belfast (28 Jan 1972) as well as various private addresses. Letters refer to the supply of sheet music, music books, musical instruments and reeds. Includes letters from Harry Baker, The Oboists’ Music Lending Library, Kent, England; Anthony Wright, Mills Music Publishers, London, England; B. A. Hiscoke, Schott Music Publishers; Síle O’Tierney, Music Librarian, Trinity College Library, Dublin; John Dowd, Musica Obscura, Chicago Illinois, United States of America; Adrian WIlliam, London, England; Edwin A. Moon, London, England; Richard Schauer, Music Publishers & Exporters, London, England; Mikki Henry, International Music Service, New York; William Ring, Howarth of London, England; Severo M. Ornstein, California; The Sorabji Archive, Bath, England; Claire Brown, Kevin Mayhew Publishers, Suffolk, England; Harvey Taylor, Edgar Backus, Leicester, England; Ken Freeman, Harpcraft, Surrey, England; Lark in the Morning, California, United States of America; Lewis Foreman, Hertfordshire, England.

Correspondence with Musicians

Original typed and handwritten letters from various musicians to Derek Bell. Includes letters from Raymond Warren, Professor of Music, Queen’s University of Belfast; Roslyn Rensch Erbes, Terre Hante, Indiana, United States of America who references various harp teachers including Edmund Schuecker and Rensch’s own teacher Alberto Salvi, she also discusses the music of [Elias] Parish-Alvars (19 Dec 1971); Peadar [Mercier] who includes a limerick which he has written about Bell; The Rt. Hon. The Lord Dunleath, Newtownards, Co Down writes about F. A. Haughton a ‘lecturer in piano-playing, harmony and theory at the Belfast School of Music’ and Bell’s request that Haughton’s name be put forward for an honours recommendation; also includes illustrated letters from a German harp player, Theodor Menzel, Augsburg, Germany; letters from composer Patrick [Piggott] who writes about working on his most recent compositions The quest a ‘work for piano & orchestra’ and a ‘2nd Rhapsody for unaccompanied cello’. There is also a reference to the pianist John O’Connor’s recordings of John Field’s concertos (2 April 1986); letters from Liam Ó Conchubhair, Dublin; Alfredo Rolando Ortiz, Corona, California, United States of America (18 September 1980); Sir Malcolm Arnold, Attleborough, Norfolk, England; Robin Lough, London, England; Fionnuala Sherry, Dublin; De Wayne Fulton, California, United States of America; Lindsay Armstrong, Dublin; Paul H. Hurst, California, United States of America; Kathy Garfunkel; Fran O’Rourke, Dublin; oboist, Rheta Smith; Jim Gardner, Auckland, New Zealand; John Dowd, New Hampshire, United States of America; Frances Ball, Ealing, London, England; David Miller, Oregon Symphony, Portland, Oregon, United States of America; Paddy Moloney, Dublin; and an undated letter from Derek Bell to Leslie ? with a detailed biographical note about Welsh harpist John Thomas.
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