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Aidan O'Hara Collection. Reel-to-Reel 36 [sound recording] / [various performers]

Performers:
O'Hara, Aidan, speech in English A1-6;
Hammond, Davy, Belfast, speech in English A1-6, singing in English A3, 6

Running Order:
1. Speech [revival folk music in Northern Ireland, its distinctiveness, song themes and language, sparse melodic line] / Davy Hammond, speech in English
2. Speech [talking to Seamus Ennis about music in Northern Ireland, Scottish and English influence on song, example showing the influence of Scotland on Northern Irish song is The Maid of Ballydoo] / Davy Hammond, speech in English
3. The maid of Ballydoo, song ; speech [song origins] / Davy Hammond, singing in English, speech in English
4. Speech [collecting, the poet Jimmy Simmons, Poor Genius record company, John Doherty, Sarah Makem, Geordie Hannah, Ulster heritage, Belfast - 'the Athens of the North', Edward Bunting and collecting harpers, The Country Folk Four, Trevor Stewart] / Davy Hammond, speech in English
5. Speech [young people becoming interested in music and culture in Northern Ireland, ] / Davy Hammond, speech in English
6. The week before Easter (I once loved a lass), song / Davy Hammond, singing in English [END OF STEREO BANDS]

Aidan O'Hara Collection. Reel-to-Reel 83 [sound recording] / [various performers]

Performers:
The beginning portion of this reel is a copy of the end portion of 945-ITMA-REEL;
O'Boyle, Sean, speech in English A1-2;
O'Hara, Aidan, incidental speech in English throughout;
Steele, Mr, speech in English A3-9

Running Order:
1. Speech [song types continued from AOH Reel 82 (945a-REEL/CDR)] / Aidan O’Hara, speech in English ; Sean O’Boyle, speech in English
2. Speech [the value of traditional song to contemporary generations] / Aidan O’Hara, speech in English ; Sean O’Boyle, speech in English
3. Speech [the Troubles effect on school children] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English
4. Speech [changes in the approach to teaching children of the troubles] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English
5. Speech [contact between school and home] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English
6. Speech [his philosophy on teaching and how it has changed over the years, adult education] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English
7. Speech [the effect of having adult learners in the school, young people's view on education] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English
8. Speech [changes that Mr. Steele would like to see] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English
9. Speech [school broadcasts] / Aidan O’Hara, speech in English ; Mr. Steele, speech in English [END OF STEREO BANDS]

Breandán Breathnach Collection. Reel-to-Reel 278 [sound recording] / [various performers]

Performers:
Maguire, Johnnie / Maguire, Johnny, Cavan / Belfast, whistle solo A1–6, 8;
whistle in duet 11–12;
flute solo A10;
speech in English A7 and throughout tracks A1–12;
O'Donnell, Brian, Belfast, speech in English A7, 9;
Mulqueeny, Jim, Clare, fiddle solo A13, 33–37;
B8, 10–27, 29–32, 35–40, 42–43, 45–47;
speech in English B9, 28, 41;
Unidentified performer, fiddle solo A14–15;
Unidentified performer, accordion solo A16;
Russell, Micho, Clare, flute solo A17–22, 30–32;
whistle A38–39;
White, Aggie, Galway, fiddle in duet A23–25;
fiddle solo A26–29;
Farrell, Pat, Longford, fiddle in duet A40–50;
Hanley, Jim, Longford, fiddle in duet A40–50;
Hanley, Peter / Henley, Peter, Longford (?), pipes A51–52;
Unidentified performer(s), fiddle A51–52;
Ward, Jimmie / Ward, Jim, Clare, whistle solo B1–6, 33–37, 40;
whistling solo B7;
speech in English B8 to end;
Breathnach, Breandan, Dublin, speech in English B41, 44 and throughout all B tracks;
speech in Irish B44;
Unidentified performer [Clancy, Willie, Clare], speech in English throughout B8–B47

Running Order:
1. Reel: Untitled [CICD 3124; The Crib of Perches]
2. Reel: Bonnie Nellie [CICD 5489; Sporting Nellie / Sporting Nelly / Sporting Nell]
3. Air: The Strand of Lake Sheelin [As sung by the performer's mother]
4. Reel: Miss Farr [CICD 5164; Miss McGuinness]
5. Reel: The Ravelled Hank of Yarn [CICD 4525, 4526 (from Ceol, vol III, no 1; from this recording?); not the tune of that name recorded by Willie Clancy; note in BB's hand on contents list for this tape says: 'N Donovan' (= Nellie Donovan?); BB gives many titles for this tune in 'The Man and His Music – Johnnie Maguire', Ceol, vol III, no 1; The Ladies Pantalettes]
6. Reel: James McInerney's Reel [CICD 5401 (from 'Ceol'; from this recording?); CICD 5400 (from this recording?); The Cameronian; Pat Ward's Jig; repeated at track 8]
7. Speech: Untitled [Local musicians, including James McInerney, fiddle; McInerney learned his music from his mother]
8. Reel: James McInerney's Reel [CICD 5401 (from 'Ceol'; from this recording?), 5400 (from this recording?); The Cameronian; Pat Ward's Jig; repeat of the tune at track 6]
9. Speech: Untitled [Introduction to the music on the next three tracks, which are dubbings from the speaker's collection]
10. Reel: The Drogheda Maid [Not in CICD? Not the tune of this name on CICD 3001 (ex 'Ceol'); tune name is given on the tape by Brian O'Donnell; tune is preceded by an incomplete reel, possibly The Monaghan Twig]
11. Reel: The Concert Reel / Reynold's Reel [CICD 4841 (from this recording?); Reynolds's Reel / Reynolds' Reel]
12. Reel: Miss Flanagan [CICD 2885; Hand Me down the Tackle / Tom Steele, etc]
13. Reel: Untitled [CICD 5696; 5695 (not from this recording)]
14. Reel: Untitled [Not in CICD from this recording]
15. Reel: Untitled [Not in CICD from this recording; CICD 4365; CRE 2, # 187 (untitled); recorded by the Castle Ceili Band?]
16. Reel: Untitled [Not in CICD from this recording; The Stony Steps / The Stony Step; CRE, # 149]
17. Reel: Carty's Reel / Cassidy's Reel [CICD 4978.11–.12 (both from the recording of which this section of this master tape is a copy?); 4684.11–.13, 4978 (none from this recording); partly composed by Micho Russell; commonly known as Micho Russell's; CRE 2, # 294 (as Carty's Reel from MR; possibly from the recording of which this section of this master tape is a copy)]
18. Jig: The Yellow Wattle [CICD 1828 (from the recording of which this section of this master tape is a copy); 1133.11, 1829 (none from this recording)]
19. Reel: Untitled [CICD 5091.11, 5093 (both from the recording of which this section of this master tape is a copy?); 5084.11–.14, 5091.12–.13, 5096, (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
20. Reel: Untitled [CICD 4347.11, 4348 (both from the recording of which this section of this master tape is a copy?); CRE 2, # 269 (from the recording of which this section of this master tape is a copy; untitled); Mary McMahon (Bulmer & Sharpley, 'Music from Ireland', vol 2)]
21. Reel: The Fairhaired Boy [CICD 5707.11, 5710 (both from the recording of which this section of this master tape is a copy?); CRE 2, # 255 (from this recording)]
22. Jig: Donall na Greine [CICD 756, 757 (both from the recording of which this section of this master tape is a copy); 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from Micho Russell; not from this recording); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (DMI, # 79 – related tune?)]
23. Reels: Untitled [CICD 3800, 3801, 3804 (all from the recording of which this section of this master tape is a copy); O'Connell's Trip to Parliament {CRE 2, # 217(i)}, probably from the recording of which this section of this master tape is a copy (mistake in date reference in CRE 2 notes?)], Maud Miller [CICD 3693 (from the recording of which this section of this master tape is a copy); not the tune of that name recorded by James Morrison]
24. Reels: Untitled [CICD 4380 (from the recording of which this section of this master tape is a copy); CRE 2, # 186 (from the recording of which this section of this master tape is a copy; untitled); Paddy Kelly's (?); composed by Paddy Kelly, fiddle (?)], Miss Thornton's [CICD 3133, 3134 (from the recording of which this section of this master tape is a copy); CRE 2, # 172 (from the recording of which this section of this master tape is a copy)]
25. Reels: Untitled [CICD 5152 (from the recording of which this section of this master tape is a copy); recorded by Hughie Gillespie in 1937 as the first in a selection called 'Master Crowley's Reels'], Summer in Ireland [CICD 3275, 3276 (both from the recording of which this section of this master tape is a copy); CRE 2, # 165 (from the recording of which this section of this master tape is a copy; title 'Dowd's No. 9' is also given / Dowd's Number Nine)]
26. Reel: The Daisy Field [CICD 4544 (from the recording of which this section of this master tape is a copy); DMI, # 538; recorded by Michael Coleman?]
27. Reel: Lady Gordon [CICD 4302 (from the recording of which this section of this master tape is a copy; CRE 5, # 157 (from the recording of which this section of this master tape is a copy)]
28. Jig: Untitled [CICD 1664 (from the recording of which this section of this master tape is a copy); Tonra's; name sometimes garbled as Tony Rowe's; composed by Brendan Tonra]
29. Reel: Untitled [CICD 5743 (from the recording of which this section of this master tape is a copy); The Green Mountain (related tune); tonic note C (usually D); CICD card is written with tonic note D]
30. Reel: The Dunagore Reel [CICD 5610, 5610.12 (both from the recording of which this section of this master tape is a copy?); 5610.11, 5769 (none from this recording); MR's mother played it on the concertina; CRE 2, # 210 and 275 (both from MR; 275 is probably from the recording of which this section of this master tape is a copy, as transcribed on CICD 5610); The Concertina Reel (DMWC, # 72); The Old Concertina Reel]
31. Reel: The Sporting Days of Easter [CICD 3988.14 (from the recording of which this section of this master tape is a copy); 3989 (where reference is made to the recording of which this section of this master tape is a copy); 3988.13 (initially from the recording of which this section of this master tape is a copy, but corrected from another?); 3988.11–.12, (none from this recording); CRE 2, # 281 (from this recording)]
32. Reel: The Dublin Reel [CICD 3101, 3104.11–.12 (all from the recording of which this section of this master tape is a copy?); 3103.11, 3103.12, 3103.14 (none from this recording); standard version (tonic note D); Micho Russell also plays a local version]
33. Reel: The Peeler's Pocket [CICD 5458 (from the recording of which this section of this master tape is a copy?); CRE 2, # 204 (from the recording of which this section of this master tape is a copy)]
34. Reel: Untitled [CICD 3841; The Tap Room; CRE 2, # 292 (untitled, though with many names supplied in Notai i dTaobh na bhFonn); for other performances of this tune, see tracks B18 & 22]
35. Reel: The Rising Sun / Clear the Road [CICD 3443, 3445 (both from the recording of which this section of this master tape is a copy); CRE 2, # 214 (ii), from CICD 3445; for another performance of this tune, see track B23]
36. Reel: The Knotted Cord [CICD 2681 (from the recording of which this section of this master tape is a copy); CRE 2, # 229 (from the recording of which this section of this master tape is a copy)]
37. Jig: Untitled [CICD 2393 (from the recording of which this section of this master tape is a copy); Brosnahin's Frolic (Tunes of the Munster Pipers, # 59); Brosnahan's Frolic]
38. Reel: Untitled [CICD 4772–4772.11 (both from the recording of which this section of this master tape is a copy?); 4772.12–4772.13 (none from this recording); The Rainy Day]
39. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 5018, 5018.11 (both from the recording of which this section of this master tape is a copy?); 4995.11–4995.12, 5016, 5017, 5018.12 (none from this recording); CRE 2, # 225 (from the recording of which this section of this master tape is a copy); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
40. Reel: Untitled [CICD 4405 (from the recording of which this section of this master tape is a copy); Bonnie Ann / Bonny Ann; CRE 3, # 150]
41. Reel: Bonny Ann [CICD 2961 (from the recording of which this section of this master tape is a copy); Bonny Anne]
42. Reel: The Highland Merritor [CICD 4928 (from the recording of which this section of this master tape is a copy)]
43. Reel: Old Girls of Our Town [CICD 5952.11 (from the recording of which this section of this master tape is a copy?)]
44. Reel: The New Line to Loughawn [CICD 2994 (from the recording of which this section of this master tape is a copy?); Sporting Paddy (related tune)]
45. Reel: Untitled [CICD 3876 (from the recording of which this section of this master tape is a copy?)]
46. Single Jig / [Reel / Hornpipe / Barndance]: Stack the Rags [CICD 1834 (from the recording of which this section of this master tape is a copy); transcribed by BB in 12/8 time, but played more like a slow reel or a hornpipe or barndance, etc]
47. Reel: Jennie Dang the Weaver / Jinnie Bang the Weaver [CICD 3974 (from the recording of which this section of this master tape is a copy?)]
48. Reel: Scotch Willie [CICD 4015 (from the recording of which this section of this master tape is a copy?); The Mayo Lasses / Johnny When You Die (related tune)]
49. Reel: The Primrose Girl [CICD 5055 (from the recording of which this section of this master tape is a copy); CRE 2, # 150 (ii) (from the recording of which this section of this master tape is a copy)]
50. Jig: The Little Boy Fed on the Hill [CICD 2544 (not from this recording); Larry the Beerdrinker]
51. Reel: Untitled [CICD 5036 (from the recording of which this section of this master tape is a copy); related to The Irishman's Blackthorn (CRE 2, # 244) and The Hills of Kesh (CRE 3, # 181)
52. Hornpipe: Untitled [Not in CICD from this recording; The Groves Hornpipe (DMI, # 843)] [END OF BAND ONE]
53. Reel: Untitled [CICD 4365]
54. Reel: Untitled [CICD 3634, 3635 (from this performer)]
55. Reel: Untitled [CICD 2884 (from this recording?); related to 'Tim Moloney' and 'Garrett Barry's Reel'?]
56. Jig: Untitled [CICD 564 (from this performer); The Kesh Jig (related tune)]
57. Reel / Hornpipe: Untitled [Not in CICD?]
58. Reel: Untitled [CICD 5149; note on card: 'by Mulhaire?' (a reference to tune composer Martin Mulhaire)]
59. Set Dance: The Humours of Bandon [CICD 1945 (from this performer; in the jig section of CICD); note on card: 'Clare version']
60. Reel: Untitled [CICD 5385; for another performance of this tune, see track B10]
61. Speech: Untitled [Musicians from whom Jim Mulqueeny learned his music, including Michael Staunton and Austin Tierney]
62. Reel: Untitled [CICD 5385; for another performance of this tune, see track B8]
63. Reel: Untitled [CICD 4170; The Black-Haired Girl (title from BB index for 1363-ITMA-REEL); The Watchmaker (title from CICD 4173, ex Gus Tierney)]
64. Reel: Untitled [CICD 3987; CRE 5, # 149 (from CICD 3987)]
65. Reel: Untitled [Not in CICD?]
66. Reel: Untitled [CICD 4849]
67. Reel: Untitled [CICD 5380 (from the performer who plays it here); The Sunny Banks (CRE, # 148 – related tune)]
68. Reel: Untitled [CICD 5924; CRE 5, # 209 (from CICD 5924)]
69. Reel: Untitled [CICD 4663; The Humours of Westport (related tune)]
70. Reel: Untitled [CICD 3841; The Tap Room; CRE 2, # 292 (not from JM; untitled, though with many names supplied in Notai i dTaobh na bhFonn); for other performances of this tune, see tracks A34 and B22]
71. Reel: Toss the Feathers [CICD 3810 (with errors in the transcription of the first part); CICD 2924.12 (with correct transcription and code); CRE 2, # 291 (from CICD 2924.12); tonic note: E]
72. Reel: Tim Dillons [CICD 5896; Tim Dillon's; CRE 5, # 206 (from CICD 5896); recorded by the group Altan as 'Tommy Peoples']
73. Reel: The Scotch Hunt [CICD 5015, 5020 (none from this recording?); CRE 5, # 176 (from CICD 5015 & 5020)]
74. Reel: Untitled [CICD 3841; The Tap Room; CRE 2, # 292 (not from JM; untitled, though with many names supplied in Notai i dTaobh na bhFonn); for other performances of this tune, see tracks A34 and B18]
75. Reel: The Rising Sun / Clear the Road [CICD 3443, 3445 (none from this section of this tape); CRE 2, # 214 (ii), from CICD 3445; for another performance of this tune, see track A35]
76. Reel: Untitled [CICD 4449; Upstairs in a Tent]
77. Reel: Untitled [CICD 4823; CRE 5, # 171 (from CICD 4823)]
78. Reel: Untitled [CICD 4949]
79. Reel: The Traveller [CICD 5793; Peggy on the Settle (DMI, # 518)]
80. Speech: Untitled [Dancing customs; the hesitation step; anecdotes: incidents relating to set dancing, etc]
81. Jigs: Untitled [CICD 2601.11; The Sporting Pitchfork], Untitled [CICD 1872; CRE 5, # 39 (from CICD 1872); The Maiden That Jigs It in Style (related tune)]
82. Jig: Untitled [CICD 560; CRE 5, # 3 (from CICD 560)]
83. Jig: Untitled [Not in CICD from this recording? Cherish the Ladies / Jackson's Thought]
84. Jig: A Rogaire, Stad, Stad [CICD 768 & 768.11; CRE 2, # 68 (i) as 'Ta an Coileach ag Fogairt an Lae / When the Cock Crows it is Day' (from CICD 768.11); Be Easy You Rogue]
85. Reel: Untitled [CICD 4466.11 & 4466.12; The Dublin Porter (CRE 3, # 155)]
86. Reel: The West Clare Reel [Not in CICD from this recording; Up to Your Knees in Sand (CRE 3, # 159)]
87. Hornpipe: Untitled [Not in CICD from this recording]
88. Hornpipe: Untitled [Not in CICD? Mulqueeney's Hornpipe (title on recording of this tune by Tommy Peoples, fiddle)]
89. Breakdown / Waltz / Mazurka: Untitled [Not in CICD; described as a breakdown by the musicians, but this is contradicted by BB]
90. Hornpipe: Untitled [Not in CICD]
91. Polka Mazurka, Speech: Untitled [Not in CICD; Sonny's Mazurka (?)], Untitled [The dance called the Polka Mazurka; tunes were named by the name of the dance performed to them, e.g. the Highland Fling]
92. Barndance: Untitled [Not in CICD; as played by Austin (Tierney?)]
93. Speech: Untitled [Words to the slip jig 'The Kid on the Mountain'; also known as 'The Bottle of Wine'; Largy O'Loughlin recited some of the words for BB, but would not recite it in full because the words were obscene]
94. Slip Jig: Untitled [CICD 100.11; Come Upstairs with Me; CRE 5, # 59 (from CICD 100.11)]
95. Slip Jigs: Untitled [CICD 191.11], Untitled [CICD 262; The Humours of Whiskey]
96. Slip Jig, Speech: Judy Brannigan [Not in CICD from this recording; Barney Brallaghan (DMI, # 429)], Untitled [Words to this tune, beginning 'Twas on a windy night' (recited by the performer); tune known in Connemara as 'Coinnigh do Thoin as na Driseachai' (BB); words to other tunes (recited by BB, including words in Irish beginning 'Goideadh do ghe, do ghe')]
97. Jig: Untitled [CICD 2381.11; Mac's Fancy]
98. Jig: Untitled [Not in CICD from this recording?; Banish Misfortune]
99. Reel: Untitled (incomplete) [END OF BAND TWO]

CD dub of 1981 commercial LP. Road map of Ireland [sound recording] / Tom McGonigle ; Robbie MacGowran

Performers:
McGonigle, Tom, concertina;
McGouran, Robert, tin whistle =;
[MacGowran, Robbie, tin whistle]

Running Order:
1. No track information
2. No track information
3. No track information
4. No track information
5. No track information
6. No track information
7. No track information
8. No track information
9. No track information
10. No track information
11. No track information
12. No track information

Conference Session 5B, part 1 [sound recording] / Jimmy O'Brien Moran ; Mel Mercier ; Aibhlín Dillane ; Colette Moloney

Performers:
Dowling, Martin, Chicago/ Belfast, chair, speech in English, track 1, 4, B1, 4
O'Brien Moran, Jimmy, Waterford, lecture in English, track 2
Mercier, Mel, Cork, lecture in English, track 5
Dillane, Aileen, Limerick, lecture in English B2
Moloney, Colette, lecture in English B5

Running Order:
1. Speech: [Introduction]
2. Lecture: Session tonight : all welcome (must have grade 5 or over)
3. Speech: [Questions from the floor]
4. Speech: [Introduction]
5. Lecture: Irish traditional music and the university : exploration of cross-disciplinary shifts
6. Speech: [Qustions from the floor]
7. Speech: [Introduction]
8. Lecture: Ethnomusicology theory and practise : what it has to offer to the study of Irish music
9. Speech: [Introduction]
10. Lecture: Grades as inspiration to learning and as method of assessment [Recording continued on 775a-ITMA-DAT

Flute Recital [videorecording] / [various performers]

Performers:
MacPhilibin, Sean (off-camera), Dublin, introduction in English
O'Shaughnessy, Tom (off-camera), compere, speech in English
O'Donnell, Colm, Mayo, flute in duet, flute solo
Doyle, Joey, Shankill, Dublin, flute in duet, flute solo
Hamilton, Hammy, Belfast/Cork, flute solo
Bingham, Tara=
Diamond, Tara, Belfast/Dublin, flute solo, fife solo
Ensemble group with: Ton McGorman, Tom O'Shaughnessy, Hammy Hamilton, Joe Doyle, Tara Bingham (= Tara Diamond), Catherine McGorman (= Catherine McEvoy), Unidentified performers, Colm O'Donnell, Sally ?
O'Donnell, Siobhan (Colm's daughter), Mayo, bodhran in duet
O'Brian, Colm?, bozouki in duet

Hugh Shields Collection. Reel-to-Reel 21 [sound recording] / Alec Foster

Recorded in his house in Belfast from Alec Foster (aged 87), who learned most of his songs around 1900 in the Birdstown Glen, Inishowen, Co. Donegal, 13 October 1968 [tracks 1–7]

Performer:
Alec Foster (aged 87), singing in English Tracks 1–7

Running Order:
1. Down the moor (‘As I roved out one morn in May, it being fine summer weather...’), song [learnt from his father] / Alec Foster, singing in English
2. I had a wee duck (‘I had a wee duck when I lived in Drummuck...’), song [learnt from his father, sung with MS aid] / Alec Foster, singing in English
3. The town of Anterim (‘It was in the town of Anterim near to the river Bann...’), song [learnt from Artie Gilmour, actor and singer in Belfast around 1918] / Alec Foster, singing in English
4. A nobleman’s fair daughter (‘A nobleman’s fair daughter come walking down yon lane...’), song [learnt from his uncle Andrew Foster in Birdstown, Inishowen] / Alec Foster, singing in English [END OF BAND ONE]
5. The ‘Saldanha’ (‘Come all you gallant seamen bold and listen to my song...’), song / Alec Foster, singing in English
6. Roll me from the wall (‘When I was young and in my prime...’), song [from Fanad, sung with MS aid] / Alec Foster, singing in English
7. [=The keach in the creel] (‘How can I get to your chamber love? ...’), song [learnt from Dan Harkin, born c. 1890] / Alec Foster, singing in English [END OF BAND TWO]

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