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Breandán Breathnach Collection. Reel-to-Reel 89 [sound recording] / [various performers]

Performers:
McArdle, Peter, Louth, speech in English throughout;
fiddle solo throughout;
occasional lilting throughout;
Breathnach, Breandan, Dublin, speech in English throughout;
Unidentified performer, speech in English A17

Running Order:
1. Speech, Untitled [Level low]
2. Jig: Tip in to Bed, Honey
3. Speech, Jig: Untitled, The Old Dash Churn [The Humours of Castlelyons]
4. Speech: Untitled [Information about the tunes already played; music in the performer's family]
5. Jig / Quadrille Tune: Tickle Her Leg with a Barley Straw / Tickle My Leg with a Barley Straw [Information given in speech on track A26 for this tune]
6. Speech: Untitled [About set dancing in the performer's local area in his youth (near Ardee, Co Louth)]
7. Reels: The Boyne Hunt, Miss Monaghan, The Soldier's Joy
8. Speech: Untitled [About dancing; local singers; dances other than sets; introduction to the next piece to be played]
9. Dance Tune: Mrs Simpson Sells Beer / Cock Your Leg up / Cock a Leg up / Shoe the Donkey / Varsovienne
10. Speech: Untitled [Information about the tune just played; schottisches as performed in the area]
11. Hornpipe / Schottische: The Boys of Bluehill [The well-known hornpipe, here as played for dancing the schottische locally]
12. Speech: Untitled [About local dances; introduction to the next piece to be played]
13. Dance Tune, Speech: The Larch Fort, Untitled [About the tune just played, with lilting; about local dances; introduction to the next piece to be played; BB says that he is not interested in collecting barn dances but nevertheless requests that an example be played]
14. Barn Dance: Untitled [The Peacock's Feather # 2 (as recorded by Frankie Gavin, fiddle); The Highland Barn Dance (Keane family, Caherlistrane, Co Galway); The Berlin Polka]
15. Speech: Untitled [About local dances; arrival of sets in the area; step-dancing was still alive in the performer's youth; community participation in music; arrival of gramophones and radios in the area]
16. Dance Tune: Untitled
17. Speech: Untitled
18. Quadrille Tune, Speech: The Cake Is on the Griddle / The Cake's on the Griddle, Untitled [END OF BAND ONE]
19. Speech, Quadrille Tune: Untitled, The Ould Clay Floor / The Old Clay Floor
20. Speech: Untitled [Information about the tune just played; BB explains that up to that point (April 1973) in his dance music collecting project, he had been collecting only double jigs, slip jigs, and reels; not even hornpipes; it is only in the last 6–8 months that he has been picking up hornpipes, polkas, and single reels; he is thus only beginning to collect those tune-types; he thus requests the performer here to 'beat out all the set tunes you can think of']
21. Quadrille Tune: Untitled
22. Speech, Quadrille Tune: Untitled, Untitled [The slide 'Scattery Island' is a related tune]
23. Speech, Quadrille Tune / Song Air: Untitled, Oh She Was a Quare One / She Was a Queer One / Mending the Roof
24. Speech: Untitled [Information about the tune just played]
25. Quadrille Tune: Diggin' the Spuds / Digging the Spuds
26. Speech: Untitled [Information about the tune just played; information about 'Tickle My Leg with a Barley Straw' (track A5)]
27. Speech, Quadrille Tune: Untitled, The Ould Elm Tree / The Old Elm Tree [Princess Margaret's Fancy]
28. Speech: Untitled [Information about the tune just played]
29. Quadrille Tune: Untitled
30. Speech: Untitled
31. Speech, Quadrille Tune: Untitled, Untitled [Billy O'Rourke Is the Boy]
32. Speech: Untitled [Information about the tune to be played next, which was the melody of a song as well as a dance tune; with lilting]
33. Quadrille Tune / Song Air: McCarthy / We're off to Philadelphia in the Morning [With speech interlude]
34. Speech: Untitled [Information about the tune just played; discussion of other tunes, with lilting]
35. March / Quadrille Tune / [Polka?]: Untitled [Melody of the slide popularly known as 'Denis Murphy's Slide' (= 'The Dark Girl in Blue', CRE 3, # 50), here played in march / polka rhythm]
36. Speech: Untitled [Information about the tune just played]
37. Quadrille Tune, Speech: The Pigs Ateing Nuts in the Wood / The Pigs Eating Nuts in the Wood [Melody of song 'Jack of All Trades'; played tentatively at first, then repeated; both played on fiddle and lilted], Untitled
38. Speech, Quadrille Tune: Untitled, Off the the Bog Wearing Clogs / The Lancers
39. Speech: Untitled [Information about the tune just played & about other tunes, including 'The Swallow's Tail'; about the tune 'I Daren't Tell']
40. Jig: The Old Woman's Pipe / The Mountaineer's March [The Kesh Jig]
41. Speech: Untitled [Information about the tune just played; double jigs were played for sets]
42. Quadrille Tune, Speech: There's no Luck about the House, Untitled [Information about the tune just played] [END OF BAND TWO - The recording session with Peter McArdle is continued on tape Breandan Breathnach Reel-to-Reel 90 (1180-ITMA-REEL)]

Breandán Breathnach Collection. Reel-to-Reel 90 [sound recording] / [various performers]

Performers:
McArdle, Peter, Louth, speech in English throughout;
fiddle solo throughout;
occasional lilting throughout;
Breathnach, Breandan, Dublin, speech in English throughout

Running Order:
1. Quadrille Tune: The Very Last Penny [Rural Felicity; Kathleen Hehir's (related tune)]
2. Speech: Untitled [Information about the tune just played; the performer made many radio broadcasts]
3. Speech, Jig, Speech: Untitled, Nora Crionna, Untitled
4. Jig, Speech: The Frost Is All Over, Untitled
5. Jig: The Rakes of Tipp / The Rakes of Tipperary [Related to Three Little Drummers / Delaney's Drummers]
6. Speech, Jig, Speech: Untitled, The Connachtman's Rambles, Untitled [With lilting]
7. Jigs, Speech: The Geese in the Bog, The Trip to the Cottage, Untitled
8. Jig, Speech, Jig, Speech: The Irish Washerwoman, Untitled, The Maid on the Green, Untitled [With lilting]
9. Jig, Speech: The Rambling Pitchfork, Untitled [Information about the tune to be played next]
10. Reel, Speech: Within a Mile of Dublin / The Silver Spear [The New Mown Meadow; Joe Mhaire Mhicilin], Untitled [Discussion about tunes that were played for set-dancing; with lilting]
11. Quadrille Tune / Song Air: Johnny I Hardly Knew You [Played for The Lancers]
12. Speech, Quadrille Tune, Speech: Untitled, There Are Very Few Straws in the Tick / There's Very Few Straws in the Tick, Untitled [About the tune just played & the tunes to be played next]
13. Quadrille Tune, Speech: Untitled, Untitled
14. Speech, Quadrille Tune / Song Air, Speech: Untitled [With lilting], The One-Eyed Reilly, Untitled
15. Quadrille Tune, Speech: The Dashing White Sergeant, Untitled [The tune just played was used for the dance 'The High Caul Cap']
16. Polka, Speech: Farewell to Whiskey, Untitled
17. Polka, Speech: La Russe, Untitled [The dance performed to the tune just played]
18. Reel, Speech: The Swallow's Tail, Untitled
19. Reel, Speech, Reel, Speech: The Pigeon on the Gate [Tonic note: G; reminiscent of the version recorded on commercial 78rpm disc by Frank O'Higgins (fiddle)], Untitled, The Pigeon on the Gate [Tonic note: E], Untitled [END OF BAND ONE]
20. Speech, Jig, Speech: Untitled, The Rose in the Heather [Related to the tune known popularly by that name], Untitled [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 323 [sound recording] / [various performers]

Performers:
Unidentified performers, pipes in duet, A1;
O'Donnell, Michael, Dublin, speech in English A1–5, 7, 9, 12;
speech in Irish A4;
Breathnach, Breandan, Dublin, speech in English A1, 5;
O'Dowd, Dan, Dublin, speech in English A2;
Wathen, Ronnie, Wales, pipes solo A3;
speech in English A3;
Standeven, Thomas, USA, speech in English and Irish A4;
Conroy, Andy, Roscommon, pipes solo A6, 8, 10–11, 13;
speech in English A7, 9, 12

Running Order:
1. Slip Jig, Speech, Slip Jig, Speech: Untitled, Untitled [Radio interview; topics: progress that the organisation Na Piobairi Uillean has made; the acquisition of premises for the organisation; its membership; the status of pipemaking; the age profile of members; representation of women], Untitled, Untitled [Radio announcement]
2. Speech: Untitled [Radio interview; topics: reedmaking; cane plantations in Spain; 40 candidates in the reedmaking workshop; the standard of piping among young people, who are learning from tapes; acquiring a practice set of pipes, price: £14–15; a full set costs £60]
3. Air, Speech, Air: A Spailpin A Run, Untitled [Radio interview; topics: description of Ronnie Wathen's pipes, which he partly made himself], A Spailpin A Run
4. Speech: Untitled [Radio interview; topics: piping in the USA; how the interviewee learnt Irish]
5. Speech: Untitled [Radio interview; topics: the future prospects for piping; the availability of historic recordings; the willingness of present-day players to pass on their knowledge, a contrast to the secretiveness of an earlier generation]
6. Jigs, Slip Jig: The Maid on the Green, Untitled [Jackson's Jig], Give Us a Drink of Water [A Drink of Water] [This selection was recorded on a commercial 78rpm disc by piper Patsy Touhey]
7. Speech: Untitled [Radio interview; topics: Andy Conroy's home area in Loughlynn, Co Roscommon; other musicians in the area; AC began playing the pipes in England; studying the pipes in Dublin with Leo Rowsome; what impressed AC about Rowsome; AC played the tin whistle before playing the pipes]
8. Hornpipes: The Plains of Boyle, The Leitrim Fancy [This selection was recorded on commercial 78rpm discs by pipers Michael Gallagher and Willie Clancy]
9. Speech: Untitled [Interview; topics: Andy Conroy's style of piping; was influenced by fiddlers as well as pipers; describes his style as 'staccato'; rolls up his trouser leg while playing in order to 'surround the chanter with flesh'; played in Carnegie Hall; worked as a bricklayer; went to the USA in 1952; doesn't speak with an American accent; traditional music in the USA; AC keeps in practice; problems with neighbours when practicing the pipes; introduction to next piece of music]
10. Reels: Lucy Campbell, The Cup of Tea (clipped at end; tape runs out) [This selection was recorded on a commercial 78rpm disc by piper Michael Gallagher] [END OF BAND ONE]
11. Reels: Lucy Campbell, The Cup of Tea (full version of selection at track A10?; sound fade-out during 2nd tune, then the tune is repeated)
12. Speech: Untitled [Interview; topics: the number of pipers in the USA; Thomas Standeven, who speaks several languages; Andy Conroy intends to return to Ireland; may get married; was crossed in love as a young man; introduction to the next tune]
13. Jig: The Geese in the Bog [Influenced by the version recorded by Michael Carney, pipes] [END OF BAND TWO]

Harry Bradshaw Collection. Reel-to-Reel 1 [sound recording] / [various performers]

Speech: Untitled [Part of a lecture on the uilleann pipes, containing the following topics: history of the pipes; emergence of the pipes at the beginning of the 18th century; Ledwidge (?) described a regulator as an innovation in 1790; O'Farrell (from Clonmel) wrote a tutor in 1803 / 1804; a tutor had already been published by Geoghegan in London in 1746 for a forerunner of the uilleann pipes known as the 'pastoral bagpipes'; O'Farrell published two other books, including the 'Pocket Companion'; until 1903 / 1904 these pipes were known as the 'union pipes', thereafter as 'uilleann pipes'; Grattan Flood proposed that in the reference to 'woollen pipes' in 'The Merchant of Venice', the word 'woollen' was a corruption of 'uilleann', meaning elbow; Grattan Flood's false etymology is the source of the use of the word 'uilleann' to refer to these pipes; in the 18th century the instrument was played by high and low society; Lord Rossmore in Monaghan, lord of 40,000 acres, was an excellent performer; piper Jackson published tunes, including Jackson's Morning Brush, in 1799; instrument played widely until 1850, when the quadrilles and sets began to supersede the older dances, and the concertina and melodeon began to be popular; a revival movement began in the 1890s, by which time the former professional pipers who survived were old and in poorhouses; as part of the revival, pipers' clubs were formed in Cork and Dublin; the piping tradition then in the same state as the harping tradition had been at the close of the previous century; Eamonn Ceannt and others of the Dublin pipers' club employed Nicholas Markey (born Meath? Louth?) to teach the pipes; Markey a pupil of Billy Taylor; tradition thus kept intact; the music for the pipes consists of jigs, reels, and hornpipes; jigs are extant in Ireland since the 16th century; reels since the latter part of the 18th century; first reels to appear in Ireland are Scottish reels like Lord McDonald, Lady Mary Ramsey, and Mrs McLeod; the hornpipe is an English form, imported about 1780; hornpipes, however, played in Ireland are Irish; Robbie (Hannan?), one of the pipers due to play after the lecture, plays a set of pipes made 150 years ago, thus representing the sound that people listened to in the 18th century; in Louth, there are accounts of pipers in the works of Carleton, esp. in his stories of the Irish peasantry from c. 1820; Carleton writes of the pipers Gaynor (possibly Dan Gaynor, attested elsewhere) and Cassidy; the Taylors (half-brothers Billy and Charlie) were the sons of a good piper; the Taylor family emigrated to the USA in 1870, where Billy and Charlie became famous pipemakers in Philadelphia; they died c. 1900; before emigrating, the Taylors taught Nicholas Markey and Pat Ward] [END OF BAND ONE]

Breathnach, Breandan - speech in English

Hugh Shields Collection. Reel-to-Reel 22 [sound recording] / [various performers]

Recorded at Clogherhead, Co. Louth from Ann Clarke (age 9) of Drogheda. 10 August 1968 [tracks 1–6]
Recorded at the house of John Gillespie, Doonalt, Glencolmkille, Co. Donegal. 3 September 1968 [tracks 7–12]

Performers:
Ann Clarke (aged 9), speech in English Tracks 1–6;
Kitty Shields, speech in English Track 3;
Christopher Byrne (aged about 20), singing in English Tracks 7, 9;
Margaret Byrne (aged about 21), singing in English Track 8;
Patrick Gillespie (Paddy Phrionsiais), fiddle solo Tracks 10–12, speech in English Tracks 10–12

Running Order:
1. Mammy, Daddy, Uncle John, rhyme / Ann Clarke (9), speech in English
2. Eena, meena, macka, rocka, rhyme / Ann Clarke, speech in English
3. Have you a good memory, catch [involving counting] / Ann Clarke (9), speech in English ; Kitty Shields (9), speech in English
4. Oh I’m a little Dutch girl, song / Ann Clarke, singing in English
5. Chewing-gum a penny a packet, song [for playing ball] / Ann Clarke, singing in English
6. Jelly on the plate, rhyme [chanted] / Ann Clarke, speech in English [end of session]
7. Mulroy Bay (‘When the golden sun is setting far beyond the ocean blue...’), song [words, according to the singer, by Master Friel of Fanad] / Christopher Byrne (about 20), singing in English
8. She lived beside the Anner (‘She lived beside the Anner at the foot of Slievenaman...’), song / Margaret Byrne (about 21), singing in English
9. Moorlough Mary (‘The first time I saw young Moorlough Mary...’), song / Christopher Byrne, singing in English
10. Story about the tune ; The gravel walks to Grainnie, story ; reel / Patrick (Paddy Phroinsiais) Gillespie, speech in English, fiddle
11. Talk about the reel ; My love she’s in America [=The Pure Drop], speech ; reel / Patrick (Paddy Phroinsiais) Gillespie, speech in English, fiddle
12. Talk about the jig ; Gillespie’s favourite, speech, jig [incomplete, full version at 6825], reel / Patrick (Paddy Phroinsiais) Gillespie, speech in English, fiddle [recording session continued at 6125] [END OF BAND ONE]

Festival Concert [videorecording] / [various performers]

Performers:
Dave, compere, speech in English, singing in English
O'Connor, Gerry, Tipperary, banjo solo
Mac Diarmada, Ossian, Clare/Sligo, fiddle duet, fiddle solo
Conway, Zoe, Louth, fiddle duet, fiddle solo
McEvoy, Catherine=
McGorman, Catherine, flute in duet, flute solo
McGorman, Jane, fiddle in duet
Connolly, Johnny, Connemara, accordion duet
Knockter, Jimmy, Dublin, accordion duet
McEvoy, John, Meath, fiddle in instrumantal group, fiddle trio
McEvoy, Jacintha, Meath, concertina in instrumental group, singing in English
McEvoy, Fianna, Meath, concertina in instrumenatl group, singing in English
McEvoy, Paddy, fiddle in instrumenatl group, fiddle trio
McEvoy, Connor, fiddle in instrumenat group, fiddle trio
McEvoy, Conor or Paddy?, keyboards in instrumenatl group

Fiddle Recital [videorecording] / [various performers]

Performers:
Gleeson, Brendan, Dublin, compere, speech in English
Conway, Zoe, Louth, fiddle solo (off-mic), fiddle ensemble
Mac Diarmada, Ossian, Clare/Galway, fiddle solo, fiddle ensemble
McGlinchey, Brendan, Armagh/London, fiddle solo, fiddle ensemble
Byrne, James, Donegal, fiddle solo, fidle ensemble
Carty, John, London/Roscommon, fiddle solo, fiddle ensemble
Keane, Sean, Dublin, fiddle solo, fiddle ensemble

Conference Session 1 [videorecording] / [various performers]

Performers:
Carolan, Nicholas, Louth/Dulin, chair
Burgess, Barry, lecture in English
Vallely, Eithne, Donegal/Armagh, lecture in English
Moulden, John, Antrim, lecture in English
MacMthuna, Seamus, Clare, lecture in English
Ni Chonarain, Siobhan, Limerick, lecture in English

Running Order:
1. Lecture: Back to the Future - Traditional Music in a 21st Century Curriculum
2. Lecture: Gleus a' phiob, 's gleus an fhidheall. Caismeachd, 's ruidhle, 's puirt chridheil
3. Lecture: The Irish Traditional Song Pack
4. Lecture: Teaching Irish Traditional Music - The Comhaltas Ceoltoiri Eireann Experience
5. Questions and Comments from the Audience

Conference Session 6A [sound recording] / Paul McGettrick; Anthony McCann ; Frode Nyvold ; Seán Corcoran

Performers:
McGettrick, Paul, chair, speech in English, track 1, 4, 6
McCann, Anthony, Down/ USA, lecture in English, track 2, 3
Nyvold, Frode, Norway, lecture in English, track 5
Corcoran, Sean, Louth, lecture in English, track 7

Running Order:
1. Speech: [Introduction]
2. Lecture: Questioning educational strategies : the challenges of radical pedagogy
3. Speech: [Questions from the floor]
4. Speech: [Introduction]
5. Lecture: Folklore and music as integrated artistic expression : preserving contexts for folk in the academy
6. Speech: [Introduction]
7. Lecture: Canons, curricula and power in Irish music : who decides the contents of the curriculum and the modes of performance?
8. Speech: [Questions from the floor]

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