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Cork Unidad documental simple Ireland: Instrumental music
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Studio Recording of Niall Vallely and Frank Torpey [sound recording] / Niall Vallely ; Frank Torpey

Performers:
Vallely, Niall, concertina
Torpey, Frank, bodhrán

Running Order:
1. Jig: The Gold Ring
2. Reels: Cissy's, Star of Munster
3. Reels: The New-Mown Meadow, Untitled, Limber Up
4. Reels: Tom Ward's, Kipper Lugs, Wee Bag of Potatoes, Blacksmith's Daughter
5. Jigs: Untitled, The Eavesdropper, An Seanduine Doite
6. Reels: Untitled, The Spey and Spate, The Beggar, Humours of Westport, The Curlew
7. Reels: The London Lasses, Abbey Reel, The Piper's Despair [DAT ENDS]

Guinness Tour. Sydney 1987. Part 2 [sound recording] / [various performers]

Performers:
Moore, Christy, singing in English A1, 4-10;
O'Flynn, Liam, pipes A2, 3, 11;
Casey, Nollaig, fiddle A3, 11

Running Order:
1. Song: Hiroshima, Nagasaki, Russian Roulette
2. Descriptive piece: The Fox Hunt
3. Harp piece: Planxty Sudley
4. Song: Back Home in Derry
5. Song: Ride on
6. Song: The Flickering Light
7. Song: Ronnie Reagan
8. Song: Irish Ways and Irish Laws
9. Song: The Well below the Valley
10. Song: Diamontina Drover
11. Hornpipe: The Groves Hornpipe

Domestic recording of Timmy Connors [sound recording] / Timmy Connors

Performers:
Connor, Timmy, accordion A1-6;
Connor, Timmy, concertina A7;
Unidentified, bones A6

Running Order:
1. [Polkas]: A tribute to Paul Linehan
2. [Slide]: Davey Piggott's
3. [Polkas]: The emerald isle
4. [Slides]: Johnny Mickey's
5. [Polkas]: Dermot Latch's; The Spanish lady
6. [Jigs]: The queen of the fair; The Carraroe
7. [Slides]: Eily Keating's
8. [Reels]: Johnny when you die; The boy in the gap
9. [Polkas]: Phil Walsh's; Mikey Duggan's; [Unidentified]; [Unidentified]
10. [Slides]: Jack Keane's
11. [Slides]: Ger Dan Mac's; Jack Keane's
12. [Hornpipes]: The sweep's; The Liverpool
13. [Waltz]: Pull down the blinds
14. [Waltz]: Pull down the blinds
15. [Slides]: Jaques' trip to Cork; Tureen bridge
16. [Polkas]: The Cascade; Billy Mahony's
17. [Waltzes]: Denise; The blue Danube
18. [Jigs]: The lark on the strand; The Munster buttermilk
19. [Reels]: The worn, torn jacket; The foxhunter's
20. [Reels]: The floating crowbar; The concertina reel

Sonny Brogan tributes, January 1965 [sound recording] / [various performers]

Performers:
Unidentified, speech in English A1, A13;
Brogan, Sonny, accordion A1, A5, A7, A9;
de Buitléar, Éamon, speech in English A2, A4, A6, A8;
The Lough Gill Quartet, instrumental group A3 =;
[Sonny Brogan, accordion];
[Bill Harte, accordion];
[Sarah Hobbs, fiddle];
[James Cawley, flute];
Kelly, John, fiddle A9;
Ceoltóirí Chualann, instrumental group A10, A15, A11, A15, A17, A19;
Unidentified performer, tin whistle A13;
Unidentified performer, accordion A13;
Ó Riada, Seán, speech in English A14, A16, A18;
Ó Riada, Seán [harpsichord] A15, A17;
[Ó Sé, Seán] singing in Irish A17

Running Order:
1. [Speech in English]: [Introduction to radio programme] ; [Reel]: Jenny picking cockles
2. [Speech in English]: [Éamon de Buitléar remembers the Lough Gill Quartet]
3. Jig: The Newport lass
4. [Speech in English]: [Éamon de Buitléar speaks about his first meeting with Sonny Brogan]
5. Reels: Gorman's; The hut in the bog
6. [Speech in English]: [Éamon de Buitléar speaks about tunes he associated with Sonny Brogan]
7. Jigs: Morrison's; The fourpenny loaf
8. [Speech in English]: [Éamon de Buitléar tells an anecdote about Sonny Brogan playing Norwegian dance music]
9. Reel: Jenny's welcome to Charlie
10. [Speech in English]: [Éamon de Buitléar introduces Sonny's involvement with Ceoltóirí Chualann]
11. Jig: Morrison's jig
12. [Speech in English] ; [Speech in Irish]: [Éamon de Buitléar speaks about recording the soundtrack for 'The Playboy of the Western World' with Sonny and Ceoltóirí Chualann]
13. Slow air: Unidentified ; [speech in English]: [Concluding remarks from radio announcer]
14. [Speech in English]: [Seán Ó Riada pays tribute to Sonny Brogan]
15. Reels: Toss the feathers
16. [Speech in English]: [Seán Ó Riada introduces the next song]
17. [Song]: Cathal Buí Mac Giolla Ghunna's Aithrí
18. [Speech in English]: [Seán Ó Riada introduces the next performance]
19. [Slow air]: Caoineadh an spailpín

Studio Recording of Niall Keegan, Mel Mercier and Jim Mac Farland [sound recording] / Niall Keegan ; Mel Mercier ; Jim Mac Farland

Performers:
Keegan, Niall, flute, track 2-7, B1-7
Mercier, Mel, bodhran solo, track 1; bodhran & bones in duet
McFarland, Jim, singing in English B1-7

Running Order:
1. Percussion piece: Bodhran solo
2. Jigs: Karen Tweed's Band Jigs (x3)
3. Reels: Johnny McCarthy's Reels (x3)
4. Reels: Fermanagh Tunes (x3)
5. Reels: Richard Dwyer's, Karen Tweed's, Untitled
6. Reels: Paddy O'Brien's, Flagstone of Memories
7. Reels: Dunmore Lasses, My Love Is in America, Lucy Campbell's [CONTINUED ON 54b-ITMA-DAT/CDR]
8. Song: Through Benedie Glen [Air = Flower of Gortade]
9. Song: The Rose of Glenfinn (unfinished)
10. Song: The Blackbird (interrupted)
11. Song: Attend Ye Sons
12. Song: As I Roved Out One Morning
13. Song: `Twas Early, Early
14. Song: Through Benedie Glen [DAT ENDS]

Guinness Tour. Sydney 1987. Part 1 [sound recording] / [various performers]

Performers:
O'Flynn, Liam, Kildare, pipes A1;
Stockton's Wing, Clare, instrumental group A3, 4;
singing in English A2, 10;
O'Connell, Maura, Clare, singing in English A5-9

Running Order:
1. Jigs: I Buried My Wife and Danced on Top of Her, The Gold Ring
2. Song: Ceili Swing
3. Reel: The Mason's Apron
4. Jigs: The Sydney Jigs
5. Song: Saw You Running
6. Song: If You Love Me
7. Song: The Scholar
8. Song: Leaving Neidin
9. Song: My Irish Molly O
10. Song: Lo Lo Lo

Catherine Foley Collection. Reel-to-Reel 3 [sound recording] / Catherine Foley ; Patrick Foley

Performers:
Foley, Catherine, Cork / Limerick, speech in English A1;
Foley, Patrick, Cork, accordion solo A2–10;
singing in English A11–12

Running Order:
1. Speech: Untitled
2. Hornpipe: Untitled [The Plains of Boyle]
3. Hornpipes: Untitled [The Liverpool Hornpipe], Untitled [Rickett's Hornpipe], Untitled [The Stack of Barley]
4. Barndance / Hornpipe: Untitled [The Curlew Hills Barndance; The Glenbeigh Hornpipe]
5. Hornpipes: Untitled [Harvest Home], Untitled [The Boys of Blue Hill]
6. Fling: Untitled [The Moneymusk]
7. Jig: Untitled [Haste to the Wedding]
8. Hornpipe: Untitled [The Honeysuckle]
9. Reel: Untitled [Miss McLeod's Reel]
10. Reel / Hornpipe: Untitled [The Soldier's Joy]
11. Song: Untitled [A Little Too Small]
12. Song: Untitled [The Little Beggarman] [END OF BAND ONE]

Catherine Foley Collection. Cassette 2 [sound recording] / [various performers]

Performers:
Foley, Patrick, Cork, speech in English A1;
accordion in duet A1–2, 4;
accordion solo A3;
Foley, Catherine, Cork / Limerick, whistle in duet A4

Running Order:
1. Speech, Polkas: Untitled, Untitled [The Rose Tree in Full Bearing; melody of the song 'Bhios-sa La i bPort Lairge'], Untitled [The Lass o' Gowrie; The Lakes of Sligo], Untitled [Grand Old Dame; The Waves of Tory (Allan's Irish Fiddler, # 120, where it is the first of a set of tunes)]
2. Jigs: Untitled [Tobin's Favourite], Untitled [Saddle the Pony; The Priest's Leap], Untitled [The Three Little Drummers (version of)], Untitled [Saddle the Pony; The Priest's Leap]
3. Reel: Untitled [Miss McLeod's Reel]
4. Polkas: Untitled [The Waves of Torey (Roche, vol 3, # 136); the first 2 parts as played here are also part of 'Off to Skelligs (Quadrille)' (Roche, vol 2, # 296)], Untitled [The British Grenadiers (march), played in polka time], Untitled [Sweeney's Polka] [END OF BAND ONE]

Conference Session 5A [videorecording] / [various performers]

Performers:
Vallely, Eithne, Donegal/Armagh, chair
Coyne, Mick, Clare, lecture in English
Farr, Lucy, lecture in English (delivering Janet Harbison's lecture)
Cranitch, Matt, Cork, lecture in English, fiddle solo
O Rochain, Muiris, Kerry/Clare, lecture in English

Running Order:
1. Lecture: Teaching the Uilleann Pipes: The Efficacy of Specialist Teaching in the Climate of Revival
2. Lecture: Ancient, Diverse and Still Evolving: the Irish Harp Today
3. Lecture: Learning and Teaching `Outside the Tradition'
4. Lecture: Appealing to the National and International - Summer Schools as Popular Method
5. Questions and Comments from the Audience

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