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Harry Bradshaw Collection. Reel-to-Reel 1 [sound recording] / [various performers]

Harry Bradshaw Collection. Reel-to-Reel 1 [sound recording] / [various performers]

Speech: Untitled [Part of a lecture on the uilleann pipes, containing the following topics: history of the pipes; emergence of the pipes at the beginning of the 18th century; Ledwidge (?) described a regulator as an innovation in 1790; O'Farrell (from Clonmel) wrote a tutor in 1803 / 1804; a tutor had already been published by Geoghegan in London in 1746 for a forerunner of the uilleann pipes known as the 'pastoral bagpipes'; O'Farrell published two other books, including the 'Pocket Companion'; until 1903 / 1904 these pipes were known as the 'union pipes', thereafter as 'uilleann pipes'; Grattan Flood proposed that in the reference to 'woollen pipes' in 'The Merchant of Venice', the word 'woollen' was a corruption of 'uilleann', meaning elbow; Grattan Flood's false etymology is the source of the use of the word 'uilleann' to refer to these pipes; in the 18th century the instrument was played by high and low society; Lord Rossmore in Monaghan, lord of 40,000 acres, was an excellent performer; piper Jackson published tunes, including Jackson's Morning Brush, in 1799; instrument played widely until 1850, when the quadrilles and sets began to supersede the older dances, and the concertina and melodeon began to be popular; a revival movement began in the 1890s, by which time the former professional pipers who survived were old and in poorhouses; as part of the revival, pipers' clubs were formed in Cork and Dublin; the piping tradition then in the same state as the harping tradition had been at the close of the previous century; Eamonn Ceannt and others of the Dublin pipers' club employed Nicholas Markey (born Meath? Louth?) to teach the pipes; Markey a pupil of Billy Taylor; tradition thus kept intact; the music for the pipes consists of jigs, reels, and hornpipes; jigs are extant in Ireland since the 16th century; reels since the latter part of the 18th century; first reels to appear in Ireland are Scottish reels like Lord McDonald, Lady Mary Ramsey, and Mrs McLeod; the hornpipe is an English form, imported about 1780; hornpipes, however, played in Ireland are Irish; Robbie (Hannan?), one of the pipers due to play after the lecture, plays a set of pipes made 150 years ago, thus representing the sound that people listened to in the 18th century; in Louth, there are accounts of pipers in the works of Carleton, esp. in his stories of the Irish peasantry from c. 1820; Carleton writes of the pipers Gaynor (possibly Dan Gaynor, attested elsewhere) and Cassidy; the Taylors (half-brothers Billy and Charlie) were the sons of a good piper; the Taylor family emigrated to the USA in 1870, where Billy and Charlie became famous pipemakers in Philadelphia; they died c. 1900; before emigrating, the Taylors taught Nicholas Markey and Pat Ward] [END OF BAND ONE]

Breathnach, Breandan - speech in English

Official launch of Pipes, Pipers and Paintings and the 8th William Kennedy Piping Festival, 2001 ...

Official launch of Pipes, Pipers and Paintings and the 8th William Kennedy Piping Festival, 2001 [videorecording] / [various performers]

Performers:
Watt, Robert, Derry, war pipes solo, speech in English, small pipes solo
Wilson, John (director, Ulster Museum), compere, speech in English
Vallely, Brian, Armagh, speech in English
McRoberts, Sylvia (Lord Mayor of Armagh), Armagh, speech in English
Carolan, Nicholas, Louth, speech in English
Vallely, Eithne, Donegal, speech in English (off-mic)
Armagh Pipers' Club, pipes in ensemble
May, Andrew, Northumberland, speech in English, Northumbrian pipes solo
Recording 1 [videorecording] / [various performers]

Recording 1 [videorecording] / [various performers]

Performers:
Sruth na Maoile, singing in English, singing in Irish
O'Connor, Gerry, Louth, fiddle
O Duinnchinn, Tiarnan, Monaghan, pipes
Tri Seudan, Na, Scotland =
MacDonald, Allan, Scotland, Scottish small pipes, singing in Gaelic, speech in English, speech in Gaelic
MacInnes, Iain, Scotland, bagpipes, singing in Gaelic
West, Gary, bagpipes, Scotland, singing in Gaelic
Moore, Fin, bagpipes, Scotland, Scottish small pipes, singing in Gaelic
MacKenzie, Angus, Nova Scotia, bagpipes, singing in Gaelic
Moore, Lee, Scotland, bagpipes, singing in Gaelic
Brown, Donal, Scotland, bagpipes, singing in Gaelic, dance
MacCrimmon, Calum, Scotland, bagpipes, singing in Gaelic
Conference Session 1 [videorecording] / [various performers]

Conference Session 1 [videorecording] / [various performers]

Performers:
Carolan, Nicholas, Louth/Dulin, chair
Burgess, Barry, lecture in English
Vallely, Eithne, Donegal/Armagh, lecture in English
Moulden, John, Antrim, lecture in English
MacMthuna, Seamus, Clare, lecture in English
Ni Chonarain, Siobhan, Limerick, lecture in English

Running Order:
1. Lecture: Back to the Future - Traditional Music in a 21st Century Curriculum
2. Lecture: Gleus a' phiob, 's gleus an fhidheall. Caismeachd, 's ruidhle, 's puirt chridheil
3. Lecture: The Irish Traditional Song Pack
4. Lecture: Teaching Irish Traditional Music - The Comhaltas Ceoltoiri Eireann Experience
5. Questions and Comments from the Audience

Ronnie Wathen Collection. Reel-to-Reel 12 [sound recording] / [various performers]

Performers:
O'Donoghue, Michael, Clare, concertina solo A1–10, 13–28;
speech in English occasionally throughout A1–28;
Wathen, Ronnie, speech in English occasionally throughout A1–28, B12;
Gallagher, Noel, Dublin, pipes solo A11–12;
Ennis, Seamus, Dublin, speech in English A29, 31, 33–35;
B1, 3, 6–7, 9–11;
pipes solo A30, 32–3, B1–2, 4–6, 8, 10–11;
Breathnach, Breandan, Dublin, speech in English A35;
Russell, Micho, Clare, whistle solo B12–14;
speech in English B13–14;
Gallahar, Maeve, Dublin / Mayo, speech in Irish B15;
Unidentified performer, whistle solo B15;
Unidentified performer(s), fiddle solo B16–17;
Corcoran, Sean, Louth, singing in English B18;
Unidentified performer, pipes solo B19–20

Running Order:
1. Reel: Untitled [Version of Sporting Nell]
2. Reel: P. J. Moloney's [The Killavil Fancy]
3. Speech, Jig: Untitled [Information about the previous and next pieces of music], Paidin O Raifeartaigh [Mistitled? The Boys of Tandaragee]
4. Reel: Untitled [Version of The Ashplant]
5. Fling / Barn Dance, Speech: Buttercups and Daisies [Maggie Pickens], Untitled [Information about the tune just played]
6. Fling / Barn Dance, Speech: Green Grow the Rushes - O, Untitled [Information about the tune just played]
7. Reel: Untitled [The Steampacket]
8. Reel, Speech: Untitled [Version of The Otter's Holt?], Untitled [Discussion about the next piece of music to be played]
9. Reel, Speech: The Earl's Chair, Untitled [Information about the tune just played]
10. Reel: Untitled [Gregg's Pipes]
11. Reel: Sporting Paddy
12. Fling / Barn Dance: Green Grow the Rushes - O
13. Speech, Jigs: Untitled, Untitled [The Frost is All Over], Untitled
14. Reel: Untitled [The Ashplant]
15. Reel: Untitled [The Longford Collector]
16. Reel: Untitled [The Mountain Top]
17. Reel: Untitled [Version of The Green Groves of Erin]
18. Reel: Untitled
19. Reel: Untitled [The Wind that Shakes the Barley]
20. Reel / Fling: Untitled [Recorded by the fiddle duet Michael Coleman and Packie Dolan on a 78rpm commercial disc in a selection of flings called Miss Ramsey]
21. Reel: Untitled [The Flogging Reel]
22. Jig: Untitled [Version of 'Have a Drink with Me' (DMI, # 20)]
23. Dance Tune: Untitled (short, incomplete)
24. Hornpipe: Untitled
25. Jig: Untitled
26. Reel: Untitled [The Green Field of Rossbeigh]
27. Reel: Untitled [The Green Gowned Lass]
28. Jig, Speech: Untitled [The Maid on the Green], Untitled
29. Speech: Untitled [About the uilleann pipes; consonant sympathy; theoretical re the pipes] [Tracks A29–37 and B1–11 were recorded at a presentation by Seamus Ennis at Scoil Samhradh Willie Clancy, Miltown Malbay, Co Clare, 25 July 19For a different recording made at the same event, see 1187-ITMA-REEL and 1188-ITMA-REEL]
30. Jig: The Munster Buttermilk
31. Speech: Untitled [About Pat Ward, piper, who played a double chanter; performer's father learns Pat Ward's Jig; theoretical about jigs; introduction to 'Ask My Father']
32. Single Jigs: Ask My Father, Pat Ward's Jig
33. Speech, Hornpipe: Untitled, The Fairy's Hornpipe
34. Speech, Reel: Untitled, The Fairy Reel
35. Speech: Untitled [Story: background to the jig 'The Gold Ring']
36. Jig: The Gold Ring
37. Speech, Air, Slip Jig: Untitled, The Lament for the Fox, The Foxhunter's Jig [END OF BAND ONE]
38. Speech: Untitled [Includes instrument tuning; introduction to the piece of music to follow; the difference between a set dance and a long dance]
39. Long Dance / Set Dance: The Ace and Deuce of Piping
40. Speech: Untitled (short, incomplete) [Story about the origin of a tune]
41. Jigs: Untitled [The Lark's March; The Geese in the Bog (with tonic note D)], Untitled [The Lark in the Morning]
42. Hornpipe: Untitled [The Groves Hornpipe]
43. Speech, Hornpipe: Untitled [Introduction to the next piece of music], O'Dwyer's Hornpipe
44. Speech: Untitled [Introduction to the next piece of music; the previous night to this recording was the first time that the performer played on his own pipes the reel he is about to play; asks the audience for help in identifying the tune]
45. Reel: The Kind Maid [The Wise Maid]
46. Speech: Untitled [Introduction to the next piece of music]
47. Speech, Reels: Untitled [Continuation of the introduction to the next piece of music], The Flags of Dublin, The Dublin Reel
48. Speech, Reel: Untitled [Introduction to the next piece of music], The Bucks of Oranmore
49. Reel, Speech: Untitled [All the Ways to Galway], Untitled [Information about the piece of music just played]
50. Reel, Speech: Untitled [The Ballykett Courthouse], Untitled [Information about the piece of music just played]
51. Jigs: The Maid in the Meadow [Jimmy O'Brien's Jig], An Rogaire Dubh / The Black Rogue
52. Speech: Jack and the Beanstalk [Folktale, with occasional whistle-playing in the background]
53. Reel: Untitled [The Oak Tree]
54. Air, Jig: Untitled [Anach Cuain / Eanach Dhuin], Untitled [Jig derived from the air just played; composed by Junior Crehan]
55. Speech, Song: Untitled, Untitled
56. Air: Untitled [Se Fath Mo Bhuartha]
57. Air: Untitled [Mo Ghra-sa an Jug Mor is E Lan] [END OF BAND TWO]

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