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General Correspondence: 1978-1982

Letters from Séamus MacMathúna, Wexford; Larry McCullough; Larry Lynch who encloses a copy of an itinerary for a ‘14 day dance and music tour of Ireland June 23-July 6, 1981’; letter from Diarmuid Grainger ‘enclosing details of the passing away of Mr Moss Kennedy, piper and pipe maker… he was 82’ Grainger gives a good deal of biographical information in this letter (4 June 1982); letter from Tadhg Mac Lochlainn thanking Breandán Breathnach for the tape of ‘D[enis]. Delaney’, MacLochlainn ‘knew Denis well and saw [him] playing in 1916/17 when I was about 10 or 11 yrs.’ (4 Dec 1982)

Fermanagh County Museum

Draft and original correspondence between Helen Hickey, Museum Curator, Fermanagh County Museum, Enniskillen to Breandán Breathnach; exhibition catalogue ‘Pipes and piping: an exhibition at the Fermanagh County Museum August 15 – October 4 1977’; and ‘Fermanagh County Museum Spring and Summer Programme 1977’. Correspondence relating to the mounting of the piping exhibition in Fermanagh County Museum, Breandán Breathnach agrees to ‘compile a tape of pipe music’ for the exhibition. Helen Hickey writes on 15 Nov 1977 that she was ‘very pleased with the response here to your exhibition. We had an attendance of over 600 people, many of whom had come long distances especially to see the exhibits.’

National Museum of Ireland

Draft and original correspondence between Seán Ó Téacháin, National Museum of Ireland, Kildare St, Dublin 2; draft press release and list of newspaper contact information; draft and final copies of ‘Opening speech by Breandán Breathnach at the Exhibition ‘Pipes and Piping’ at the National Museum, Kildare Street, Dublin, from 21 July 1978’; list of ‘Players at the Museum Exhibition’; invitation to the opening of ‘Pipes and Piping’; and photograph taken at the opening of the exhibition. Correspondence relating to the mounting of the piping exhibition in the National Museum of Ireland including a list of uilleann pipers who played ‘at the exhibition each day from Tuesday to Friday inclusive’, these included ‘Dan O’Dowd, Joe McLoughlin, Robbie Hannon [Hannan], Noel Pocock, Terry Moylan, Peter Browne, Paddy Keenan, Padraig MacMathúna, Ronan Browne, Pat Mitchell, Liam Óg Ó Floinn and Andy Conroy’ (Conroy, Andy, 1911-1999) (21 July 1978).

General Correspondence: 1976

Draft & original correspondence between Breandán Breathnach and Ken McLeod, Robert McMahon, Alaska; and Jackie Small. Correspondence between Breathnach and McMahon relate to ‘procuring a practice set from Kevin Thompson’ (20 Oct 1976)

Pipe Making Proposal to Gaeltarra Éireann

Draft & original correspondence between Breandán Breathnach, Jackie Small, Ballinfoyle, Galway and two employees of Gaeltarra Éireann, Na Forbacha, Gaillimh [Galway], Cathal Mac Gabhann, Stiúrthoir, and Tomás Bairéad, Oifigeach Taighde; a typescript entitled ‘A Proposal for manufacture of Uilleann Pipes’ which proposes setting up the watchmaker, Brian Gallahar, ‘a skilled craftsman in a field which has some common ground with musical instrument making (in turning and boring fine metals)’ as a pipe maker in the Ros Muc Gaeltacht. Gaeltarra turn down Na Píobairí Uilleann’s proposal because of a similar venture which was being considered in Rinn, [Co. Waterford] involving ‘‘Sky’ and Liam Clancy (of the Clancy Brothers)’ [16 Apr 1976]

Pipe Making Shannon Development

Included in a file marked ‘Shannon Development: Costings L. Byrne’ are draft & original correspondence between Breandán Breathnach and Nick Condon, Librarian, Shannon Development, Shannon Free Airport, Co Clare and Bruce W. Du Ve, Barr Rua, Feakle, Co Clare; and an undated photocopy of Lonan Byrne’s costs for ‘manufacturing uilleann pipes.’ The correspondence relates to a project being researched by Nick Condon ‘on pipe-making, ascertaining ways and means of making it a more productive craft industry’ (17 Feb 1977); Breathnach meets with Condon and recommends pipe-maker, Bruce De Ve; De Ve subsequently writes to Breathnach saying that ‘Shannon Development have been of little assistance of late, and although they are still working on processing my application I am not holding out great hopes’ he asks Breathnach to ‘help me by guaranteeing this bank loan’ (17 Dec 1977); Breathnach replies saying he is ‘unable to meet’ his request and notes that ‘when Shannon Development began dragging their heels I felt they had grown dubious about the enterprise and what I had earmarked for the piping I diverted elsewhere’ (3 Jan 1978).

General Correspondence: 1964-1972

Letters from Seán Reid; Tom Busby; Wilbert Garvin; Paddy Moloney, Managing Director, Claddagh Records; Mícheál Ó Riabhaigh, Cork (Ó Riabhaigh, Mícheál, 1911-1976); Pat McNulty, Glasgow; Barry O’Neill, Ann Arbor, Michigan; John Curry, Williamsburg, Virginia; Roly Brown, Hungerford, Berkshire; Micheál Ó Ciaráin, Cavan; and Tony Engle, Director, Topic Records. An undated letter from Tom Busby [1970] congratulates Breathnach for ‘having the courage to organize such a necessary and wonderful association as Na Píobairí Uilleann’.

O'Connor Collection

The O'Connor manuscript collection was sourced from Mrs Catherine (Kitty) O’Connor (née Horan) of Knockhorrin, Scartaglin. She originally lived at Dirreen, Scartaglin as a young girl when the manuscripts were written. Mrs O'Connor lent the collection to Caoimhín Mac Aoidh in 1984 and once copied they were returned to her in full. They consist of five school jotters which Mac Aoidh labelled, in no particular order, A, B, C, D, and E .

The O'Connell Collection

The O'Connell Collection containing 212 tunes was sourced from Pat O'Connell (known locally as Patin, pronounced locally as Patch-een) Connell (without the O') a small farmer from the townland of Cordal. Patin was a pupil of Pádraig and kept his mss in two biscuit tins in the kitchen. He was a near neighbour of Pádraig and remembered him with great affection. He lent Caoimhín his collection in full which Caoimhín took away to Cork where he was living at the time. Caoimhín was not able to photocopy them but copied each one meticulously using stencils and Rotring drafting pens. The tablature was copied in this way and the transcriptions into staff notation were made subsequently. As Caoimhín finished off a batch of 20 or so mss he would post the originals back to Patin who received all in full in return.
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