Original music manuscripts primarily in Tommie Potts's hand. Heavy annotation re variations, some incomplete, some untitled. Versions of tunes such as ‘The rocky road to Dublin’, ‘The Boys of Ballisodare’, ‘The pigeon on the gate’, and ‘The musical priest’, ‘Little Jennifer’ and ‘Meandering’. Annotation re Teilhard de Chardin. Note from ‘Pat’ on one manuscript. Includes fragments with lyrics of religious song in Potts's hand. Photocopy of page from Tacar port 2 (1961–2) by Breandán Breathnach featuring tunes by Peadar Ó Loughlin and Prionnsias Ó Brogúin. One copy entitled “’The wild swans at Coole’ Liz Carroll’s setting of Ed Reavy’s composition”. Others in Potts's hand. 2 original envelopes.
This series relates to the uilleann piping organisation Na Píobairí Uilleann which was founded in 1968. The majority of the papers relate to the early years of the organisation from 1968–1978, when Breandán Breathnach was chairman. A large amount of the correspondence is addressed to the chairman’s home address, 47 Frascati Park, Blackrock, Co. Dublin. There are also letters addressed to other committee members including secretary, Brian Vallely and Terry Moylan. The objectives of the organisation are to ‘promote and encourage the playing of the uilleann pipes; to collect and preserve music for the instrument in any manner considered feasible by the council; to assemble materials and carry out research on the history of the pipes and pipers; to issue from time to time publications about piping and the affairs of the association; to spread the knowledge of reed making and to promote the making of pipes.’ (BBR-18712/5/2). The series is divided into three subseries, the first contains some financial and administrative documents relating to various NPU premises and to specialist equipment acquired by the organisation. The objectives of the organisation are reflected in the second subseries ‘Activities’ with documents relating to the society’s bulletin An Píobaire; the music competition, Feis Ceoil; letters relating to the organisation of some of the early Tionól [Pipers’ Gatherings]; the piping exhibition Pipes and Piping, which was exhibited around the country in various locations; and documents relating to proposals sent to Gaeltarra Éireann, Shannon Development and The Carnegie United Kingdom Trust for grant aid to assist in setting up pipe makers in business. The final subseries, ‘General Correspondence 1969-1982’, contains letters from many uilleann pipers active in the society in the 1970s.
