General correspondence from uilleann pipers, other musicians, academic researchers and Irish music enthusiasts from Ireland, United Kingdom, Denmark, France, The Netherlands, Australia and the United States of America. Many of the correspondents request information on membership to Na Píobairí Uilleann, they look for information about piping classes, about where they can buy uilleann pipes and about pipe and reed making classes. Letter writers also requests to buy the society’s publications including tutor books, the journals Ceol & An Píobaire and request to purchase cane, hemp and reeds. They also look for information on contemporary and historical uilleann pipers, sound recordings and sheet music and seek answers to technical questions about chanter and reed making. Many letters contain information about uilleann pipes, pipers, reed making and pipe manufacturing. Some letters compliment Breandán Breathnach on his publications. Regular correspondents include Tom Busby, Martin Cooney, Wilbert Garvin, Robbie Hannan, Robert McMahon, Pat McNulty, Bill Ochs, Theodor Podnos, Ronnie Wathen. There are also some letters relating to the early years of the Willie Clancy Summer School in Miltown Malbay, Co. Clare. Undated letters are filed at the end of the series.
Letters from Seán Reid; Tom Busby; Wilbert Garvin; Paddy Moloney, Managing Director, Claddagh Records; Mícheál Ó Riabhaigh, Cork (Ó Riabhaigh, Mícheál, 1911-1976); Pat McNulty, Glasgow; Barry O’Neill, Ann Arbor, Michigan; John Curry, Williamsburg, Virginia; Roly Brown, Hungerford, Berkshire; Micheál Ó Ciaráin, Cavan; and Tony Engle, Director, Topic Records. An undated letter from Tom Busby [1970] congratulates Breathnach for ‘having the courage to organize such a necessary and wonderful association as Na Píobairí Uilleann’.
Letters from Ronnie Wathen; Brendan Saunders, Derry; David O’Docherty, London; Theodor Podnos; Pat McNulty; John Curry; Willie Reynolds (Reynolds, Willie, 1916-2003); draft letters from Breandán Breathnach to Seán Reid (Reid, Seán, 1907-1978); correspondence between Breandán Breathnach and ‘Mr E. H. Tupling’, London; letters from Patrick Farrell, Dublin 4; Tom Sheridan, London; Roisín White, Warrenpoint, Co Down; Seán McGuire, Cavan. Includes correspondence between Breandán Breathnach and Doirín Clancy [widow of Willie Clancy (Clancy, Willie, 1935-2009)] which refers to tapes of Willie Clancy’s playing and getting copies of these recordings made for various people for a Claddagh Records LP.
Draft & original correspondence between Breandán Breathnach and Ken McLeod, Robert McMahon, Alaska; and Jackie Small. Correspondence between Breathnach and McMahon relate to ‘procuring a practice set from Kevin Thompson’ (20 Oct 1976)
Letters from Roderick D. Cannon; Mick Farrell, Melbourne; Séamus [Ennis] (Ennis, Séamus, 1919-1982); Sammy Wade, Antrim; Ciss Talty, Miltown Malbay, Co Clare; Robbie Hannan; Eilish Moore, Dublin suggesting a presentation to Seamus Ennis should take place ‘Recently Seamus Ennis played in the venue and he moved me so much that I feel compelled to do something for this gentleman. It has been suggested to me by various musicians that a public presentation should be made to this gentleman in appreciation for his contribution to Irish Music’ (26 May 1977); letter from C.I.H. Bayley, Teddington, Middlesex, who is making ‘uilleann and Northumbrian Pipes as a hobby’ he is looking for information ‘on the construction of extra regulators’ includes five diagrams (1 June 1977); letter from James T. McGuire Jr, Evanston, Illinois, who is carrying out research on ‘chief Francis O’Neill (O’Neill, Francis, 1848-1936) and other Chicago Musicians, especially pipers’ (17 Oct 1977); letter from Padraig Ó Fearail enclosing a copy of the programme for ‘Éigse Mhantáin, Royal Starlight Hotel, Bray October 7/8, 1977’ (23 Oct 1977).
Letters from Séamus MacMathúna, Wexford; Larry McCullough; Larry Lynch who encloses a copy of an itinerary for a ‘14 day dance and music tour of Ireland June 23-July 6, 1981’; letter from Diarmuid Grainger ‘enclosing details of the passing away of Mr Moss Kennedy, piper and pipe maker… he was 82’ Grainger gives a good deal of biographical information in this letter (4 June 1982); letter from Tadhg Mac Lochlainn thanking Breandán Breathnach for the tape of ‘D[enis]. Delaney’, MacLochlainn ‘knew Denis well and saw [him] playing in 1916/17 when I was about 10 or 11 yrs.’ (4 Dec 1982)
This series is made up of three Thematic Indexes to Irish Dance Music which was compiled on index cards by Breandán Breathnach over a period of thirty years. The index controls about five or six thousand dance tunes in manuscripts, books and on sound recordings. It provides names for tunes without titles, gives the printed history of the tunes, and lists the appearance of tunes in various sources.
This is the melodic tune index that Breandán Breathnach used during his professional life as a civil servant with responsibility for music. Clár na bPort Gaelach (CPG) is written on 6545 index cards, each 3 x 5 inches in size.
Cnuasacht Iomlán den Cheol Damhsa, CICD for short, is Breandán Breathnach’s own title for this resource. CICD is a melodic card index written on 6544 large index cards, each 5 X 8 inches in size. These cards contain full handwritten and printed tunes.
The Breandán Breathnach Post-Retirement Index, or PRI for short, was the name given to this melodic card index by Jackie Small so that the resource could be distinguished from the other two Breathnach indexes. Breathnach retired from University College Dublin in 1977 at the age of 65. PRI is written on 6302 index cards, each 15.5 X 10.5 cm in size.
