Audiovisual recordings of the Inishowen International Folk Song and Ballad Seminar (IIFSBS) and events organised by the Inishowen Traditional Singers' Circle, 2002.
Audiovisual recordings of singing sessions, and recordings of individual singers made in public and private venues, organised predominantly by Inishowen Traditional Singers' Circle, in Inishowen, Co. Donegal, 1980-1983. Occasionally includes music and dance.
Audiovisual recordings of singing sessions, and recordings of individual singers made in public and private venues, organised by Inishowen Traditional Singers' Circle, in Inishowen, Co. Donegal, 1986. Occasionally also includes music and dance.
Audiovisual recordings of singing sessions, and recordings of individual singers made in public and private venues, organised by Inishowen Traditional Singers' Circle, in Inishowen, Co. Donegal, 1989. Occasionally also includes music and dance.
Audiovisual recordings of singing sessions, and recordings of individual singers made in public and private venues, organised by Inishowen Traditional Singers' Circle, in Inishowen, Co. Donegal, 1993. Occasionally also includes music and dance.
Audiovisual recordings of singing sessions, and recordings of individual singers made in public and private venues, organised by Inishowen Traditional Singers' Circle, in Inishowen, Co. Donegal, 1996. Occasionally also includes music and dance.
Letters from Capt. Francis O’Neill, 5448 Dreyfus Ave, Chicago to William Halpin, Newmarket on Fergus, Co. Clare. The letters refer to a number of uilleann pipers both resident in the United States of America, as well as, Ireland. These include Bernard Delaney and Patsy Touhey (Touhey, Patsy, 1865-1923), ‘two first class pipers’, Ireland’s ‘double prize winner’ Bob Thompson, ‘McAuliffe’, ‘Stephenson’, Charlie Ferguson, ‘Bishop O’Connor of Limerick’, ‘Bishop Touhy of Limerick’, ‘Andrews’, ‘Mr O’Mealy of Belfast’ (O’Mealy, Richard Lewis, 1873-1947) and Eddie Joyce. There are also references to other musicians including the fiddler John McFadden, who O’Neill describes as, ‘our best traditional fiddler’. The letters refer to phonograph piping records which O’Neill and Halpin exchange throughout the course of these letters. There are also a number of references to the Professor of Irish at University College, Cork and author of a number of books on Irish music, ‘Rev. Dr. [Richard] Henebry’ (Henebry, Richard, 1863-1916). O’Neill says that he is in correspondence with Henebry and has sent him a number of phonograph records also.
Letters from various friends and relatives to Seán Reid who between these years lived at a number of addresses including: Ormeau Road, Belfast; Hibernian Hotel, Borrisokane, Co Tipperary; 70 Haddington Road, Dublin and Royal Oak Road, Bagenalstown, Co Carlow. Letters from Seán Reid’s mother, Scarvagherin, Co Tyrone are personal in nature. Letters from Rev Leo Browne, Verdun, Montreal, refer to Reid as his ‘dear old sparring partner’ (6 Oct 1927), and Redmond [Nugent?], Erganagh, Castlederg, refer to training and boxing and talk about the ‘good old times’. Letters of a more musical nature with references to uilleann pipes, fiddles, and various Irish music publications including ‘O’Neill’s music for Piano & Violin’ and ‘Moore’s Melodies’ are exchanged with the following people: John Potts, 6 Watkins Blds., Off Ardee St, Dublin, who is glad to hear that Reid is ‘progressing with the pipes’; ‘John’, Spamount, Castlederg, [Co Tyrone]; ‘Brian’, 23 Salisbury Gardens, Belfast; D[enis] Dunphy, Spamount, Castlederg, Co. Tyrone; ‘M. McGlinchey’, R.U.C Barracks, York St, Belfast; ‘M. Foley’, Kuigh, Nenagh, Co Tipperary and ‘J. Leahy’, The Chalet, Ballinaclough, Nenagh. There are also two undated letters from Paddy Brennan and ‘R Freeman’, Dooleys Hotel, Bagenalstown, Co Carlow. The letter writers say that they ‘miss [Reid] a lot here, no pipes, no violin, nothing but the Gramophone to remind us of you.’
Various items of ephemera including concert programmes, receipts and newspaper clippings. These relate to Feiseanna, Conradh na Gaeilge, Cumann Lúthchleas Gael (GAA) and An Cumann Gaelach, Queen's University Belfast. Included are a ‘Programme of Concert in New Cinema, Thurles, November 14th, 1935’ and ‘Clár Feis Charman 1936’.
