Showing 30 results

Letters from Roderick D. Cannon; Mick Farrell, Melbourne; Séamus [Ennis] (Ennis, Séamus, 1919-1982); Sammy Wade, Antrim; Ciss Talty, Miltown Malbay, Co Clare; Robbie Hannan; Eilish Moore, Dublin suggesting a presentation to Seamus Ennis should take place ‘Recently Seamus Ennis played in the venue and he moved me so much that I feel compelled to do something for this gentleman. It has been suggested to me by various musicians that a public presentation should be made to this gentleman in appreciation for his contribution to Irish Music’ (26 May 1977); letter from C.I.H. Bayley, Teddington, Middlesex, who is making ‘uilleann and Northumbrian Pipes as a hobby’ he is looking for information ‘on the construction of extra regulators’ includes five diagrams (1 June 1977); letter from James T. McGuire Jr, Evanston, Illinois, who is carrying out research on ‘chief Francis O’Neill (O’Neill, Francis, 1848-1936) and other Chicago Musicians, especially pipers’ (17 Oct 1977); letter from Padraig Ó Fearail enclosing a copy of the programme for ‘Éigse Mhantáin, Royal Starlight Hotel, Bray October 7/8, 1977’ (23 Oct 1977).

Letters from Séamus MacMathúna, Wexford; Larry McCullough; Larry Lynch who encloses a copy of an itinerary for a ‘14 day dance and music tour of Ireland June 23-July 6, 1981’; letter from Diarmuid Grainger ‘enclosing details of the passing away of Mr Moss Kennedy, piper and pipe maker… he was 82’ Grainger gives a good deal of biographical information in this letter (4 June 1982); letter from Tadhg Mac Lochlainn thanking Breandán Breathnach for the tape of ‘D[enis]. Delaney’, MacLochlainn ‘knew Denis well and saw [him] playing in 1916/17 when I was about 10 or 11 yrs.’ (4 Dec 1982)

Letters from Capt. Francis O’Neill, 5448 Dreyfus Ave, Chicago to William Halpin, Newmarket on Fergus, Co. Clare. The letters refer to a number of uilleann pipers both resident in the United States of America, as well as, Ireland. These include Bernard Delaney and Patsy Touhey (Touhey, Patsy, 1865-1923), ‘two first class pipers’, Ireland’s ‘double prize winner’ Bob Thompson, ‘McAuliffe’, ‘Stephenson’, Charlie Ferguson, ‘Bishop O’Connor of Limerick’, ‘Bishop Touhy of Limerick’, ‘Andrews’, ‘Mr O’Mealy of Belfast’ (O’Mealy, Richard Lewis, 1873-1947) and Eddie Joyce. There are also references to other musicians including the fiddler John McFadden, who O’Neill describes as, ‘our best traditional fiddler’. The letters refer to phonograph piping records which O’Neill and Halpin exchange throughout the course of these letters. There are also a number of references to the Professor of Irish at University College, Cork and author of a number of books on Irish music, ‘Rev. Dr. [Richard] Henebry’ (Henebry, Richard, 1863-1916). O’Neill says that he is in correspondence with Henebry and has sent him a number of phonograph records also.

One complete set of handwritten minutes for a meeting held in Ely Place on 24 Oct 1970. ‘A general meeting, Breandán Breathnach presided, about 35 present. The first thing was a minutes silence in respect of the memory of Leo Rowsome’ (Rowsome, Leo, 1903-1970); it also includes an undated fragment of minutes; a letter from Paddy Moloney to Breandán Breathnach offering apologies that he won’t be able to attend meeting on 21 Oct 1972; an original master-copy of Na Píobairí Uilleann’s headed notepaper; a copy of an announcement of the establishment of Na Píobairí Uilleann; and a copy of the society’s rules.

Letters from Aidan Walsh, BA Curator, Monaghan County Museum, The Courthouse, Monaghan to Breandán Breathnach; exhibition catalogue ‘Pipes and Piping: An exhibition from Na Piobairi Uilleann, Dublin. Monaghan County Museum, October 7 - November 3 1977’; and copies of newspaper clipping relating to the exhibition from ‘The Anglo Celt’, ‘The Northern Standard’ and ‘The Argus’. Letters relating to the mounting of the piping exhibition in Monaghan County Museum. Aidan Walsh wrote that the exhibition was ‘well received’ and that ‘our daily attendance averaged 50 throughout the exhibition which was an increase on our normal October level’ (21 Nov 1977).

Draft and original correspondence between Seán Ó Téacháin, National Museum of Ireland, Kildare St, Dublin 2; draft press release and list of newspaper contact information; draft and final copies of ‘Opening speech by Breandán Breathnach at the Exhibition ‘Pipes and Piping’ at the National Museum, Kildare Street, Dublin, from 21 July 1978’; list of ‘Players at the Museum Exhibition’; invitation to the opening of ‘Pipes and Piping’; and photograph taken at the opening of the exhibition. Correspondence relating to the mounting of the piping exhibition in the National Museum of Ireland including a list of uilleann pipers who played ‘at the exhibition each day from Tuesday to Friday inclusive’, these included ‘Dan O’Dowd, Joe McLoughlin, Robbie Hannon [Hannan], Noel Pocock, Terry Moylan, Peter Browne, Paddy Keenan, Padraig MacMathúna, Ronan Browne, Pat Mitchell, Liam Óg Ó Floinn and Andy Conroy’ (Conroy, Andy, 1911-1999) (21 July 1978).

Draft & original correspondence between Len Clifford and two employees of RTÉ, Janet Wynne and Tom McGrath; and two copies of the ‘Report of Chairman of Jury Selecting Songs for the Contest.’ The correspondence relates to the National Song Contest, 1972 and Len Clifford’s role as chairman of the jury. Clifford is paid £40 for the job which ‘usually takes between three and four days.’ He writes to Tom McGrath on the 8 January 1972 enclosing the report of ‘the Panel.’ He says that the task was a ‘gruelling’ one but he very much enjoyed working with the other members of the jury, Frank Dermody, Louis Stewart, Tony Wilson and musician, Noel Kelehan. The report details the ‘Terms of reference’, ‘Procedure Adopted’ and ‘Result.’ The following English and Irish songs were chosen by the jury: ‘Certain Sunday’, Don’t need your Sympathy’, ‘It would take a Miracle’, ‘Tar Liom’, ‘Posadh nó Buaileadh Nos’ and ‘Óró Áine.’ The jury was unanimous in all its choices.

Draft & original correspondence between Breandán Breathnach, Jackie Small, Ballinfoyle, Galway and two employees of Gaeltarra Éireann, Na Forbacha, Gaillimh [Galway], Cathal Mac Gabhann, Stiúrthoir, and Tomás Bairéad, Oifigeach Taighde; a typescript entitled ‘A Proposal for manufacture of Uilleann Pipes’ which proposes setting up the watchmaker, Brian Gallahar, ‘a skilled craftsman in a field which has some common ground with musical instrument making (in turning and boring fine metals)’ as a pipe maker in the Ros Muc Gaeltacht. Gaeltarra turn down Na Píobairí Uilleann’s proposal because of a similar venture which was being considered in Rinn, [Co. Waterford] involving ‘‘Sky’ and Liam Clancy (of the Clancy Brothers)’ [16 Apr 1976]

Included in a file marked ‘Shannon Development: Costings L. Byrne’ are draft & original correspondence between Breandán Breathnach and Nick Condon, Librarian, Shannon Development, Shannon Free Airport, Co Clare and Bruce W. Du Ve, Barr Rua, Feakle, Co Clare; and an undated photocopy of Lonan Byrne’s costs for ‘manufacturing uilleann pipes.’ The correspondence relates to a project being researched by Nick Condon ‘on pipe-making, ascertaining ways and means of making it a more productive craft industry’ (17 Feb 1977); Breathnach meets with Condon and recommends pipe-maker, Bruce De Ve; De Ve subsequently writes to Breathnach saying that ‘Shannon Development have been of little assistance of late, and although they are still working on processing my application I am not holding out great hopes’ he asks Breathnach to ‘help me by guaranteeing this bank loan’ (17 Dec 1977); Breathnach replies saying he is ‘unable to meet’ his request and notes that ‘when Shannon Development began dragging their heels I felt they had grown dubious about the enterprise and what I had earmarked for the piping I diverted elsewhere’ (3 Jan 1978).

Originally in a file marked 'NPU [Na Píobairí Uilleann] Exhibition' includes both original & draft correspondence to and from Breandán Breathnach, relating to the exhibition ‘Pipes and Piping’ and its mounting in various locations across Ireland including the Willie Clancy Summer School, Miltown Malbay, Co. Clare; Muckross House, Killarney, Co. Kerry; Ulster Museum, Belfast; also included are press releases, exhibition catalogues, invitations, and press cuttings. Letters from Máirtín Talty, Scoil Samhraidh Willie Clancy, Miltown Malbay, Co Clare; David Hammond, 25 Downshire Rd, Cregagh, Belfast; Mr E. Myers, Manager, Muckross House, Killarney; Dinah Molloy, 77 Wood St, Barnet, Herts, England; Dave Williams, Uilleann Pipes & Flutes, 26 Spring Gardens, Newark, Notts; draft and original correspondence between Kathleen White, Secretary Cultural Relations Committee, Department of Foreign Affairs, Dublin 2 and Breandán Breathnach; draft and original correspondence between Bill Ochs, 467 W 46th St, New York and Breandán Breathnach; letter from Mícheál Ó Riabhaigh (Ó Riabhaigh, Mícheál, 1911-1976), Cathaoirleach, Cumann na bPíobairí Uileann [Uilleann] Corcaigh, 7 St Anne’s Drive, Montenotte Park, Cork to Liam McNulty, Na Píobairí Uileann [Uilleann], 15 Henrietta St, Dublin 1; ‘Brochure of Piping Exhibition: Scoil Samhraidh Willie Clancy 1974’; exhibition catalogue ‘Pipes and Piping held at C.B.S. Theatre, Sexton Street, Limerick on Saturday 12th October 1974’; draft exhibition display cards; entry form for ‘Museum's Special Exhibition Award 1980’; receipts, accommodation information, press release and various ephemera relating to exhibition. Letters and correspondence relate to the mounting of the piping exhibition at the Willie Clancy Summer School, Muckross House and Ulster Museum. There is further correspondence about the possibility of mounting the exhibition in Cork, and at the ‘Sense of Ireland festival, [and] in various centres in the United States in 1981’. Also included is an Ulster Museum press release announcing the ‘First Uilleann Pipe Concert in Ulster Museum’ featuring ‘the most distinguished pipers in Ireland’ including ‘Peter Browne, Lonan Byrne, Gerry McFadden, Liam Og O’Flynn and Trevor Stewart’.