Larry Masterson Collection. Reel-to-Reel 7 [sound recording] / [various performers]. Track 54
- LMA-18613/1/259150/54
- Parte
- 1966 (tracks A1–17, B1–7) ; June 1970 (tracks B24–27, C1–16) ; 1970 (tracks C17–29)
Parte de Larry Masterson Collection
Larry Masterson Collection. Reel-to-Reel 7 [sound recording] / [various performers]. Track 54
Parte de Larry Masterson Collection
Larry Masterson Collection. Reel-to-Reel 7 [sound recording] / [various performers]. Track 57
Parte de Larry Masterson Collection
Larry Masterson Collection. Reel-to-Reel 7 [sound recording] / [various performers]. Track 67
Parte de Larry Masterson Collection
Larry Masterson Collection. Reel-to-Reel 7 [sound recording] / [various performers]. Track 68
Parte de Larry Masterson Collection
Larry Masterson Collection. Reel-to-Reel 7 [sound recording] / [various performers]. Track 72
Parte de Larry Masterson Collection
Alen MacWeeney Collection. Reel-to-Reel 33B [sound recording] / [various performers]. Track 1
Parte de Alen MacWeeney Collection
Story: The Enchanted Lady
Cassidy, Johnny - storytelling in English
Alen MacWeeney Collection. Reel-to-Reel 43B [sound recording] / [various performers]. Track 2
Parte de Alen MacWeeney Collection
Story: The Soldier Seeking Lenity for his Regiment - small portion of this story is continued on tape 45B-1 [END OF BAND ONE]
Cassidy, Johnny - storytelling in English
Interview with Jurgen Simpson [videorecording] / Jurgen Simpson ; Michael Dungan
Parte de ITMA Field and Studio Recordings
Interview with Eibhlis Farrell and Ita Beausang [videorecording] / Eibhlis Farrell ; Ita Beausang
Parte de ITMA Field and Studio Recordings
Interview with Raymond Deane about Seachanges [videorecording] / Michael Dungan ; Raymond Deane
Parte de ITMA Field and Studio Recordings
Performers:
Dungan, Michael, interview in English, track 1-14
Deane, Raymond, speech in English, track 1-14
Running Order:
1. Speech: anti-establishment, being on the Leaving Certificate
2. Speech: suitability of `seachanges' for an introduction to contemporary classical music
3. Speech: the trilogy being an irreverant view of death
4. Speech: resonances with earlier music
5. Speech: influences
6. Speech: suggested further listening
7. Speech: origins of the piece
8. Speech: focus on the micro-structure of the piece
9. Speech: the musical language of young people
10. Speech: view on music education in Ireland
11. Speech: suggested listening outside of `seachanges'
12. Speech: music in Raymond's teenage life
13. Speech: the background of the piece
14. Speech: organic nature of the piece [END OF DAT]