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Breandán Breathnach Collection. Reel-to-Reel 325 [sound recording] / [various performers]

Performers:
O'Keeffe, Maurice / O'Keefe, Maurice,, Kerry, fiddle solo A1, 2?;
Breathnach, Breandan, Dublin, speech in English throughout;
Murphy, Denis, Kerry, speech in English throughout;
fiddle in duet A24–27;
Murphy, Mollie / Murphy, Mrs, Cork, fiddle solo A3?, 4–23;
speech in English throughout A4–27;
fiddle in duet A24–27;
Moynihan, Pat, Kerry, whistle solo A28–31;
speech in English A29;
Murphy, Mike, Cork, fiddle solo A32–37;
speech in English A32–37;
Unidentified performer, accordion solo A38–41;
speech in English A38–41;
Kelly, Patrick, Clare, fiddle solo A42–46, 48;
speech in English A42–48;
whistle solo A47?;
Unidentified performer [Mac Mathuna, Seamus, Clare / Dublin?], speech in English A42–48

Running Order:
1. Jig: Tatter Jack Walsh [CICD 1397–1398 (from this recording)]
2. Jig, Speech: Arise Bonnie Lassie and Bundle and Go / Larry O'Gaff [CICD 873 (from this recording); discussion on CICD card as to who the performer is; from the evidence on the tape, seems most likely to be Maurice O'Keeffe], Untitled [Information about the tune just played]
3. Speech, Polka: Untitled, Untitled [CICD 6515 (from this recording); discussion on CICD card as to who the performer is; CRE 5, # 106]
4. Speech, Reel, Speech, Reel: Untitled, Untitled (incomplete), Untitled, The Morning Star (incomplete)
5. Reel, Speech: The Maids of Erin [CICD 5522 (from this recording)], Untitled
6. Reel: Evening Bells [CICD 4312 (from track A27 on this recording); The Game Cock (CRE 5, # 158, as reel; CRE 4, # 62, as slide; see notes for more information); The Bog Carrot]
7. Reel: Untitled [CICD 3052 (from this recording); related to The Green Groves of Erin?]
8. Slip Jig: The Cuckold Old Man [CICD 197 (untitled; from this recording)]
9. Reel, Speech: The Boyne Hunt, Untitled
10. Reel: The Five Mile Chase [CICD 3555 (from this recording; untitled)]
11. Reel, Speech: Untitled [CICD 5309–5310 (from this recording); The Mourne Mountains (DMI, # 477); related to Tom Ward's Downfall], Untitled [Information about the tune just played]
12. Reel, Speech, Reel, Speech: Untitled, Untitled, The Silver Tip / The Flowing Bowl [CICD 4404 (from this recording; untitled); title 'The Silver Tip' is supplied by the collector and performer (from a written source being consulted during this recording session?); title 'The Flowing Bowl' is supplied by Denis Murphy], Untitled [Information about the tune just played]
13. Reel, Speech: Boil the Kettle Early [CICD 2868 (from this recording)], Untitled
14. Reel, Speech, Reel, Speech, Reel: Ships Are Sailing [Tentative; incomplete], Untitled, Untitled [Tentative; incomplete; second part is that of The Hunter's Purse?], Untitled, The Maid behind the Bar (incomplete)
15. Speech, Reel, Speech: Untitled, Untitled [CICD 2844.11 (from this recording); CRE 2, # 290 (from this recording); The Pride of Rathmore; 2 parts here; this tune is often heard with 3 parts], Untitled
16. Slip Jig, Speech: Untitled [CICD 146 (from this recording)], Untitled
17. Speech, Reel: Untitled, Drowsy Maggie [CICD 2999 (from this recording)]
18. Speech, Reel, Speech: Untitled, The Piper's Despair [CICD 5931 (from this recording; untitled)], Untitled
19. Reel, Jig, Speech, Reel, Speech, Reel, Speech, Reel: Untitled [The Peeler's Jacket], The Butcher's March, Untitled, Kitty's Wedding (incomplete), Untitled, Untitled [CICD 2863 (from this recording); related to The Galway Rambler?], Untitled, My Love is in America (incomplete)
20. Speech, Slides: Untitled, Untitled [CICD 551.11 (from this recording)], Untitled [CICD 2295.11 (from this recording); Tom Connors' Jig (CRE 2, # 57); Put on the Chain on the Pony (CRE 5, # 73)], Untitled [CICD 2275.13 (from this recording)], Untitled [CICD 2131.11 (from this recording)], Untitled (incomplete) [The first part of the first tune in this selection of slides]
21. Speech, Slide: Untitled, Untitled [CICD 1559.12 (from this recording); related to Pete Sullivan's Fancy / The Whistling Thief Jig / She Didn't Dance and Dance?]
22. Reel, Speech: Jenny Picking Cockles / The Old Slipper Shoe [CICD 5186 (from this recording; gives title 'The Old Slipper Shoe')], Untitled [Information about the tune just played, including further title]
23. Polka: Untitled [CICD 6435 (from this recording); Din Tarrant's (1); The Cobbler]
24. Jig: Three Little Drummers [Delaney's Drummers]
25. Polka: Untitled [CICD 6336 (from this recording); played by duet, but CICD card gives only one performer, Mrs Murphy]
26. Reel, Speech: Untitled [The Lisheen Reel (CRE 2, # 19)], Untitled
27. Reel: Evening Bells [CICD 4312 (from this track on this recording; untitled); also on track A6 on this recording; The Game Cock (CRE 5, # 158, as reel, from this recording; CRE 4, # 62, as slide; see notes for more information); The Bog Carrot]
28. Jig: Untitled [CICD 1673 (from this recording); The Castlebar Races; The Races of Castlebar; performer on tracks A28–31 is playing a wooden whistle (information source: CICD 666)]
29. Jig, Speech: I Will if I Can [CICD 666 (from this recording)], Untitled
30. Jig: Jackson's Morning Brush [CICD 2087 (from this recording)]
31. Hornpipe: Callaghan's Hornpipe [END OF BAND ONE]
32. Jig, Speech: There's a Hole in the Bucket / Thane Buckley [?] [CICD 1793 (from this recording; untitled)], Untitled [Denis Murphy suggests a name (Thane Buckley [?]) for the jig just played]
33. Speech, Jig, Speech: Untitled [Information about the tune to be played], The Tuirin Garbh Jig, Untitled [About John Quinn, the local flute-player from whom the performer learned music that he plays]
34. Speech, Jig, Speech: Untitled, Untitled [CICD 2454 (from this recording)], Speech
35. Jig, Speech: Leahy's Jig [CICD 2469 (from this recording)], Untitled [Information about Leahy, fiddler and dancing master]
36. Jig, Speech, Jig: The Leg of the Duck [CICD 1435 (from this recording)], Untitled [Words sung to the tune just played]
37. Jig, Speech: Untitled [CICD 1934 (from this recording)], Untitled
38. Jig: Untitled [Haste to the Wedding]
39. Set Dance / Jig: Untitled [The Sweets of May; related to the melody of the song Follow me up to Carlow]
40. Jig, Speech: Untitled [Kenmure's On and Awa'], Untitled
41. Polka: Untitled [Melody of song Muirsheen Durkin; played in two different registers]
42. Reel, Speech: Untitled [The Bucks of Oranmore], Untitled
43. Reel: The Foxhunter's Reel
44. Jig: Untitled [Mo Ghrasa ar Maidin / My Love in the Morning (CRE, # 57)]
45. Reel: Untitled [My Love is in America]
46. Jig: Untitled [Anthony Frawley's Jig (CRE 2, # 9)]
47. Reel: Untitled [A Fair Wind]
48. Reel, Speech: Untitled [A Fair Wind], Untitled [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 297 [sound recording] / [various performers]

Speech: Untitled [Reminiscences of piper and pipemaker Dan O'Dowd. Topics include: where and when (1903) D O'D was born; the Easter Rising 1916 and the surrender that followed it; story about drunken soldier who ignores warning and is shot; account of courageous sisters Ann and Eileen Cooney; D O'D joins the Fianna and then the Volunteers; the Battalion in which he served; activities during the Civil War; D O'D is captured & plays the warpipes in captivity, first in Dublin (in Mountjoy Jail), later in the Curragh; how D O'D started playing warpipes; with other formed the Connolly Band of warpipers about 1922; band is ambushed; band members; D O'D meets Leo Rowsome where LR was teaching in Chatham Row; D O'D goes to Billy Andrews for lessons on the uilleann pipes; other uilleann pipers at the time – Nugent, John Fleming, Sean Doran (an assistant in Billy Andrews's shop); Martin Burke; D O'D buys practice set from Willie Rowsome; D O'D joined Fire Brigade in 1928; had motorbike with sidecar, on which he used to carry Billy Andrews to classes that Andrews gave; D O'D married in 1933; other students of the uilleann pipes at the time; Breandan Breathnach went to Billy Andrews for piping classes in 1928; Andrews's method of teaching; Andrews very fond of slip jigs; Andrews broadcasting on the radio station 2RN – he was a very nervous performer; D O'D sells a reed for Andrews, price half-a-crown; D O'D met Seamus Ennis for the first time in the house of the pipemaker McCrone (who came from Mullingar); D O'D competed at the Mansion House with Seamus Ennis's father as adjudicator; Eddie Potts competing as an uilleann piper; D O'D sold pipes that McCrone had made for him to Johnny Doran for £5; John Clarke made a new set for D O'D; D O'D competing in pipe band competitions in Scotland; warpiping teachers, competitions and bands in Dublin; the Fintan Lalor pipe band; D O'D's friendship with members of the Potts family; other memories of Dublin and acquaintances that he and Breandan Breathnach had in common]

Breathnach, Breandan, Dublin - speech in English throughout
O'Dowd, Dan, Dublin - speech in English throughout

Seán Ó Riada BBC Contract

Original typed letter/contract from Ben Travers, Copyright Department, British Broadcasting Corporation, Broadcasting House, London, to Len Clifford, Seapoint, Blackrock, Co. Dublin. Commissioning Seán Ó Riada ‘to write the incidental music for our Television Drama Play “The Playboy of the Western World.”’ A fee of ‘£8.00 per minute’ is suggested but has been amended to £8.50 and initialled. The fee is to ‘cover composition, scoring and the right to record the music as desired for world television and world showing of non-paying audiences.’ The contract is signed by both Ben Travers & Len Clifford.

Breandán Breathnach Collection. Reel-to-Reel 262 [sound recording] / [various performers]

Performers:
Unidentified performer [O'Leary, Johnny, Kerry], accordion in duet A1, 4, 6;
accordion solo A2–3, speech in English A2–3;
Unidentified performer [O'Leary, Ellen, Kerry], whistle in duet A1, 4, 6;
whistle solo A5;
speech in English A5;
Unidentified performer [Breathnach, Breandan, Dublin], speech in English A2–3;
Unidentified performer [Morrison, James, Sligo / New York], fiddle in duet A7–9;
fiddle in trio A10, 12;
Unidentified performer [Potts, Tommy, Dublin], fiddle solo A11;
Unidentified performer [McKenna, John, Leitrim / New York], flute in trio A12;
Unidentified performer [Gavin, Frankie, Galway], fiddle in duet A13;
Unidentified performer, fiddle in duet A14

Running Order:
1. Polkas: Untitled [Dan Sweeney's], Untitled [The Gullane Polkas (1)], Untitled [Paddy Spillane's (1)], Untitled [Paddy Spillane's (2); The Gallope]
2. Jig, Speech: Untitled [Jackson's Morning Brush], Untitled
3. Speech, Slides, Speech: Untitled [Padraig O'Keeffe's Slide (1); First Cousin of The Gallant Tipperary Boys], Untitled [The Scartaglen Jig], Untitled, Untitled
4. Polkas: Untitled [Dan O'Connell's Favourite], Untitled [The Lakes of Sligo; The Lass of Gowrie]
5. Polkas, Speech: Untitled [East Limerick Polka (2) (related tune)], Untitled, Untitled
6. Jig: Untitled [Delaney's Drummers] (clipped at end) [END OF BAND ONE]
7. Reels: Untitled [The Irish Girl; Philip O'Beirne's Delight], Untitled [The Musical Priest], Untitled [Wellington's; Sheehan's (related tune)] [Dub from commercial 78rpm disc]
8. Hornpipes: Untitled [Dunphy's Hornpipe], Untitled [The Flowers of Ballymote] [Dub from commercial 78rpm disc]
9. Jigs: Untitled [Kitty's Wedding; The Ship in Full Sail; usually with 2 parts, here with 3], Untitled [The Rambler] [Dub from commercial 78rpm disc]
10. Polkas: Untitled [The Happy Birdie], Untitled [The Blue Bell; The Bluebell Polka] (clipped at end) [Dub from commercial 78rpm disc]
11. Reel: Untitled [The Liffey Banks]
12. Polka: Untitled [The Dark Girl Dressed in Blue] [Dub from commercial 78rpm disc]
13. Reel: Untitled [Farewell to Erin]
14. Jig: Untitled [Dooney Rock; composed by Sean Ryan] [END OF BAND TWO]

Breandán Breathnach Collection. Reel-to-Reel 171 [sound recording] / Micho Russell ; Breandán Breathnach

Performers:
Russell, Micho, Clare, tin whistle A1–11, 13–26;
speech in English A12 and throughout;
Breathnach, Breandán, tin whistle, occasionally;
speech in English throughout

Running Order:
1. Reel: Farewell to Connacht [CICD 3041.12 (from this recording); 3041.11 (not from this recording)]
2. Reel: Carty's Reel / Cassidy's Reel [CICD 4684.11–.12 (from this recording); 4684.13, 4978–.12 (none from this recording); partly composed by MR; commonly known as Micho Russell's; as Carty's Reel from MR in CRE 2, # 294]
3. Jig: The Humours of Bantry [CICD 1194.11 (from this recording; DMI, # 13)]
4. Jig: Jimmy O'Brien's Jig [CICD 1860.11 (from this recording) / The Maid in the Meadows [CICD 1866–7 (not from this recording)]
5. Jig: The Frieze Breeches / La Sin' Seain / Trom La [CICD 1492.11–.13 (all from this recording); 1486, 1487, 1488, 1490 (none from this recording); standard version of the tune; for MR's 'old' version see the next track.]
6. Jig: Frieze Breeches (the old way) [CICD 954.11 (from this recording); as MR heard it played on concertina and jew's harp; for MR's 'standard' version of the tune, see the previous track.]
7. Jig: The Chorus Jig / The Kilfenora Jig [CICD 2218.11–.12 (from this recording)]
8. Jig: Is Fearr Paidir na Port [CICD 1713.11 (from this recording); MR explains that this tune is played after The Chorus Jig / The Kilfenora Jig (see previous track) and is sometimes regarded as part of it.]
9. Cudreels / Cudrils / Quadrille Tunes / [Jigs / Slides]: She Hadn't the Knack She Thought She Had [CICD 1470.12 (from this recording); 1470.11 (not from this recording)], The Cumann na mBan Are Dead and Gone [CICD 1968.13 (from this recording); 1968.11–.12 (none from this recording); one of 2 tunes that MR assigns this name to.]
10. Speech, Set Dance: Untitled [Patrick Killoughrey, dancer; confusion about parts of the tune that follows], The Retreat [CICD 6528, 6529, 6530 (all from this recording? Part of the tune replayed separately {card 6530?}); 6531, 6532 (none from this recording); Bonaparte's Retreat]
11. Set Dance: Rodney's Glory [CICD 6527 (from this recording)]
12. Speech: Untitled [Introduction to the music on track 13, mainly topics related to dancing, including: the travelling dancing master and fiddle player Hennessy (trained local people to dance the jig, reel and hornpipe; first taught the rising step in the jig, then the side-step for the reel; was active in the 1920s and '30s; taught MR's father; {MR himself saw H.}; taught pupils individually and charged sixpence per step, then thought very expensive; used to stay and teach in Michael Flanagan's house; would stay for one to two months at a time; when the lessons were over, sets would be danced in Flanagan's house); the dancing master Stack (from Ballycotton, Co Kerry); the dancer Paddy Moloney (danced in knickerbockers; danced Sagart na mBuataisi {The Priest in his Boots} as a solo dance); dancers in the Aran Islands (made up their own steps; when dancing a set would make the figures very long); Mairtin O Griofa, Carraroe, Co Galway, solo dancer (would make up his own steps); 'single' dancing (i.e. solo dancing by one man); a girl from Belgium performed what she called 'nature dancing' at the festival in Lisdoonvarna to the tune selection in track 13 (BB enquires if she was still dressed); Father Pat Ahearn (Siamsa Tire) arranged this tune set for the Fleadh Nua; MR offers to demonstrate a double batter with heel and toe in reel or quick hornpipe time.]
13. Air / Slow March, Slip Jig, Reel, Air: The South Wind [not in CICD], The Foxhunter's Jig / Nead na Lachan sa mButa [CICD 272.11 (from this recording); MR's name in Irish from Donal Standun (banjo, Spiddal, Co Galway); BB says that Willie Clancy's tune The Humours of Derrykissane is a version of this], The Foxhunter's Reel [CICD 2898.11 (from this recording; transcribed only in part); BB says that Patrick Kelly (fiddle) was the first person he heard playing this, and that Sean Keane (fiddle, The Chieftains) had popularised it], The South Wind [as played earlier in this track]
14. Reel: The Green Fields of America / Molly Branagan (Molly Brannigan?) [CICD 4754.11 (from this recording); 4749 (not from this recording); DMI, # 523]
15. Reel: Rakish Paddy [CICD 6015.11 (from this recording); 3108, 3109, 3110 (not from this recording); DMI, # 749; CRE, # 145]
16. Reel: The Blackhaired Lass / The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4230.12 (from this recording), 4230.13, 4239 (not from this recording)]
17. Reel: Untitled [CICD 4363.11 (from this recording); 4363.12, 3098 (not from this recording); played by Johnny Byrt, a travelling carpenter from Liscannor; CRE 2, # 175 (from MR)]
18. Reel: Patsy Campbell's Reel [CICD 3778.11 (where this recording is referenced); 3779 (not from this recording)]
19. Reel: Drowsy Maggie (mother's version) [CICD 3896.11 (from this recording); from MR's mother, who played the concertina; for another version, which MR learned in Donegal, see the next track.]
20. Reel: Drowsy Maggie (Donegal version) [CICD 3896.12–.13 (from this recording); version learned by MR from the Byrnes of Kilcar (fiddle players) while on a visit to Donegal.]
21. Jig: The Geese in the Bog [CICD 724.11 (from this recording); 1604, 1605 (not from this recording); CRE 2, # 53 (from MR); The Lark's March]
22. Jig: The Geese in the Bog [CICD 1809.11 (from this recording); 1809 (not from this recording); not the same tune as on previous track; minor key, tonic note A; for a version of this tune with tonic note B, see the next track]
23. Jig: The Geese in the Bog [CICD 1809.12 (from this recording); 1809.13–.14 (not from this recording); not the same tune as that at track 21; minor key, tonic note B; for a version of this tune with tonic note A, see the previous track]
24. Reel, Speech: Upstairs in a Tent [CICD 4444.12 (where this recording is referenced); 4445, 4446 (not from this recording); CRE 2, # 190 (from MR)], Untitled [about Jimmy Mulqueeny (fiddle), who supplied the name for this tune. From BB's comments re 'Jimmy Mucai' it looks as if he had CICD card 4446 card in front of him when talking to MR here.]
25. Jigs / Single Jigs / Slides: Mickey Callaghan's Slide [CICD 2325.11 (from this recording), 2323.11 (not from this recording)], The Clare Jig [CICD 2364.13–.14 (from this recording); 1162.11–.12, 2364.11–.12, 2364.15 (none from this recording); CRE 2, # 71 (untitled, from MR)]
26. Speech: Untitled [Speech to introduce the reel The Boy in the Gap (the old way), but tape runs out before tune gets under way.] [END OF BAND ONE]

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