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Breandán Breathnach Collection File
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Accounts and Receipts

Financial documents and receipts relating to the activities of Na Píobairí Uilleann. Included are an entry sheet for ‘Cumann na bPiobairí Uilleann / Uilleann Pipers' Club Members Private Sweep on The Grand National, Run at Aintree..., 1963; a hardback copy listing names & subscription payments to Na Píobairí Uilleann (1968-1972), the first entry is as follows ‘26th October 1968. Convention held at Bru na Gael, North Great George’s Street. Subscriptions were collected by me and the names of subscribers noted with addresses.’ The copy also includes ‘income’ and ‘expenditure’ accounts for these years. Also included are receipts for among other things, printing of the society’s newsletter An Píobaire, the printing of photographs from a pipers’ gathering in 1973, receipts for materials relating to reed making e.g. ‘12 balls of hemp, £1.07’ as well as receipts for the purchase of publications.

An Píobaire

Letters, notices and articles sent to Breandán Breathnach relating to the society’s newsletter An Píobaire. Most of the material dates to the early 1970s including an article and illustration from Ronnie Wathen (Wathen, Ronnie, 1934-1993), Es Cloí, Deyá, Mallorca entitled ‘Beginning the pipes: a personal note’ (10 Nov 1970); ‘Latest News Snippets from Pat McNulty’, Glasgow’ (May 1972) and a retraction statement from Theodor Podnos, New Jersey, U.S.A ‘Theodor Podnos regrets the erroneous statement made in his lecture of June 19, 1972 concerning the tunings of modern Highland chanters’ (30 April 1973). Also included are two copies of An Píobaire Nov [1977] and May 1982.

Clár na bPort Gaelach (CPG)

This is the melodic tune index that Breandán Breathnach used during his professional life as a civil servant with responsibility for music. Clár na bPort Gaelach (CPG) is written on 6545 index cards, each 3 x 5 inches in size.

Cnuasacht Iomlán den Cheol Damhsa (CICD)

Cnuasacht Iomlán den Cheol Damhsa, CICD for short, is Breandán Breathnach’s own title for this resource. CICD is a melodic card index written on 6544 large index cards, each 5 X 8 inches in size. These cards contain full handwritten and printed tunes.

Equipment

Correspondence, catalogues, instruction manuals and receipts relating to the purchase of a music typewriter from the Music Print Corporation, New York by Na Píobairí Uilleann. Also included is a letter to Mr P. Glackin (Glackin, Paddy), Traditional Music Officer, Arts Council, [Dublin] relating to grants awarded to Na Píobairí Uilleann & the Folk Music Society for the ‘cost of the musicwriter’ and ‘cost of laying out the Goodman mss’ and the ‘cost of preparing the Petrie mss for printers.’ (5 May 1981)

Feis Ceoil Piping Competition

Included in an envelope marked, ‘Féis Cheoil piping comptn’, are draft & original correspondence between Turlough [Terry] Moylan, honorary secretary of Na Píobairí Uilleann and two members of the Feis Ceoil committee, Mrs M. E. Atock and Miss J. Hunter; a letter from Terry Moylan to Breandán Breathnach; and a copy of the Feis Ceoil ‘Syllabus of prize competitions … 1971.’ The correspondence relates to a request by Na Píobairí Uilleann for the ‘re-inclusion of piping competitions in the 1972 Feis Ceoil’ (22 Jul 1971). Na Píobairí Uilleann’s suggestion ‘received very favourable consideration’ at the Feis Ceoil committee meeting (17 Sep 1971) the issue of who would provide and finance prizes and adjudicators is raised; Na Píobairí Uilleann offer to provide plaques and three adjudicators ‘at no expense’ (30 Sep 1971); there is a disagreement about the number of adjudicators needed, the Feis Ceoil committee comment that ‘in all Feis Ceoil competitions only one adjudicator is employed … this condition must be complied with in the piping classes’ (12 Nov 1971); Na Píobairí Uilleann is ‘taken aback at the unyielding attitude’ displayed by the Feis Ceoil committee, Na Píobairí Uilleann feel they are the ‘best judges’ as to how a piping competition should be conducted and accordingly ‘they cannot accede’ to the Feis Ceoil request (18 Jan 1972).

Fermanagh County Museum

Draft and original correspondence between Helen Hickey, Museum Curator, Fermanagh County Museum, Enniskillen to Breandán Breathnach; exhibition catalogue ‘Pipes and piping: an exhibition at the Fermanagh County Museum August 15 – October 4 1977’; and ‘Fermanagh County Museum Spring and Summer Programme 1977’. Correspondence relating to the mounting of the piping exhibition in Fermanagh County Museum, Breandán Breathnach agrees to ‘compile a tape of pipe music’ for the exhibition. Helen Hickey writes on 15 Nov 1977 that she was ‘very pleased with the response here to your exhibition. We had an attendance of over 600 people, many of whom had come long distances especially to see the exhibits.’

General Correspondence: 1964-1972

Letters from Seán Reid; Tom Busby; Wilbert Garvin; Paddy Moloney, Managing Director, Claddagh Records; Mícheál Ó Riabhaigh, Cork (Ó Riabhaigh, Mícheál, 1911-1976); Pat McNulty, Glasgow; Barry O’Neill, Ann Arbor, Michigan; John Curry, Williamsburg, Virginia; Roly Brown, Hungerford, Berkshire; Micheál Ó Ciaráin, Cavan; and Tony Engle, Director, Topic Records. An undated letter from Tom Busby [1970] congratulates Breathnach for ‘having the courage to organize such a necessary and wonderful association as Na Píobairí Uilleann’.

General Correspondence: 1973-1975

Letters from Ronnie Wathen; Brendan Saunders, Derry; David O’Docherty, London; Theodor Podnos; Pat McNulty; John Curry; Willie Reynolds (Reynolds, Willie, 1916-2003); draft letters from Breandán Breathnach to Seán Reid (Reid, Seán, 1907-1978); correspondence between Breandán Breathnach and ‘Mr E. H. Tupling’, London; letters from Patrick Farrell, Dublin 4; Tom Sheridan, London; Roisín White, Warrenpoint, Co Down; Seán McGuire, Cavan. Includes correspondence between Breandán Breathnach and Doirín Clancy [widow of Willie Clancy (Clancy, Willie, 1935-2009)] which refers to tapes of Willie Clancy’s playing and getting copies of these recordings made for various people for a Claddagh Records LP.

General Correspondence: 1976

Draft & original correspondence between Breandán Breathnach and Ken McLeod, Robert McMahon, Alaska; and Jackie Small. Correspondence between Breathnach and McMahon relate to ‘procuring a practice set from Kevin Thompson’ (20 Oct 1976)
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