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Parte de ITMA Field and Studio Recordings
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Parte de ITMA Field and Studio Recordings
Parte de ITMA Field and Studio Recordings
Parte de ITMA Field and Studio Recordings
Performers:
McGirr, John, Belfast, fiddle, speech in English
Carolan, Nicholas, speech in English
Garvin, Des, accordion, speech in English
Garvin, Brian, fiddle, speech in English
Garvin, Daire, fiddle
Running Order:
1. Reels: The Woman of the House, Dan Breen's Reel, Greig's Pipes
2. Reels: The Tarbolton, The Sailor's Bonnet, The Longford Collector
Bill Whelan interview [videorecording] / Bill Whelan ; Joan McDermott
Parte de ITMA Field and Studio Recordings
Interview with Bill Ochs [videorecording] / Bill Ochs ; Joan McDermott
Parte de ITMA Field and Studio Recordings
Interview with Áine Hensey [videorecording] / Áine Hensey ; Joan McDermott
Parte de ITMA Field and Studio Recordings
Parte de ITMA Field and Studio Recordings
Interview with Jurgen Simpson [videorecording] / Jurgen Simpson ; Michael Dungan
Parte de ITMA Field and Studio Recordings
Interview with Eibhlis Farrell and Ita Beausang [videorecording] / Eibhlis Farrell ; Ita Beausang
Parte de ITMA Field and Studio Recordings
Interview with Raymond Deane about Seachanges [videorecording] / Michael Dungan ; Raymond Deane
Parte de ITMA Field and Studio Recordings
Performers:
Dungan, Michael, interview in English, track 1-14
Deane, Raymond, speech in English, track 1-14
Running Order:
1. Speech: anti-establishment, being on the Leaving Certificate
2. Speech: suitability of `seachanges' for an introduction to contemporary classical music
3. Speech: the trilogy being an irreverant view of death
4. Speech: resonances with earlier music
5. Speech: influences
6. Speech: suggested further listening
7. Speech: origins of the piece
8. Speech: focus on the micro-structure of the piece
9. Speech: the musical language of young people
10. Speech: view on music education in Ireland
11. Speech: suggested listening outside of `seachanges'
12. Speech: music in Raymond's teenage life
13. Speech: the background of the piece
14. Speech: organic nature of the piece [END OF DAT]