Showing 64 results

Performers:
Russell, Micho, Clare, whistle solo A1–12, 14–17;
speech in English A13 and throughout;
Breathnach, Breandan, speech in English throughout

Running Order:
1. Jig: The Geese in the Bog [CICD 1604, 1605 (both from this recording?); 724.11 (not from this recording); CRE 2, # 53 (from this recording); The Lark's March]
2. Music Demonstration: Untitled [MR demonstrates ornamentation for BB; tune used is that played on track 1]
3. Jig: The Geese in the Bog [CICD 1809.14 (from this recording); 1809.12–.13 (not from this recording); minor key, tonic note B; for MR's version of this tune with tonic note A, see CICD 1809 and 1809.11); not the same tune as that at track 1; this track was originally recorded at half the speed of most other tracks on this tape – perhaps as a demonstration of ornamentation]
4. Jig: Delia McQuane and her Charlemoi / Delia McQuane and her Charlemy / Come Back, Paddy Reilly (P. French) [CICD 2089 (from this recording; where BB suggests that Percy French used this tune for his song Come Back, Paddy Reilly); 2091.11 (not from this recording); Sweet Biddy Daly (DMI, # 278); the original reel-to-reel version of this track has a change of speed in mid-tune – the version here contains a preliminary edit that eliminates the speed change. The original versions of this track played at each of the speeds involved are given at tracks 16 and 17]
5. Jig: Delia McQuane and her Charlemoi / Delia McQuane and her Charlemy / Come Back, Paddy Reilly (P. French) [Repeat of tune on previous track; recorded at standard speed for this tape]
6. Reel: Matt the Thresher [CICD 5359 (from this recording); 5359.11 (not from this recording); The Holly Bush; repeated at track 12]
7. Reel: Untitled [CICD 2923 (from this recording); 2924–.11, 4033.11 (none from this recording)]
8. Jig: Willie Cronin's Jig / Willie Coleman's [CICD 1401 (from this recording; on which title is given as Willie Cronin's – error by MR?); 1406.12 (not from this recording); composed by Martin Wynne?]
9. Jig: The Rakes of Clonmel [CICD 1814 (from this recording); 1814.11–.12 (not from this recording)]
10. Polka / March: The Battle of Aughrim [CICD 6448–.12 (none from this recording); CRE 2, # 118 (from MR)]
11. Music Demonstration: Untitled [MR demonstrates ornamentation for BB; tune used is the first part of the following reel: The Maid that Left the County [CICD 4286, 4288.11–.14, 4289 (none from this recording); The Honeymoon (DMI, # 791); Lady O'Brien's Reel (Tunes of the Munster Pipers, # 96)]
12. Reel: Matt the Thresher [CICD 5359 (from this recording); 5359.11 (not from this recording); The Holly Bush; repeat of tune at track 6]
13. Speech: Untitled [The figures that constitute the Plain and Caledonian Sets; the Christmas figure in the Plain Set, for which a jig is played; The Boyne Water played for the last figure of the Plain Set; polka (for example, The White Cockade) played for the last figure of the Plain Set]
14. Polka, Speech: The White Cockade [CICD 6475.11 (not from this recording); CRE 2, # 115 (from MR)], Untitled [Polka danced in MR's local area only as part of a set, never as a couple dance; words sung to The White Cockade]
15. Jig / Slide: The Clare Jig [CICD 1162.12 (where this recording is referenced); 1162.11, 2364.11–.15 (none from this recording); CRE 2, # 71 (untitled, from MR)]
16. Jig: Delia McQuane and her Charlemoi / Delia McQuane and her Charlemy / Come Back, Paddy Reilly (P. French) [The original reel-to-reel version of this track begins at 1 7/8ips and changes to 3 3/4ips in mid-track. This track reproduces the original tape version played at 1 7/8ips. For a reproduction at 3 3/4ips, see track For an edited version of the track that eliminates the speed change, see track For tune information, see track 4]
17. Jig: Delia McQuane and her Charlemoi / Delia McQuane and her Charlemy / Come Back, Paddy Reilly (P. French) [The original reel-to-reel version of this track begins at 1 7/8ips and changes to 3 3/4ips in mid-track. This track reproduces the original tape version played at 3 3/4ips. For a reproduction in its correct speed of the section at 1 7/8ips, see track For an edited version of the track that eliminates the speed change, see track For tune information, see track 4]

Performers:
McArdle, Peter, Louth, speech in English throughout;
fiddle solo throughout;
occasional lilting throughout;
Breathnach, Breandan, Dublin, speech in English throughout;
Unidentified performer, speech in English A17

Running Order:
1. Speech, Untitled [Level low]
2. Jig: Tip in to Bed, Honey
3. Speech, Jig: Untitled, The Old Dash Churn [The Humours of Castlelyons]
4. Speech: Untitled [Information about the tunes already played; music in the performer's family]
5. Jig / Quadrille Tune: Tickle Her Leg with a Barley Straw / Tickle My Leg with a Barley Straw [Information given in speech on track A26 for this tune]
6. Speech: Untitled [About set dancing in the performer's local area in his youth (near Ardee, Co Louth)]
7. Reels: The Boyne Hunt, Miss Monaghan, The Soldier's Joy
8. Speech: Untitled [About dancing; local singers; dances other than sets; introduction to the next piece to be played]
9. Dance Tune: Mrs Simpson Sells Beer / Cock Your Leg up / Cock a Leg up / Shoe the Donkey / Varsovienne
10. Speech: Untitled [Information about the tune just played; schottisches as performed in the area]
11. Hornpipe / Schottische: The Boys of Bluehill [The well-known hornpipe, here as played for dancing the schottische locally]
12. Speech: Untitled [About local dances; introduction to the next piece to be played]
13. Dance Tune, Speech: The Larch Fort, Untitled [About the tune just played, with lilting; about local dances; introduction to the next piece to be played; BB says that he is not interested in collecting barn dances but nevertheless requests that an example be played]
14. Barn Dance: Untitled [The Peacock's Feather # 2 (as recorded by Frankie Gavin, fiddle); The Highland Barn Dance (Keane family, Caherlistrane, Co Galway); The Berlin Polka]
15. Speech: Untitled [About local dances; arrival of sets in the area; step-dancing was still alive in the performer's youth; community participation in music; arrival of gramophones and radios in the area]
16. Dance Tune: Untitled
17. Speech: Untitled
18. Quadrille Tune, Speech: The Cake Is on the Griddle / The Cake's on the Griddle, Untitled [END OF BAND ONE]
19. Speech, Quadrille Tune: Untitled, The Ould Clay Floor / The Old Clay Floor
20. Speech: Untitled [Information about the tune just played; BB explains that up to that point (April 1973) in his dance music collecting project, he had been collecting only double jigs, slip jigs, and reels; not even hornpipes; it is only in the last 6–8 months that he has been picking up hornpipes, polkas, and single reels; he is thus only beginning to collect those tune-types; he thus requests the performer here to 'beat out all the set tunes you can think of']
21. Quadrille Tune: Untitled
22. Speech, Quadrille Tune: Untitled, Untitled [The slide 'Scattery Island' is a related tune]
23. Speech, Quadrille Tune / Song Air: Untitled, Oh She Was a Quare One / She Was a Queer One / Mending the Roof
24. Speech: Untitled [Information about the tune just played]
25. Quadrille Tune: Diggin' the Spuds / Digging the Spuds
26. Speech: Untitled [Information about the tune just played; information about 'Tickle My Leg with a Barley Straw' (track A5)]
27. Speech, Quadrille Tune: Untitled, The Ould Elm Tree / The Old Elm Tree [Princess Margaret's Fancy]
28. Speech: Untitled [Information about the tune just played]
29. Quadrille Tune: Untitled
30. Speech: Untitled
31. Speech, Quadrille Tune: Untitled, Untitled [Billy O'Rourke Is the Boy]
32. Speech: Untitled [Information about the tune to be played next, which was the melody of a song as well as a dance tune; with lilting]
33. Quadrille Tune / Song Air: McCarthy / We're off to Philadelphia in the Morning [With speech interlude]
34. Speech: Untitled [Information about the tune just played; discussion of other tunes, with lilting]
35. March / Quadrille Tune / [Polka?]: Untitled [Melody of the slide popularly known as 'Denis Murphy's Slide' (= 'The Dark Girl in Blue', CRE 3, # 50), here played in march / polka rhythm]
36. Speech: Untitled [Information about the tune just played]
37. Quadrille Tune, Speech: The Pigs Ateing Nuts in the Wood / The Pigs Eating Nuts in the Wood [Melody of song 'Jack of All Trades'; played tentatively at first, then repeated; both played on fiddle and lilted], Untitled
38. Speech, Quadrille Tune: Untitled, Off the the Bog Wearing Clogs / The Lancers
39. Speech: Untitled [Information about the tune just played & about other tunes, including 'The Swallow's Tail'; about the tune 'I Daren't Tell']
40. Jig: The Old Woman's Pipe / The Mountaineer's March [The Kesh Jig]
41. Speech: Untitled [Information about the tune just played; double jigs were played for sets]
42. Quadrille Tune, Speech: There's no Luck about the House, Untitled [Information about the tune just played] [END OF BAND TWO - The recording session with Peter McArdle is continued on tape Breandan Breathnach Reel-to-Reel 90 (1180-ITMA-REEL)]

Performers:
McArdle, Peter, Louth, speech in English throughout;
fiddle solo throughout;
occasional lilting throughout;
Breathnach, Breandan, Dublin, speech in English throughout

Running Order:
1. Quadrille Tune: The Very Last Penny [Rural Felicity; Kathleen Hehir's (related tune)]
2. Speech: Untitled [Information about the tune just played; the performer made many radio broadcasts]
3. Speech, Jig, Speech: Untitled, Nora Crionna, Untitled
4. Jig, Speech: The Frost Is All Over, Untitled
5. Jig: The Rakes of Tipp / The Rakes of Tipperary [Related to Three Little Drummers / Delaney's Drummers]
6. Speech, Jig, Speech: Untitled, The Connachtman's Rambles, Untitled [With lilting]
7. Jigs, Speech: The Geese in the Bog, The Trip to the Cottage, Untitled
8. Jig, Speech, Jig, Speech: The Irish Washerwoman, Untitled, The Maid on the Green, Untitled [With lilting]
9. Jig, Speech: The Rambling Pitchfork, Untitled [Information about the tune to be played next]
10. Reel, Speech: Within a Mile of Dublin / The Silver Spear [The New Mown Meadow; Joe Mhaire Mhicilin], Untitled [Discussion about tunes that were played for set-dancing; with lilting]
11. Quadrille Tune / Song Air: Johnny I Hardly Knew You [Played for The Lancers]
12. Speech, Quadrille Tune, Speech: Untitled, There Are Very Few Straws in the Tick / There's Very Few Straws in the Tick, Untitled [About the tune just played & the tunes to be played next]
13. Quadrille Tune, Speech: Untitled, Untitled
14. Speech, Quadrille Tune / Song Air, Speech: Untitled [With lilting], The One-Eyed Reilly, Untitled
15. Quadrille Tune, Speech: The Dashing White Sergeant, Untitled [The tune just played was used for the dance 'The High Caul Cap']
16. Polka, Speech: Farewell to Whiskey, Untitled
17. Polka, Speech: La Russe, Untitled [The dance performed to the tune just played]
18. Reel, Speech: The Swallow's Tail, Untitled
19. Reel, Speech, Reel, Speech: The Pigeon on the Gate [Tonic note: G; reminiscent of the version recorded on commercial 78rpm disc by Frank O'Higgins (fiddle)], Untitled, The Pigeon on the Gate [Tonic note: E], Untitled [END OF BAND ONE]
20. Speech, Jig, Speech: Untitled, The Rose in the Heather [Related to the tune known popularly by that name], Untitled [END OF BAND TWO]