Mostrando 64 resultados

Performers:
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English throughout;
speech in Irish throughout;
O Cuilleanan, Micheal, Cork, speech in Irish A2–4;
Quill, Ellen Mary / O Duibhir, Eibhlin Bean Ui Dh- / O'Dwyer, Mrs, Limerick, speech in English and Irish A5, 7;
concertina in duet A6, 8;
concertina solo A10, 15;
O Duibhir, Roibeard / O'Dwyer, Robert [Limerick?], speech in English A5, 7;
accordion in duet A6, 8;
speech in Irish A11;
accordion solo A12–14;
O Duibhir, Liam, [Limerick?], speech in English A13

Running Order:
1. Tone Signal: Untitled
2. Speech: Untitled [About Seamus Goodman (the collector James Goodman); as a child, the present speaker saw G; G used to repair pipes for many pipers, who would visit him for that purpose; G spoke Irish very well; one piper who visited G was unable to walk and travelled on a donkey; G used play the pipes with the pipers who visited him; memorial to G; G lived in the glebe; G's appearance; G was a good neighbour; G's family, including Godfrey, a doctor, who would treat poor people despite their being unable to pay him; Irish in the local area (Skibbereen)]
3. Speech: Untitled [Irish in the local area (Skibbereen); people who spoke Irish; street-sweepers spoke Irish during their work; present speaker used follow the street-sweepers around the town to listen to their Irish; songs sung in the area; Sean O Duibhir an Ghleanna; Seoladh na nGamhna sa bhFasach; Ceo Draiochta; Liam O Raghallaigh; discussion of song lyrics, with examples]
4. Speech: Untitled [Damhscoil Mhuscrai; activities and meetings connected with the revival of Irish in the Skibbereen area; the first branch of Connradh na Gaeilge there; present speaker heard an tAthair Peadar O Laoghaire speak at the Munster Feis in Cork; how Damhscoil Mhuscrai was founded; An Suibhneach Meann; verses composed by the present speaker (recited); account of an tAthair Sean de Paor, including verses written about him and miracles were effected by him, even after his death; an 'aisling' poem/song written by the local poet Micheal O Suilleabhain; Sean O Coileain]
5. Speech: Untitled [About the performance that follows]
6. Reels: Nelly's Reel [The Collier's Reel], The Woman of the House
7. Speech: Untitled [About the performance that follows]
8. Jig: Paddy's Return
9. Speech: Untitled [About the tune that follows, which was played for the last figure of a set]
10. Barn Dance / Hornpipe: Untitled
11. Speech: Untitled [About the performance that follows]
12. Hornpipes: Sean Ryan's [McMahon's; composed by Sean Ryan], The Echo, Untitled [Slievenamon]
13. Speech with Music, Reel, Speech: Untitled [Story about the tune that follows; with music illustration], Donal an Choill's Reel [?], Untitled
14. Reels: George White's Fancy / George White's Favourite, The Bag of Potatoes / An Mala Fatai / An Mala Pratai
15. Speech, Reel: Untitled, Toss the Feathers [END OF BAND ONE]

Performers:
Mac Mathuna, Ciaran, Limerick / Dublin, speech in English throughout;
speech in Irish throughout;
Harrington, Mrs, Sligo / Dublin, fiddle in instrumental group A2, 4;
Gardiner, John [Gardiner, John Joe], Sligo / Louth, flute in instrumental group A2, 4;
Gardiner, Pauline, Louth, flute in instrumental group A2, 4;
Gardiner, Pat, Louth, flute in instrumental group A2, 4;
Toibin, Padraig, Waterford, singing in Irish A6–8;
speech in Irish A6, 8;
Liddy, Joe, Dublin, speech in English A9;
O Droma, Tomas, Waterford, speech in Irish A9;
singing in Irish A9;
White, James, Wexford, speech in English A10;
singing in English A10

Running Order:
1. Speech: Untitled [About the performance that follows; Mrs Harrington and John (= John Joe?) Gardiner are sister and brother; Pauline and Pat Gardiner are John's daughters]
2. Reel: The Mountain Top
3. Speech: Untitled
4. Jig: The Frost Is All Over
5. Speech: Untitled [Preceded by a short and incomplete recording of music]
6. Song, Speech: Inion an Fhaoit on nGleann, Untitled
7. Song: Na Connerys
8. Speech, Song: Untitled, Idir Aird Mhor is Eochaill
9. Speech, Song: Untitled, Bean Dubh an Ghleanna
10. Speech, Song: Untitled, Carroll Ban [Followed by a short and incomplete recording of singing] [END OF BAND ONE]

Performers:
Unidentified performer [McConnell, Cathal, Fermanagh?], speech in English A1;
Unidentified performer, speech in English A2a;
Byrne, Anne, Dublin, singing in English with instrumental accompaniment A2b;
Bennett, John, speech in English A2c?, 2f?, 2i?, 2k?, 2m?;
Unidentified performers, singing in English with instrumental accompaniment A2d–e, 2h, 2l, 3–6;
McGuigan, Pat, harmonica in trio A2g;
McConnell, Cathal, Fermanagh, whistle in trio A2g;
Healy, James N, Cork, speech in English A2i, 2m;
singing in English with instrumental accompaniment A2j;
Unidentified performer, singing in English A7;
Unidentified performers, instrumental group A8;
Unidentified performer [Furey, Finbar, Dublin / Waterford?], pipes in duet A9;
Unidentified performer, whistle in duet A10–12;
Murphy, Denis, Kerry, fiddle in duet B1, 3;
fiddle solo B2, 4–9;
speech in English A7;
Unidentified performer [O'Keeffe, Art / O'Keefe, Art, Kerry], whistle in duet B1, 3,;
Russell, Micho, Clare, whistle solo B10–18;
speech in English B10–16;
Breathnach, Breandan, Dublin, speech in English intermittently throughout tracks B;
Doherty, John, Donegal, fiddle solo B19–30;
speech in English intermittently throughout tracks B19–30;
Unidentified performer [Kelly, John, Clare / Dublin?], speech in English and Irish B24;
Unidentified performers, speech in English throughout

Running Order:
1. Speech: Untitled [Information about the contents of track A2]
2. a) Speech, b) Song, c) Speech, d) Song, e) Song, f) Speech, g) Instrumental Piece, h) Song, i) Speech, j) Song, k) Speech, l) Song, m) Speech: a) Untitled [Radio announcement], b) Can You Dance the Polka?, c) Untitled [Radio announcement], d) Farewell to Tarwathie, e) Untitled [Brief; one verse only], f) Untitled [Information about the song just song and the tune to be played next; gives the title of the tune], g) ? the Forty Second [Tune has the same melody as that of the song sung before it here], h) Untitled, i) Untitled [Interview; topic: sea songs and shanties], j) The Bug-A-Boo, k) Untitled, l) Untitled [All for Me Grog], m) Untitled [Radio announcement & interview] [This track is a poor-quality off-air dubbing of a (radio or TV) programme titled 'The Sea Folk', broadcast on BBC Northern Ireland]
3. Song: Untitled [Track A5 contains another copy of the recording on this track]
4. Song: Untitled [The Sisters of Mercy, composed by Leonard Cohen]
5. Song: Untitled [Preceded by short recording of piano-playing; track A3 contains another copy of the recording on this track]
6. Song: Untitled
7. Song: Untitled [William Hollander]
8. Reel: Untitled
9. Air: Untitled
10. Reel: Untitled [The Stony Step]
11. Reel: Untitled [The Belles of Tipperary]
12. Reel: Untitled (incomplete) [The Skylark] [END OF BAND ONE]
13. Reel: Untitled [Donall a' Phumpa; CRE 5, # 147; Molly on the Shore]
14. Reel: Untitled [Donal a' Clumper's Reel; CRE 2, # 295 (where it is untitled)]
15. Reels: Untitled [The Morning Star], Untitled [Rolling in the Ryegrass]
16. Reel: Untitled [Callaghan's Reel / O'Callaghan's Reel; CRE 2, # 131]
17. Reel: Untitled [Quinn's Reel; CRE 2, # 171]
18. Reels: Untitled [The Mountain Road; composed by Michael Gorman], Untitled [The Doon Reel (JOLSL, ed. Moylan, # 94); Pat Ward's Jig (a version of this tune played as a single jig by Seamus Ennis)]
19. Reel, Speech: Untitled [The Glountane Reel (CICD 3453)], Untitled
20. Jig: Untitled [Cailin a' Ti Mhoir / Cailin an Ti Mhoir (CRE 2, # 40); The Housekeeper; The House Maid; The Girl from the Big House]
21. Reel: Untitled [Callaghan's; The Doon Reel; Nellie Donovan; CRE 2, # 270]
22. Reel, Speech: The Boy in the Gap, Untitled
23. Reel, Speech: The Fair-Haired Boy, Untitled
24. Reel, Speech: Patsy Campbell's Reel, Untitled
25. Reel, Speech: Upstairs in a Tent [CRE 2, 190], Untitled
26. Reel, Speech: Tadhg a Run / A Thaidhg, a Run [CRE 2, 150 (i)], Untitled
27. Reel, Speech: The Rose in the Garden [Divide the Cally Fair; Kennaw's Reel (WSGM, # 326, related tune)], Untitled
28. Jig / Slide, Speech: Untitled [The Clare Jig; CRE 2, 71], Untitled [Tune just played was used for the fifth figure of a set]
29. Jig: Untitled [The Frieze Breeches]
30. Jig: Untitled [Tatter Jack Walsh]
31. Reel: Untitled [The Dispute at the Crossroads; a version of Doctor Gilbert]
32. Reel, Speech: Untitled, Untitled
33. Reel, Speech: Miss Ramsey, Untitled
34. Reel, Speech: Untitled [McFarley's; a version of 'The Maids of Castlebar'], Untitled
35. Reel: The Moving Bogs of Allen [The Moving Bogs (CRE 2, # 174)]
36. Speech, Reel, Speech: Untitled, Caher Rua, Untitled
37. Slip Jig: Untitled [Hardiman the Fiddler, version of]
38. Speech, Jig: Untitled, The Old Hag at the Churn [Related to Garrett Barrett's Jig]
39. Speech, Jig: Untitled, The King of the Pipers [CRE 2, # 45]
40. Jig, Speech: Untitled [The King of the Pipers; not the same tune as in the previous track], Untitled
41. Jig: Untitled [The Rambling Pitchfork, version of]
42. Reel: Untitled [END OF BAND TWO]

Performers:
Russell, Micho, Clare, tin whistle A1–11, 13–26;
speech in English A12 and throughout;
Breathnach, Breandán, tin whistle, occasionally;
speech in English throughout

Running Order:
1. Reel: Farewell to Connacht [CICD 3041.12 (from this recording); 3041.11 (not from this recording)]
2. Reel: Carty's Reel / Cassidy's Reel [CICD 4684.11–.12 (from this recording); 4684.13, 4978–.12 (none from this recording); partly composed by MR; commonly known as Micho Russell's; as Carty's Reel from MR in CRE 2, # 294]
3. Jig: The Humours of Bantry [CICD 1194.11 (from this recording; DMI, # 13)]
4. Jig: Jimmy O'Brien's Jig [CICD 1860.11 (from this recording) / The Maid in the Meadows [CICD 1866–7 (not from this recording)]
5. Jig: The Frieze Breeches / La Sin' Seain / Trom La [CICD 1492.11–.13 (all from this recording); 1486, 1487, 1488, 1490 (none from this recording); standard version of the tune; for MR's 'old' version see the next track.]
6. Jig: Frieze Breeches (the old way) [CICD 954.11 (from this recording); as MR heard it played on concertina and jew's harp; for MR's 'standard' version of the tune, see the previous track.]
7. Jig: The Chorus Jig / The Kilfenora Jig [CICD 2218.11–.12 (from this recording)]
8. Jig: Is Fearr Paidir na Port [CICD 1713.11 (from this recording); MR explains that this tune is played after The Chorus Jig / The Kilfenora Jig (see previous track) and is sometimes regarded as part of it.]
9. Cudreels / Cudrils / Quadrille Tunes / [Jigs / Slides]: She Hadn't the Knack She Thought She Had [CICD 1470.12 (from this recording); 1470.11 (not from this recording)], The Cumann na mBan Are Dead and Gone [CICD 1968.13 (from this recording); 1968.11–.12 (none from this recording); one of 2 tunes that MR assigns this name to.]
10. Speech, Set Dance: Untitled [Patrick Killoughrey, dancer; confusion about parts of the tune that follows], The Retreat [CICD 6528, 6529, 6530 (all from this recording? Part of the tune replayed separately {card 6530?}); 6531, 6532 (none from this recording); Bonaparte's Retreat]
11. Set Dance: Rodney's Glory [CICD 6527 (from this recording)]
12. Speech: Untitled [Introduction to the music on track 13, mainly topics related to dancing, including: the travelling dancing master and fiddle player Hennessy (trained local people to dance the jig, reel and hornpipe; first taught the rising step in the jig, then the side-step for the reel; was active in the 1920s and '30s; taught MR's father; {MR himself saw H.}; taught pupils individually and charged sixpence per step, then thought very expensive; used to stay and teach in Michael Flanagan's house; would stay for one to two months at a time; when the lessons were over, sets would be danced in Flanagan's house); the dancing master Stack (from Ballycotton, Co Kerry); the dancer Paddy Moloney (danced in knickerbockers; danced Sagart na mBuataisi {The Priest in his Boots} as a solo dance); dancers in the Aran Islands (made up their own steps; when dancing a set would make the figures very long); Mairtin O Griofa, Carraroe, Co Galway, solo dancer (would make up his own steps); 'single' dancing (i.e. solo dancing by one man); a girl from Belgium performed what she called 'nature dancing' at the festival in Lisdoonvarna to the tune selection in track 13 (BB enquires if she was still dressed); Father Pat Ahearn (Siamsa Tire) arranged this tune set for the Fleadh Nua; MR offers to demonstrate a double batter with heel and toe in reel or quick hornpipe time.]
13. Air / Slow March, Slip Jig, Reel, Air: The South Wind [not in CICD], The Foxhunter's Jig / Nead na Lachan sa mButa [CICD 272.11 (from this recording); MR's name in Irish from Donal Standun (banjo, Spiddal, Co Galway); BB says that Willie Clancy's tune The Humours of Derrykissane is a version of this], The Foxhunter's Reel [CICD 2898.11 (from this recording; transcribed only in part); BB says that Patrick Kelly (fiddle) was the first person he heard playing this, and that Sean Keane (fiddle, The Chieftains) had popularised it], The South Wind [as played earlier in this track]
14. Reel: The Green Fields of America / Molly Branagan (Molly Brannigan?) [CICD 4754.11 (from this recording); 4749 (not from this recording); DMI, # 523]
15. Reel: Rakish Paddy [CICD 6015.11 (from this recording); 3108, 3109, 3110 (not from this recording); DMI, # 749; CRE, # 145]
16. Reel: The Blackhaired Lass / The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4230.12 (from this recording), 4230.13, 4239 (not from this recording)]
17. Reel: Untitled [CICD 4363.11 (from this recording); 4363.12, 3098 (not from this recording); played by Johnny Byrt, a travelling carpenter from Liscannor; CRE 2, # 175 (from MR)]
18. Reel: Patsy Campbell's Reel [CICD 3778.11 (where this recording is referenced); 3779 (not from this recording)]
19. Reel: Drowsy Maggie (mother's version) [CICD 3896.11 (from this recording); from MR's mother, who played the concertina; for another version, which MR learned in Donegal, see the next track.]
20. Reel: Drowsy Maggie (Donegal version) [CICD 3896.12–.13 (from this recording); version learned by MR from the Byrnes of Kilcar (fiddle players) while on a visit to Donegal.]
21. Jig: The Geese in the Bog [CICD 724.11 (from this recording); 1604, 1605 (not from this recording); CRE 2, # 53 (from MR); The Lark's March]
22. Jig: The Geese in the Bog [CICD 1809.11 (from this recording); 1809 (not from this recording); not the same tune as on previous track; minor key, tonic note A; for a version of this tune with tonic note B, see the next track]
23. Jig: The Geese in the Bog [CICD 1809.12 (from this recording); 1809.13–.14 (not from this recording); not the same tune as that at track 21; minor key, tonic note B; for a version of this tune with tonic note A, see the previous track]
24. Reel, Speech: Upstairs in a Tent [CICD 4444.12 (where this recording is referenced); 4445, 4446 (not from this recording); CRE 2, # 190 (from MR)], Untitled [about Jimmy Mulqueeny (fiddle), who supplied the name for this tune. From BB's comments re 'Jimmy Mucai' it looks as if he had CICD card 4446 card in front of him when talking to MR here.]
25. Jigs / Single Jigs / Slides: Mickey Callaghan's Slide [CICD 2325.11 (from this recording), 2323.11 (not from this recording)], The Clare Jig [CICD 2364.13–.14 (from this recording); 1162.11–.12, 2364.11–.12, 2364.15 (none from this recording); CRE 2, # 71 (untitled, from MR)]
26. Speech: Untitled [Speech to introduce the reel The Boy in the Gap (the old way), but tape runs out before tune gets under way.] [END OF BAND ONE]

Performers:
Breathnach, Breandan, Dublin, speech in English throughout;
Donnelly, Maeve, Galway, speech in English throughout;
fiddle solo throughout;
Unidentified performer [Kelly, John (senior), Clare / Dublin?], speech in English intermittently

Running Order:
1. Speech: Untitled [The date of recording; where the performer comes from – near Kylemore Abbey, which is near Loughrea, Co Galway]
2. Reel, Speech: Untitled [The Belles of Tipperary], Untitled
3. Reels: Colonel Fraser, Untitled [The Floating Crowbar; The Rathcroghan Reel]
4. Speech: Untitled [The performer's version of Colonel Fraser was derived from Sean Keane, fiddle; how the performer acquired her music; she associates the second reel with Brendan McGlinchey, fiddle]
5. Jig: The Gold Ring [Version associated originally with Willie Clancy; popularised by Sean Keane, fiddle]
6. Speech, Jig: Untitled [About the tune to be played next], The Gold Ring
7. Speech: Untitled [Tune played in previous track is not related to that played in track before that]
8. Single Jig: Untitled
9. Speech: Untitled [About the tune just played]
10. Reel: Untitled [Lord Gordon]
11. Jig: Untitled [The Castle Jig; composed by Sean Ryan] [END OF BAND ONE]
12. Reels, Speech: The Mooncoin Reel (clipped at start), Untitled [Related to 'Mrs Crotty's' ?], Untitled [Related to 'The Monsignor's Blessing' ?], Untitled [About the tunes just played; the performer learned the tunes from Denis Murphy (fiddle)]
13. Jigs, Speech: The Trip to Athlone, The Pipe on the Hob [Tonic note: D], Untitled [About the tunes just played]
14. Reel: Farewell to Ireland
15. Speech: Untitled [The performer favours Sean Keane's style of playing; about the tune to be played next]
16. Reel, Speech: The Bucks of Oranmore, Untitled
17. Reels, Speech: The Wheels of the World, The Chicago Reel, Untitled [About the tunes just played]
18. Hornpipe: Untitled [Brigid of Knock; composed by Ed Reavy]
19. Speech: Untitled [The performer's sources for the pieces played in the last two tracks – Seamus Connolly (fiddle) for the hornpipe in track A18; Tommy Peoples (fiddle) for the reels in track A17] [END OF BAND TWO]

Performers:
White, Aggie, Galway, fiddle in duet A1;
O'Loughlin, Peadar / O'Loughlin, Peter, flute in duet A1;
Ennis, Seamus, Dublin, pipes solo A2;
Kelly, John, Clare and Dublin, fiddle solo A3;
Russell, Micho, Clare, whistle solo A4, 6;
Clancy, Willie, Clare, pipes solo A5;
Doran, Johnny, Wicklow, pipes solo A7;
Moloney, Eddie, Galway, flute solo A8

Running Order:
1. Jig: Untitled [Cathaoir an Phiobaire], Untitled [Whelan's Jig]
2. Jigs: Untitled [The Pipe on the Hob], Untitled [Down the Back Lane], Untitled [Sixpenny Money], Untitled [Paidin O Raifeartaigh]
3. Reel: Untitled
4. Reel: The Boy in the Gap [CICD 3096.11–.16, 3097 (none from this recording); standard version of this tune; MR also plays an 'old' version]
5. Slow Air: Untitled [The Green Linnet]
6. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
7. Reels: Untitled [Colonel Fraser], Untitled [My Love is in America], Untitled [Rakish Paddy] (incomplete)
8. Reels: Untitled [Tommy Whelan's Reel], Untitled [The Sailor on the Rock] [END]

Performers:
Russell, Micho, Clare, tin whistle A1-35, 37-55, B1-61;
singing in Irish A27;
singing in English B59;
speech in English throughout;
Breathnach, Breandán, speech in English throughout

Running Order:
1. Reel: The Boy in the Gap (old version) [CICD 2921.11 (from this recording); 2920, 2920.11, 2921 (none from this recording); for MR's 'standard' version, see tracks A2 and B20.]
2. Reel: The Boy in the Gap (standard version) [CICD 3096.12–.13 (from this track on this recording); 3096.14–.15 (where this track on this recording is referenced; also from this recording (137b-ITMA-REEL/CDR, track 20); 3096.11, 3096.16, 3097 (none from this recording); also at track B20; for MR's 'old' version, see track A1.]
3. Reel: Patsy Campbell's Reel [CICD 3778.11 (from this recording), 3779 (not from this recording)]
4. Reel: Upstairs in a Tent [CICD 4444.12 (from this recording); 4445, 4446 (not from this recording); CRE 2, # 190 (from MR)]
5. Reel: Tadhg a Run / A Thaidhg, a Run [CICD 4964.11 (from this recording); CRE 2, # 150 (i) (from MR)]
6. Reel: Divide the Cally Fair [CICD 5300.11 (from this recording), 5300 (not from this recording); Kennaw's Reel (WSGM, # 326, version of)]
7. Jig / Slide: The Clare Jig [CICD 2364.11–.12 (both from this recording); 1162.11–.12, 2364.13–.14 (none from this recording); CRE 2, # 71 (untitled, from MR)]
8. Jig: An Chailleach is a Ceag ar a Gualainn / An Chailleach is a Ceag ar a Guala / Kitty's Rambles [CICD 1467.11 (from this recording), 1467 (not from this recording); CRE 2, # 36 (from MR)]
9. Jig: Tatter Jack Walsh / An t-Athair Jack Walsh [CICD 1394.11 (from this recording); 1393, 1394, 1394.12 (none from this recording)]
10. Jig: The Frost is All Over / Rince na gCoinini i nGarrai na hEorna [CICD 724.12 (from this recording; contains reference to 'card 2'); 809 (not from this recording)]
11. Dance Tune: Untitled [not in CICD; learned by MR from a dance group in Ghent (?) in Belgium.]
12. Reel: The Rising Sun [CICD 2907.11 (from this recording), 2908 (not from this recording; CRE 2, # 260 (from MR); for other versions and titles, see BB index, cards 2983, 2657]
13. Reel: Untitled [CICD 4363.12 (from this recording); 4363.11, 3098 (not from this recording); learned from Johnny Byrt, flute player and travelling carpenter; CRE 2, # 175 (from MR)]
14. Reel: The Boys of the Lake [CICD 3199.11–.12 (both from this recording); 3195, 3196 (none from this recording); CRE 2, # 164 (from MR)]
15. Jig: The Four Posts of the Bed [CICD 1349.14–.15 (from this recording); 1349.12–.13 (none from this recording)]
16. Jig: The Connachtman's Rambles / Bean an Brown Dilisc [CICD 2136.11 (from this recording); 2133, 2136.12, 2138 (none from this recording)]
17. Jig: The Connachtman's Rambles [Version composed by Finbar Furey, according to MR; CICD 1389.12 (from this recording)]
18. Reel: The Blackhaired Girl / Cailin na Gruaige Duibhe [CICD 4230.13 (from this recording?); 4230.12 (where this recording is referenced); 4239 (not from this recording); The Blackhaired Lass]
19. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 4995.11 (from this track on this recording); 4995.12, 5018.12 (both also from this recording; see 137b-ITMA-REEL/CDR, track 30); 5016, 5017, 5018–.11 (none from this recording); CRE 2, # 225 (from MR); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
20. Reel: Untitled [CICD 5084.11–.14 (all from this track on this recording); 5091.12–.13 (both also from this recording; see 137b-ITMA-REEL/CDR, track 60); 5091.11, 5093, 5096 (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
21. Reels: The Swallow's Tail [CICD 5062.11 (from this recording); 5060.12, 5062 (none from this recording)]
22. Reel: The West Clare Reel [CICD 5883.11 (from this recording), 5883 (not from this recording); Dan Breen's]
23. Reel: Untitled [CICD 2924.11 (from this recording); 2923, 2924, 4033.11 (none from this recording)]
24. Jig: The Yellow Wattle [CICD 1133.11, 1828, 1829 (none from this recording)]
25. Jig: Donall na Greine [CICD 756, 757, 758, 759, 760.11 (none from this recording); CRE 2, # 10 (from MR); Ceol III iv, p 99; Donnybrook Fair / The Joy of My Life (version of? DMI, # 79)]
26. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.13 (from this track on this recording); 3415.11 (also from this recording; see 137b-ITMA-REEL/CDR, track 18); 2856.11, 2857, 3415.12, 3415.14 (none from this recording)]
27. Reel, Singing: An Bhean Tinceara [CICD 2686.11 (from this recording); 4028, 4029, 4030, 5750.11–.12 (none from this recording)], An Bhean Tinceara [Sung version]
28. Jig: Barr na Feirsde / Barr na Feirisde / The Munster Buttermilk [CICD 818.11–.12 (from this recording); 825 (not from this recording)]
29. Jig / Quadrille Tune: The Cumann na mBan Is Dead and Gone [CICD 2146.11–.12 (both from this recording); The Cumann na mBan Are Dead and Gone; well known as a slide; one of two tunes that MR applies this name to.]
30. Jig, Singing, Speech: Christmas Day in the Morning / On Christmas Day in the Morning [CICD 2228.12 (from this recording); 2558 (not from this recording)]; Christmas Day in the Morning / On Christmas Day in the Morning [Sung version]; Untitled [Speech about the background to the tune / song 'Christmas Day in the Morning']
31. Jig: Garrett Barry's / The Ladies' Fancy [CICD 1006.11 (from this recording); 1007, 1008 (none from this recording)]
32. Polka: An Gabhairin Bui [CICD 6439.11 (from this recording); 6283 (not from this recording); CRE 2, # 110 (from MR)]
33. Fling: Pop Goes the Weazel / Pop Goes the Weasel [CICD 6532.11 (from this recording)]
34. Jig: Ti-teen Girleen / Tidy Girlyeen [CICD 1326.13 (from this recording); 1325 (not from this recording); Behind the Bush in the Garden (DMI, # 398]
35. Reel: The Ladies Pantalettes [CICD 5626.11 (from this recording); 5626, 5637 (none from this recording)]
36. Speech: Untitled [Johnny Kilmartin, concertina, known as Johnny Sally; dancing style among the older people.]
37. Reel: All the Ways to Galway [CICD 3561.12 (from this track on this recording); 3086.11–.12, 3561–.11 (none from this recording); The Kerry Cow; I Wish I Had a Kerry Cow; CRE 2, # 282 (from MR) and also at CRE 2, # 116; for MR's version of this tune as single reel / polka, see 137b-ITMA-REEL/CDR, track 47]
38. Reel: Kitty Jones' Reel / Kitty Jones's Reel [CICD 4275.12 (from this recording); 4275.11, 4276, 4277 (none from this recording)]
39. Reel: The Old Torn Petticoat [CICD 4348.11 (from this recording), 4351 (not from this recording)]
40. Reel: Fochairi Beaga na Foraoire [CICD 5943.11 (from this recording); 5943, 5947.11 (not from this recording); Spike Island Lasses (here with only two parts, rather than the usual three)]
41. Jig / Dance Tune: An Bothar o thuaidh go dti Arainn / The Handkerchief Dance [CICD 1196.11 (from this recording); 1196.12 (also from this recording?); 1197 (none from this recording); CRE 2, # 65 (from MR)]
42. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [CICD 4007.11, 5635.11 (both from this recording); 4008, 5634, 5635 (none from this recording); CRE 2, # 259 (from MR); The Mother and Child Reel]
43. Reel: Is Trua gan Peata 'n Mhaoir Agam / An Peata Beag is a Mhathair [Partial repeat of the tune in the previous track]
44. Reel: The Sporting Days of Easter [CICD 3988.11 (from this recording); 3988.13 (where this recording is referenced; notation has been corrected from this recording?); 3988.12, 3988.14, 3989 (none from this recording); CRE 2, # 281 (from MR)]
45. Jig: Sagart na mBuataisi / The Priest in his Boots [CICD 1251.11 (from this recording), 1252 (not from this recording); CRE 2, # 17 (from MR)]
46. Jig: Connie the Soldier / The South-west Wind [CICD 2369.11 (from this recording), 2368 (not from this recording)]
47. Jig: The Rambling Pitchfork [CICD 1649.11 (from this recording); 1648 (not from this recording)]
48. Reel: The College Grove [CICD 5573.11 (from this recording); 3484 (not from this recording)]
49. Jig: The Cliffs of Moher (a), (b) [(a) CICD 784.12 (from this recording); 784.11, 784.14 (with G as the tonic note)], (b) [CICD 784.13 (from this recording); 784.15, 2113.11 (none from this recording); (with A as its tonic note)]
50. Slip Jig: The Rocky Road to Dublin / Slainte an Briste Leathain / Slainte an Bristin Leathair [CICD 440.11–.12 (both from this recording?); 435, 436 (not from this recording)]
51. Slip Jig: Untitled [CICD 315.11–.12 (from this recording), 318 (not from this recording); Barney Brallaghan (DMI, # 429, with 3 parts); 2 parts in MR's version]
52. Reel: Dunagore Reel [CICD 5610.11 (from this recording); 5610, 5610.12, 5769 (not from this recording); CRE 2, # 210 and 275 (both from MR); The Concertina Reel (DMWC, # 72); The Doonagore Reel]
53. Jig: The Irish Washerwoman / The Big Jig / Paddy McGinty's Goat [CICD 1678.12–.13 (from this recording); 1678.11, 1679, 1686 (none from this recording)]
54. Jig, Speech: Nora Criona [CICD 628.11 (not from this recording; incipit only)], Untitled [information about Larry Sharry, musician who played the tune]
55. Jig: The Boys of the Town / Sean Phaidin [CICD 2228.11 (from this recording but not this track; see 137b-ITMA-REEL/CDR, track 1 ); 2233 (not from this recording); unfinished] [END OF BAND ONE]
56. Jig: The Boys of the Town / Sean Phaidin [CICD 2228.11 (from this recording), 2233 (not from this recording)]
57. Jig: Untitled [CICD 1497.13 (from this recording); 1496, 1497.12 (not from this recording); Kitty Come Over (DMI, # 55); The Cow that Ate the Blanket]
58. Reel: Tear the Calico [CICD 3131.13–.14 (from this recording), 3130 (not from this recording); 'standard' version of the tune; MR plays the tune in two registers, and this is the higher of the two. The other version is on the next track.]
59. Reel: Tear the Calico, the old way [CICD 3131.11 (from this recording), 3131.12 (not from this recording); MR plays the tune in two registers, and this is the lower of the two. The 'standard' version is on the previous track.]
60. Jig: The Maid on the Green / The Mountainy Boy [CICD 1202.11–.12 (from this recording), 1200 (not from this recording)]
61. Jig: The Trip to the Cottage [CICD 2180.11 (from this recording), 2179 (not from this recording)]
62. Reel: The Last House in Connacht [CICD 4437.11 (from this track on this recording); 4437.12–.13 (both from track B56 on this recording)]
63. Jig: Brian O'Lynn [CICD 1567.11 (from this recording); 1565 (not from this recording)]
64. Jig: The Rakes of Clonmel [CICD 1814.12 (from this recording); 1814.11 (where this recording is referenced); 1814 (not from this recording)]
65. Reel: London Bridge [CICD 2884.11 (from this recording); 2888, 2889, 5480 (not from this recording)]
66. Polka / March / Quadrille Tune: The Boyne Water [CICD 6508.14 (from this recording); 6508.11–.13 (not from this recording); CRE 2, # 124 (from MR)]
67. Reel: The Banshee / An Bhean Si [CICD 4864.11 (from this recording); 4864.12–.13, 5384.11 (none from this recording); tune is featured on the Flanagan Brothers 78 rpm disc titled 'The Flanagans Chase the Banshee']
68. Jig: Willie Walsh's Jig [CICD 2386.11 (from this recording); 2382 (not from this recording); DMI, # 88 (as Willy Walsh's Jig); related to The Wandering Minstrel]
69. Jig: The Little House under the Hill [CICD 2048.11 (from this recording); 2047 (not from this recording)]
70. Reel: The Ships Are Sailing [CICD 2962.11–.12 (from this recording)]
71. Reel: Untitled [CICD 5456.14 (from this recording); 4137.11, 5456.11–.13, 5456.15 (none from this recording)]
72. Jig: Untitled [CICD 1559.14 (from this recording); 1559.13, 1559.15 (none from this recording); CRE 2, # 67 (from MR); often played as a slide]
73. Reel: The Heather Breeze / The Heathery Breeze [CICD 3415.11–.12 (both from this track on this recording); 3415.13 (also from this recording; see 137a-ITMA-REEL/CDR, track 26); 2856.11, 2857, 3415.14 (none from this recording)]
74. Reel: Sean sa Cheo [CICD 3976.13–.14 (from this recording), 3976.11–.12, 5649 (none from this recording)]
75. Reel: The Boy in the Gap [CICD 3096.14–.15 (both from this track on this recording); CICD 3096.12–.13 (also from this recording; see 137a-ITMA-REEL/CDR, track 2); 3096.11, 3096.16, 3097 (none from this recording); standard version of this tune; for MR's 'old' version, see track A1]
76. Reel: Clochairin Ban, An [CICD 4514.11 (from this recording); 4513, 4514 (none from this recording); The Collier's Reel]
77. Reel: Untitled [CICD 4808.11 (from this recording), 4807.11 (not from this recording); Down the Broom]
78. Reel: The Gatehouse Maid [CICD 3051.11 (from this recording); 3062, 3068.11 (none from this recording); CRE 2, # 233 (not from MR)]
79. Jig: Cathaoir an Phiobaire [CICD 1993.11 (from this recording), 1993 (not from this recording); The Piper's Chair; CRE 1, # 9 (not from MR)]
80. Jig: Cathaoir an Phiobaire [as at previous track]
81. Reel: Knocknagow [CICD 4593.12 (from this recording); 4590, 4593.11 (none from this recording); Scotch Mary]
82. Reel: Over the Moor to Maggie / Over the Meadows / Down the Meadows / Kitty's Wedding / The Dublin Reel [CICD 2804.11 (from this recording); 2804.12, 2805 (not from this recording)]
83. Reel: The Star of Munster (standard version) [CICD 4162.12 (from this recording); 4162.11, 4163, 4164 (none from this recording)], The Star of Munster (concertina version) [CICD 4019.11 (from this recording)]
84. Reel: Untitled [CICD 4772.13 (from this recording); 4772, 4772.11–.12 (none from this recording); The Rainy Day]
85. Reel: Jackie Fitzpatrick's Reel / Jacky Fitzpatrick's Reel / Jack Fitz's Reel / Jackie Fitzgerald's Reel [CICD 5018.12, 4995.12 (both from this track on this recording); 4995.11 (also from this recording; see 137a-ITMA-REEL/CDR, track 19); 5016, 5017, 5018–5018.11 (none from this recording); CRE 2, # 225 (from MR); related to Dowd's Favourite / O'Dowd's Favourite as recorded by Michael Coleman?]
86. Slip Jig: Bimid ag Ol go dti Maidin [CICD 252.14 (from this recording); 252–252.13 (none from this recording); recorded from MR in two different registers, of which the higher one is here]
87. Reel: The Maid that Left the County [CICD 4288.13 (from this recording); 4288.12 (where this recording is referenced); 4286, 4288.11, 4288.14, 4289 (none from this recording); The Honeymoon (DMI, # 791)]
88. Reel: The Wind that Shakes the Barley [CICD 5757.13–.14 (both from this recording); 5757.11–.12 (both also from this recording?); 5743.11 (not from this recording)]
89. Reel: The Lady on the Island [CICD 5853.12–.13 (both from this recording); 5853.11 (not from this recording)]
90. Reel: The Five Mile Chase [CICD 2914.11 (from this recording); 2880–.11 (not from this recording)]
91. Reels: Sporting Nellie [CICD 5075.14 (from this recording); 5075.11–.13, 5075.15–.16 (none from this recording); Gorman's (CICD 5075, from Mrs Crotty); Sporting Nell]
92. Jig: The Walls of Liscarroll [CICD 1092.11 (from this recording); Tumble the Tinker; MR's An Bainbhin Dubh (related tune?)]
93. Reel: The Fermoy Lasses [CICD 3945.11 (from this recording)]
94. Reel: The Connemara Stockings [CICD 4006.11 (from this recording)]
95. Jig: The Battering Ram [CICD 2195.14–.15 (from this recording); 2195.12–.13 (not from this recording)]
96. Jig: Rory O'Moore [CICD 2195.11 (from this recording)]
97. Reel: The Top of the Morning [CICD 5277.11 (from this recording); 5276.11, 5277, 5277.12, 5278 (none from this recording); CRE 5, # 181 (from MR)]
98. Reel: The Bucks of Oranmore [CICD 5726.13–.14 (from this recording); 5482, 5725, 5726–.12 (none from this recording)]
99. Jig: An Rogaire Dubh [CICD 2620.11 (from this recording); 1858, 2620.12 (none from this recording); The Black Rogue]
100. Jig: McCormick's Jig [CICD 903.11–.12 (both from this recording)]
101. Jig: The Geese in the Bog [CICD 1809.13 (both from this recording?); 1809.12 (where this recording is referenced); 1809–.11, 1809.14 (none from this recording)]
102. Single Reel / Polka / Reel: Untitled [CICD 6496 (from this track on this recording); played here in polka-like tempo; All the Ways to Galway; for MR's version in reel tempo, see track A37.]
103. Reel: Untitled [CICD 4364.11 (from this recording); CRE 2, # 187 (not from MR)]
104. Reel: Untitled [CICD 5885.11–.12 (both from this recording)]
105. Jig: The Butcher's March / Hurrah for the Gallant Tipperary Boys / Lonely Old Hag Is It Tae You Want? / Hello You Old Hag Is It Tea You Want? / When Sick Is It Tea You Want? [CICD 2381.14 (from this recording); 2200.11–.12, 2224, 2381.12–.13 (none from this recording)]
106. Jig: The Walls of Liscarroll [CICD 2023.11 (from this recording); The Mug of Brown Ale; title 'The Walls of Liscarroll' given on card, in error?]
107. Jig: The Walls of Liscarroll [CICD 1483.11 (from this recording); not the tune of the same name at track B37; The Mouse in the Cupboard]
108. Jig: Cailleach a Mhairbh Me [CICD 2578.11 (from this recording); A Chailleach do Mhairis Me]
109. Hornpipe: The Flowers of Edinburgh [CICD 6256.11 (from this recording; '2 UCD 30' also given on the card as a source – in error? The tune does not appear on UCD 2)]
110. Reel: Peter Street [CICD 3440.11 (from this recording)]
111. Reel: The Last House in Connacht [CICD 4437.12–.13 (both from this track on this recording); 4437.11 (from track B7 on this recording)]
112. Jig: Happy to Meet and Sorry to Part [CICD 2127.11 (from this recording)]
113. Jig: Tom Hanna's [CICD 2374.11–.13 (all from this recording)]
114. Jig, Singing, Jig: Paddle My Own Canoe [CICD 1607.13 (from this recording)]; do. [sung version of the previous]; Back of the Haggard [CICD 1607.12 (from this recording), another version of the tune]
115. Reel: Untitled [CICD 5091.12–.13 (from this track on this recording); 5084.11–.14 (all also from this recording; see 137a-ITMA-REEL/CDR, track 20); 5091.11, 5093, 5096 (none from this recording); The Green Pigeon (title from CICD 5092, ex Pat Ward ms)]
116. Hornpipe: Dance the Figure of Eighty on the Blackbird's Back [CICD 6191.11 (from this recording); Bantry Bay (DMI, # 823); recorded by Michael Coleman with The Stack of Barley (?)] [END OF BAND TWO]

Performers:
Unidentified performer [Casey, Bobby, Clare / London], fiddle solo A1–3;
Unidentified performer [Clancy, Willie, Clare], pipes solo A4–6;
pipes in instrumental group A8;
Unidentified performer [Ennis, Seamus, Dublin], speech in Irish A7, 9;
speech in English A10;
Partially identified performer [Peadar], speech in Irish A7;
Unidentified performers, instrumental group A8;
Partially identified performer [O'Brien, Pat 'Cuckoo', Clare], speech in Irish A9;
speech in English A10;
Unidentified performer [Russell, Micho, Clare], flute in duet A11;
flute solo A13;
whistle solo A14;
Unidentified performer, lilting in duet A11;
lilting solo A12;
Unidentified performer, singing in English A15;
Unidentified performer, concertina solo A16–17

Running Order:
1. Hornpipes: Untitled [Murphy's Hornpipe; preceded by brief tone signal], Untitled [The Derry Hornpipe / The Londonderry Hornpipe; faded out]
2. Jigs: Untitled [The Rambling Pitchfork], Untitled [Jimmy O'Brien's Jig]
3. Reels: Untitled [Rakish Paddy; 4-part version as recorded on 78rpm disc by James Morrison, fiddle], Untitled [The Wheels of the World; faded out]
4. Reels: Untitled [The Copperplate], Untitled [Rakish Paddy]
5. Hornpipe: Untitled [The Plains of Boyle]
6. Jig: Untitled [Garrett Barry's Jig]
7. Speech: Untitled [Interview for radio; topics include: origins of the name of the town Ballyvaughan; why Connemara people no longer bring turf to Clare in boats; at one time there was heavy traffic in turf on the sea between Clare and Connemara; origin of the name Ceann Boirne; the landlords in north Clare; An Craoibhin Aoibhinn / Douglas Hyde had high praise for the dialect of Irish spoken in north Clare; the characteristics of the Irish spoken in north Clare; the prospects for the Irish language in the area]
8. Reels: Untitled [The Heather Breeze], Untitled [Miss McLeod's Reel]
9. Speech: Untitled [Interview for radio; topics include: looking after tourists in north Clare; high seas off north Clare; how the speaker and interviewer searched unsuccessfully for bales of rubber on Oilean na bPortan / Crab Island, off Doolin, Co Clare; how the speaker acquired the nickname 'Cuckoo']
10. Speech: Untitled [How the speaker acquired the nickname 'Cuckoo'; working as a lifeguard for the beach in Doolin, Co Clare; how the speaker and interviewer searched unsuccessfully for bales of rubber on Oilean na bPortan / Crab Island, off Doolin; travelling from Doolin to Inis Oirr by currach; the dangers of that crossing; drinking poteen]
11. Jig: Untitled [The Piper's Chair]
12. Jig: Untitled [The Piper's Chair]
13. Jig: Untitled [Donal na Greine]
14. Reel: Untitled [Boil the Breakfast Early]
15. Song: Untitled [Chorus begins 'My name is Mickey Moloney'; about Miltown Malbay, Co Clare]
16. Reel: Untitled [Gorman's Reel; related to Sporting Nell]
17. Jig: Untitled [Version of Kitty's Rambles / The Rambles of Kitty] [END OF BAND ONE]

Performers:
Ennis, Seamus, Dublin, speech in English A1, 3, 5;
pipes solo A16;
Mac Donnchadha, Sean / 'ac Dhonncha, Sean / Johnny Joe Pheaitsin / McDonagh, Johnny, Galway, singing in Irish A2;
Ni Gallchobhair, Cait, Donegal, singing in Irish A4;
Ni Mhuimhneachain, Cait, Cork, singing in Irish A6;
Reck, Tommy, Dublin, pipes solo A7–9;
Unidentified performer, fiddle solo A10–11;
Unidentified performer [Paddy Killoran, Sligo / USA?], fiddle solo A12–15

Running Order:
1. Speech: Untitled [Topics: Seamus Ennis's work as a collector with the Irish Folklore Commission; transcribing music from collections made by James Delargy and Luke Donnellan; collecting in the field; travelling by bicycle to Connemara; riches of music in Connemara; SE's collecting method; visiting an informant's home; how SE wrote music from informants; SE working at hay or at turf; sailing and fishing; singing style in Connemara; introduction to the next item]
2. Song: Bean an Fhir Rua / The Red-Haired Man's Wife
3. Speech: Untitled [Topics: SE's work as a collector, continued; style of folktale and of music is simpler in the north of Ireland than in the west and south; introduction to the next item]
4. Song: The Mermaid Song / An Mhaighdean Mhara
5. Speech: Untitled [Complexity in singing style in Connemara; singing style in Munster; introduction to the next item]
6. Song: A Mhaire Ni Laoghaire
7. Hornpipe: Untitled [Alexander's Hornpipe]
8. Jig: Untitled [Kitty's Rambles / The Rambles of Kitty]
9. Reel: Untitled [The Scholar] (fades out)
10. Hornpipe: Untitled (short, incomplete)
11. Set Dance: Untitled [The Job of Journeywork]
12. Hornpipes: Untitled [The Bashful Bachelor], Untitled [The Flowers of Ballymote]
13. Reels: Untitled, Untitled, Untitled [Sweeney's Dream]
14. Jigs: Untitled [The Hut on the Hill (CICD 1023); Paddy Killoran's; Andy McGann's], Untitled [The Rambler], Untitled [The Humours of Bantry]
15. Reels: Untitled [The Master's Return], Untitled, Untitled [Dillon Brown]
16. Reels: Untitled [The Steampacket; The Mountain Lark], Untitled [The Sligo Maid's Lament; The Sligo Maid], Untitled [The Flax in Bloom] (clipped at end)
17. Miscellaneous: Untitled [Tape noise, including sound of original tape being rewound] [END OF BAND ONE]