Collection CMO-18707 - Christy Moore Collection

Christy Moore Collection. Reel-to-Reel 1 [sound recording] / [various performers] Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 1 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 2 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 3 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 4 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 5 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 6 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 7 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 8 Christy Moore Collection. Reel-to-Reel 2 [sound recording] / [various performers]. Track 9
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Identity area

Reference code

CMO-18707

Title

Christy Moore Collection

Date(s)

Level of description

Collection

Extent and medium

2 audio recordings

Context area

Name of creator

Biographical history

Moore, Christy. (1945– ). Singer, songwriter. Born in Newbridge, Co. Kildare, to Andy Moore from that town, and Neans de Paor of Yellow Furze, Navan. From his mother he learned to sing, and became absorbed in rock ’n’ roll initially, then was deeply moved by the Clancy Brothers. He learned guitar in 1961 from Dónal Lunny, and while still in his teens he formed with him a duo, The Rakes of Kildare. He worked briefly in the Bank of Ireland, but left during the strike of 1966 to tour folk clubs in England, during his stay there recording his first album, Paddy on the Road, with Dominic Behan as producer. Out of Ireland he was influenced by music heard in pubs in Fulham, Camden Town, Cricklewood, Moss Side, Glasgow and Blairgowrie. Singers John Reilly, Luke Kelly, Ewan MacColl, Martin Carthy, Hamish Imlach, Joe Heaney and Annie Briggs also influenced him.
Planxty. He returned to Ireland in 1971, and recorded Prosperous, released in 1972. With three of the musicians who played on that album – Liam O’Flynn, Dónal Lunny and Andy Irvine – he formed the group Planxty, the most popular band of the 1970s. When they split in 1975 he pursued a solo career; they re-formed in 1978, but within a few years Moore and Lunny had left to form Moving Hearts. He left after that band’s second album and developed a successful solo career, playing to huge audiences at home and abroad. An uncompromisingly political singer, Moore has espoused such causes as the Carnsore Point antinuclear protest, H-Block hunger strikes and the lot of the ordinary worker. His lyrics are intense, rhythmical in a ‘talking blues’ style, and when not (as sometimes), bitingly sarcastic, moralistic, sentimental or angry, can radiate an intense humorous understatement. Other members of the Moore family are involved in music. Brother Barry performs as ‘Luka Bloom’, nephew Conor Byrne plays flute (album Wind Dancer).
recordings. Moore performed on all of Planxty’s recordings and on Moving Hearts (1982) and The Dark End of the Street (1982) with Moving Hearts. By 2009 he had recorded twenty-six solo albums, as well as six with Planxty and two with Moving Hearts. Although Moore retired from public performance in 1998, like many others he returns to the stage intermittently. In 1994 Hummingbird recorded Christy, a documentary for RTÉ on his life and music, and another, Live at the Point, in 2006. His choice of songs, including his own lyrics, are recorded in Frank Connolly’s 1984 The Christy Moore Songbook, and his own autobiographical One Voice in 2000.

Archival history

The first reel-to-reel tape in this collection was deposited in ITMA by Christy Moore in. The second tape was loaned to ITMA for copying Sept 2002, but not for public access, by Catherine Rutter, Studio Manager, Windmill Lane Recording via Christy Moore

Immediate source of acquisition or transfer

Content and structure area

Scope and content

Collection comprises reel-to-reel tape recordings featuring Christy Moore and Dan O'Dowd.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

In copyright

Language of material

  • English
  • Irish

Script of material

Language and script notes

Physical characteristics and technical requirements

Finding aids

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Notes area

Alternative identifier(s)

Access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

IE ITMA

Rules and/or conventions used

ISAD(G): General International Standard Archival Description. 2 nd ed. Ottawa: International Council on Archives, 2000.
Irish Guidelines for Archival Description. Ireland: Society of Archivists, 2009
Anglo-American cataloguing rules. 2nd ed., 1988 revision. Ottawa : Chicago: Canadian Library Association.

Status

Level of detail

Partial

Dates of creation revision deletion

Language(s)

  • English

Script(s)

Sources

Fintan Vallely, ed., The companion to Irish traditional music. 2nd ed. Cork University Press, 2011

Accession area

Related people and organizations

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