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Authority record
Collector

Morton, Robin

  • IE ITMA P00013
  • Person
Robin Morton was born in Portadown, Co. Armagh. A singer, writer, publisher, collector, band manager, Morton also played the concertina and bodhrán with the band Boys of the Lough which he formed in 1967 along with musicians Cathal McConnell and Tommy Gunn. He founded the Queen’s Folk Music Society, which met in the famous Anatomy Theater, Belfast, with superb acoustics but intimidating anatomical visuals. Belfast Folk Song Club, Morton was also a member. He began collecting songs in the 1960s, Paddy McMahon introduced him to singer John (Jock) Maguire of Roslea, who became the subject of Morton’s Come Day, Go Day, God Send Sunday, a book and LP of John Maguire and his songs. Morton worked as a producer for Topic Records before founding the record label Temple Records in 1978. He is married to clarsach player Alison Kinnaird.

O'Hara, Aidan, 1939-2023

  • IE ITMA P00009
  • Person
  • 1937-2023

Born in Co Donegal and now living in Longford, Aidan O’Hara is an award-winning broadcaster, writer, and historian. Through his travels for work and education, he also became an accidental collector of songs, music, and oral history.

Aidan qualified as a teacher at St Mary’s College in Dublin (now known as the Marino Institute of Education). As a young graduate, he moved to Canada and found work teaching in British Columbia—Canada’s most westerly province. That’s where he met Joyce Kuntz: a fine teacher and a singer, and important collaborator on many of Aidan’s subsequent endeavours.

Over the next several years, the young couple lived in a number of locales. They relocated to Ontario, Joyce’s home, and were married there in 1965. They taught near Ottawa for a year before moving into the capital city. While continuing to teach, they also sang in a folk group that featured on local stages, television, and radio. Aidan also pursed part-time studies at the University of Ottawa.

Aidan’s time in Ottawa also led to his acquaintance with Delia Murphy, the Mayo-born songstress. This chance meeting became the foundation for the biography that he published many years later: I’ll Live ‘til I Die’: The Story of Delia Murphy (1997) was the featured book on RTÉ’s Book on One in May 2005.

When Aidan and Joyce moved to Ireland in 1969, they settled their young family in Dublin, and Aidan began his career with Raidió Telefís Éireann (RTÉ). Aidan, however, was interested in furthering his education. So after a few short years, in 1973 Aidan and Joyce packed up their belongings, and their four young children, and headed to St John’s, Newfoundland—Canada’s most easterly city.

Aidan attended Memorial University of Newfoundland, taking courses in folklore, history, and cultural geography. It was there that Aidan met Galway-born scholar John Mannion, a professor of geography and expert on the Irish presence in Eastern and Atlantic Canada. John introduced Aidan to the people of the Cape Shore, sparking the friendships that inspired Aidan to make the recordings featured in the ITMA exhibition A Grand Time.

To make ends meet for his young family, Aidan continued his work as a broadcaster. He worked with the Canadian Broadcasting Corporation (CBC) in St John’s, presenting the Saturday evening radio programme Friends and Neighbours. He was also a regular on a series that broadcast across all of Canada: All around the Circle. And, in the autumn of 1975, he took an appointment as the deputy head of School Broadcasts (the Department of Education series that went out on CBC Radio). Aidan’s ongoing work in radio and television provided a forum and opportunity to share some of his recordings. During the mid-1970s, the voices of “The Branch Crowd,” as they came to be known, were exposed to an island-wide audience.

Aidan was active in the cultural and academic life of St John’s. During the mid-1970s, he took on the role of Vice-President with the St John’s Folk Arts Council (the organisation now known as the NL Folk Arts Society). His work with the Folk Arts Council culminated in the founding of the Newfoundland Folk Festival—a now-annual event—in August 1977. He was the programme director for the Festival for the first two years. As was so often the case, this endeavour was a family affair: Joyce coordinated food and lodgings for the many singers, musicians, dancers, and storytellers who travelled to St John’s for the festival.

Aidan was also the founding president of the Irish Newfoundland Association. Initially, the purpose of the organisation was to ensure that the Irish American Cultural Institute had a reason to include St John’s on its annual tour. This tour featured visits to North American cities by leading figures from Irish life. Aidan spoke on Newfoundland-Irish ties as part of the Institute’s 1976 tour.

Aidan was sometimes asked to facilitate Irish guests to the province. Following the 1976 Olympic Games in Montréal, Irish politician John Bruton stopped off in Newfoundland for a short holiday. The Ottawa-based Irish Embassy asked Aidan to coordinate the visit: Aidan took Mr Bruton to visit with Anthony and Mary Power in Branch and arranged for him to stay with John and Maura Mannion in St John’s.

These brief holiday encounters proved formative 20 years later when Taoiseach Bruton negotiated and signed a Memorandum of Understanding with Newfoundland Premier Brian Tobin in 1996. This agreement provides ongoing ties between the cultural, educational, and business sectors of Newfoundland and Ireland.

Following his return from Canada, Aidan presented three acclaimed Radharc-produced documentaries on the Irish of Newfoundland—one of them the award-winning, The Forgotten Irish (1981). The broadcasts aired on RTE 1 in 1980 and 1981, and segments were later included in the BBC’s Emmy-award winning mini-series, The Story of English.

Moreover, as RTÉ employed Aidan as a broadcaster after his return from Newfoundland, much as they had in St John’s, selections from his Cape Shore field recordings occasionally made it into his broadcasts. Since retiring, Aidan continues to consult on radio TV series focusing on the connection between Newfoundland and Ireland.

While no longer active as a broadcaster, Aidan works as a writer and researcher. His interests are wide-ranging, though “the Newfoundland connection” continues to inflect his work. In 1991, he published the “The Irish in Newfoundland” in The Emigrant Experience (Galway Labour History Group, 1991). In 1998, his telling of the story of the Irish in Newfoundland, Na Gaeil i dTalamh an Éisc, won the Oireachtas ‘97 literary award for a work in prose. It was also nominated for The Irish Times Literature Prize in 1999 for a work in the Irish language.

Aidan is a keen historian with a special interest in the Irish emigration experience. He is an active member of the Co Longford Historical Society and contributes regularly to the society’s journal, Teabhtha. His articles and editorials have appeared in Irish Music Magazine, and a variety of other journals and newspapers in Ireland. He is also a member of the Knocklyon History Society (Dublin) and the Co Donegal Historical Society. Aidan is Chairman of the Emmet and Devlin Committee, and was a founding member of the Association of Canadian Studies in Ireland.

In 2018, Aidan was awarded the NL Folk Arts Society Lifetime Achievement in recognition of his work.

Shields, Hugh, 1929-2008

  • IE ITMA P00015
  • Person
  • 1929-2008

Shields, Hugh, (1929–2008). Singer, collector, researcher, writer and publisher, leading authority on Irish traditional song with an international reputation. Born in Belfast, he spent most of his life in Dublin, where he studied at Trinity College and became a senior lecturer in French there. He was an emeritus fellow of the college. A specialist in medieval French and other European languages, he had a particular interest in questions of orality and dialect which were common to his professional studies and to his lifelong and highly productive interest in Irish and other traditional song.

From 1982 to 2002 he also lectured on Irish traditional music in the School of Music, TCD, with Breandán Breathnach, Caitlín Uí Éigeartaigh and Nicholas Carolan, and in 1985 spent a period lecturing in the Department of Ethnomusicology in the University of California, Los Angeles. He also lectured widely at traditional music festivals and summer schools.

Song:
Shields’s parents gave him his initial interest in singing. As a young graduate teaching in north Co. Derry in 1953 and beginning his work of collection, he first met with the road-worker Eddie Butcher, his main source-singer and friend. Butcher was central to his publishing of traditional song in print and on sound recordings for the next five decades. With his wife Lisa, Shields also collected in Donegal, Down, Wexford and Wicklow, in France, and elsewhere, and he collaborated with the Dublin collector Tom Munnelly.

He edited selections from his field recordings – among them Adam in Paradise; Shamrock, Rose and Thistle 1–3; Old British Ballads of Donegal and Derry; and Chants Corréziens: French Folk Songs from Corrèze – for the record companies Topic and Leader Sound, for the Ulster Folk and Transport Museum, and for his own cassette label European Ethnic Oral Traditions.

Publications:
His many seminal published studies of Irish traditional song, which were complex and detailed, appear in leading national and international journals including Ceol, Ulster Folklife, Hermathena, Long Room, Folklife, Folklore, and the Yearbook of the International Folk Music Council.

His books include Shamrock, Rose and Thistle: Folk Singing in North Derry (1981), Ballad Research (1986), Narrative Singing in Ireland: Lays, Ballads, Come-All-Yes and Other Songs (1993), all standard works.

Shields had a particular involvement with the Folk Music Society of Ireland – of which he was a founding member in 1971 – and was the editor for it of its newsletter Ceol Tíre (1973–89), its journal Éigse Cheol Tíre – Irish Folk Music Studies (1973–2001), and other publications. He was also a founding board member of the ITMA from 1987. His varied contributions to its development included the donation to it of his large collection of field recordings, and the editing of its publication Tunes of the Munster Pipers: Irish Traditional Music from the James Goodman Manuscripts (1998).

The 2011 book – All the Days of His Life: Eddie Butcher in his own words: songs, stories and memories of Magilligan, Co Derry – was his final work, jointly edited by him and his wife Lisa. [NIC]

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